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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 215 50 it is the complementary color RGB 30 40 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 215 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 225 215 50: RGB 230 215 45, RGB 247 233 64, RGB 255 251 83, RGB 255 255 102 and RGB 255 255 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 215 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 225 215 50: RGB 225 215 50, RGB 208 197 31, RGB 191 179 12, RGB 174 161 0 and RGB 157 143 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 78 / 12

HEX #E1D732

RGB 225 215 50

HSL 56.57, 0.74%, 0.54%

LAB 84.4, -13.78, 75.68

 

Complementary color

CMYK 85 / 80 / 0 / 20

HEX #1E28CD

RGB 30 40 205

HSL 236.57, 0.74%, 0.46%

LAB 29.91, 55.09, -83.25

 

CMYK 0 / 7 / 80 / 10

HEX #E6D72D

RGB 230 215 45

HSL 55.14, 0.79%, 0.54%

LAB 84.8, -11.83, 77.58

 

CMYK 0 / 6 / 74 / 3

HEX #F7E940

RGB 247 233 64

HSL 55.41, 0.92%, 0.61%

LAB 90.97, -12.97, 78.06

 

CMYK 0 / 2 / 67 / 0

HEX #FFFB53

RGB 255 251 83

HSL 58.6, 1%, 0.66%

LAB 96.36, -17.6, 76.99

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF66

RGB 255 255 102

HSL 60, 1%, 0.7%

LAB 97.53, -18.44, 70.9

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 0 / 4 / 78 / 12

HEX #E1D732

RGB 225 215 50

HSL 56.57, 0.74%, 0.54%

LAB 84.4, -13.78, 75.68

 

CMYK 0 / 5 / 85 / 18

HEX #D0C51F

RGB 208 197 31

HSL 56.27, 0.74%, 0.47%

LAB 78.13, -12.55, 74.62

 

CMYK 0 / 6 / 94 / 25

HEX #BFB30C

RGB 191 179 12

HSL 55.98, 0.88%, 0.4%

LAB 71.79, -11.11, 72.29

 

CMYK 0 / 7 / 100 / 32

HEX #AEA100

RGB 174 161 0

HSL 55.52, 1%, 0.34%

LAB 65.35, -9.45, 68.33

 

CMYK 0 / 9 / 100 / 38

HEX #9D8F00

RGB 157 143 0

HSL 54.65, 1%, 0.31%

LAB 58.8, -7.59, 62.9

 

CMYK 0 / 4 / 78 / 12

HEX #E1D732

RGB 225 215 50

HSL 56.57, 0.74%, 0.54%

LAB 84.4, -13.78, 75.68

 

CMYK 8 / 0 / 78 / 12

HEX #CFE032

RGB 207 224 50

HSL 65.86, 0.74%, 0.54%

LAB 85.41, -25.65, 76.05

 

CMYK 21 / 0 / 78 / 12

HEX #B2E032

RGB 178 224 50

HSL 75.86, 0.74%, 0.54%

LAB 83.45, -37.25, 73.54

 

CMYK 33 / 0 / 78 / 12

HEX #95E032

RGB 149 224 50

HSL 85.86, 0.74%, 0.54%

LAB 81.8, -48.03, 71.43

 

CMYK 46 / 0 / 78 / 12

HEX #78E032

RGB 120 224 50

HSL 95.86, 0.74%, 0.54%

LAB 80.48, -57.56, 69.72

 

CMYK 0 / 4 / 78 / 12

HEX #E1D732

RGB 225 215 50

HSL 56.57, 0.74%, 0.54%

LAB 84.4, -13.78, 75.68

 

CMYK 0 / 5 / 76 / 92

HEX #151405

RGB 21 20 5

HSL 56.25, 0.62%, 0.05%

LAB 6.06, -2.08, 6.98

 

CMYK 0 / 4 / 78 / 72

HEX #484510

RGB 72 69 16

HSL 56.79, 0.64%, 0.17%

LAB 28.57, -6.09, 30.82

 

CMYK 0 / 4 / 78 / 52

HEX #7B761B

RGB 123 118 27

HSL 56.88, 0.64%, 0.29%

LAB 48.57, -9.05, 47.23

 

CMYK 0 / 5 / 78 / 32

HEX #AEA627

RGB 174 166 39

HSL 56.44, 0.63%, 0.42%

LAB 66.84, -11.2, 61.61

 

CMYK 0 / 4 / 78 / 12

HEX #E1D732

RGB 225 215 50

HSL 56.57, 0.74%, 0.54%

LAB 84.4, -13.78, 75.68

 

CMYK 78 / 0 / 67 / 12

HEX #32E04A

RGB 50 224 74

HSL 128.28, 0.74%, 0.54%

LAB 78.74, -70.97, 59.02

 

CMYK 36 / 78 / 0 / 12

HEX #8F32E0

RGB 143 50 224

HSL 272.07, 0.74%, 0.54%

LAB 43.51, 67.74, -71.44

 

CMYK 0 / 4 / 78 / 12

HEX #E1D732

RGB 225 215 50

HSL 56.57, 0.74%, 0.54%

LAB 84.4, -13.78, 75.68

 

CMYK 78 / 0 / 5 / 12

HEX #32E0D4

RGB 50 224 212

HSL 175.86, 0.74%, 0.54%

LAB 81.15, -44.51, -6.36

 

CMYK 5 / 78 / 0 / 12

HEX #D432E0

RGB 212 50 224

HSL 295.86, 0.74%, 0.54%

LAB 53.66, 79.79, -54.54

 

CMYK 0 / 4 / 78 / 12

HEX #E1D732

RGB 225 215 50

HSL 56.57, 0.74%, 0.54%

LAB 84.4, -13.78, 75.68

 

CMYK 78 / 0 / 67 / 12

HEX #32E04A

RGB 50 224 74

HSL 128.28, 0.74%, 0.54%

LAB 78.74, -70.97, 59.02

 

CMYK 78 / 72 / 0 / 12

HEX #323EE0

RGB 50 62 224

HSL 235.86, 0.74%, 0.54%

LAB 36.94, 50.7, -82.55

 

CMYK 0 / 78 / 10 / 12

HEX #E032C9

RGB 224 50 201

HSL 307.93, 0.74%, 0.54%

LAB 54.39, 78.7, -40.14

 

CMYK 0 / 4 / 78 / 12

HEX #E1D732

RGB 225 215 50

HSL 56.57, 0.74%, 0.54%

LAB 84.4, -13.78, 75.68

 

CMYK 78 / 0 / 44 / 12

HEX #32E07E

RGB 50 224 126

HSL 146.21, 0.74%, 0.54%

LAB 79.33, -64.01, 36.01

 

CMYK 78 / 72 / 0 / 12

HEX #323EE0

RGB 50 62 224

HSL 235.86, 0.74%, 0.54%

LAB 36.94, 50.7, -82.55

 

CMYK 0 / 78 / 33 / 12

HEX #E03295

RGB 224 50 149

HSL 325.86, 0.74%, 0.54%

LAB 52.17, 72.24, -13.16

 

Description

Color code: RGB 225 215 50 | qconv.com Color code: RGB 225 215 50 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 215 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 215 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 78 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 78% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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