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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5DF8C it is the complementary color #0A2073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5DF8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5DF8C shade: #FADF87, #FFF19A, #FFFFAD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5DF8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5DF8C shade: #F5DF8C, #E4CD79, #D3BB66, #C2A953 and #B19740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5DF8C shade: #F5DE8A, #F5C18A, #F5A58A and #F58A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5DF8C shade: #F5DE8A, #EEF58A, #D1F58A, #B5F58A and #98F58A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5DF8C shade matches the following richer shades: #F5DE8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5DF8C shade: #F5DE8A, #EAD894, #E0D29E, #D6CCA9 and #CCC6B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5DF8C shade: #F5A48A, #F5C18A, #F5DE8A, #EFF58A and #D3F58A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5DF8C shade: #EEC93E, #F1D464, #F5DE8A, #F8E9B0 and #FBF3D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5DF8C shade: #F5DF8C, #8BF58A and #B38AF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5DF8C shade: #F5DF8C, #8AF5DE and #DE8AF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5DF8C shade: #F5DF8C, #8BF58A, #8AA1F5 and #F38AF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5DF8C shade: #F5DF8C, #8AF5A8, #8AA1F5 and #F58AD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 43 / 4

HEX #F5DF8C

RGB 245 223 140

HSL 47.43, 0.84%, 0.75%

LAB 88.96, -3.53, 43.33

 

Complementary color

CMYK 91 / 72 / 0 / 55

HEX #0A2073

RGB 10 32 115

HSL 227.43, 0.84%, 0.25%

LAB 17.16, 27.09, -49.4

 

CMYK 0 / 11 / 46 / 2

HEX #FADF87

RGB 250 223 135

HSL 45.91, 0.92%, 0.75%

LAB 89.32, -2.04, 46.34

 

CMYK 0 / 5 / 40 / 0

HEX #FFF19A

RGB 255 241 154

HSL 51.68, 1%, 0.8%

LAB 94.53, -7.24, 43.68

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 9 / 43 / 4

HEX #F5DF8C

RGB 245 223 140

HSL 47.43, 0.84%, 0.75%

LAB 88.96, -3.53, 43.33

 

CMYK 0 / 10 / 47 / 11

HEX #E4CD79

RGB 228 205 121

HSL 47.1, 0.66%, 0.68%

LAB 82.67, -2.96, 44.54

 

CMYK 0 / 11 / 52 / 17

HEX #D3BB66

RGB 211 187 102

HSL 46.79, 0.55%, 0.61%

LAB 76.28, -2.29, 45.78

 

CMYK 0 / 13 / 57 / 24

HEX #C2A953

RGB 194 169 83

HSL 46.49, 0.48%, 0.54%

LAB 69.8, -1.51, 47.01

 

CMYK 0 / 15 / 64 / 31

HEX #B19740

RGB 177 151 64

HSL 46.19, 0.47%, 0.47%

LAB 63.22, -0.56, 48.16

 

CMYK 0 / 9 / 44 / 4

HEX #F5DE8A

RGB 245 222 138

HSL 47.1, 0.84%, 0.75%

LAB 88.68, -3.22, 43.97

 

CMYK 0 / 21 / 44 / 4

HEX #F5C18A

RGB 245 193 138

HSL 30.84, 0.84%, 0.75%

LAB 81.5, 11.75, 34.76

 

CMYK 0 / 33 / 44 / 4

HEX #F5A58A

RGB 245 165 138

HSL 15.14, 0.84%, 0.75%

LAB 74.92, 26.5, 26.04

 

CMYK 0 / 44 / 44 / 4

HEX #F58A8A

RGB 245 138 138

HSL 0, 0.84%, 0.75%

LAB 69.06, 40.55, 18.05

 

CMYK 0 / 9 / 44 / 4

HEX #F5DE8A

RGB 245 222 138

HSL 47.1, 0.84%, 0.75%

LAB 88.68, -3.22, 43.97

 

CMYK 3 / 0 / 44 / 4

HEX #EEF58A

RGB 238 245 138

HSL 63.93, 0.84%, 0.75%

LAB 94.02, -17.38, 50.51

 

CMYK 15 / 0 / 44 / 4

HEX #D1F58A

RGB 209 245 138

HSL 80.19, 0.84%, 0.75%

LAB 92, -28.32, 47.56

 

CMYK 26 / 0 / 44 / 4

HEX #B5F58A

RGB 181 245 138

HSL 95.89, 0.84%, 0.75%

LAB 90.3, -38.31, 45.07

 

CMYK 38 / 0 / 44 / 4

HEX #98F58A

RGB 152 245 138

HSL 112.15, 0.84%, 0.75%

LAB 88.84, -47.74, 42.91

 

CMYK 0 / 9 / 44 / 4

HEX #F5DE8A

RGB 245 222 138

HSL 47.1, 0.84%, 0.75%

LAB 88.68, -3.22, 43.97

 

CMYK 0 / 9 / 44 / 4

HEX #F5DE8A

RGB 245 222 138

HSL 47.1, 0.84%, 0.75%

LAB 88.68, -3.22, 43.97

 

CMYK 0 / 8 / 37 / 8

HEX #EAD894

RGB 234 216 148

HSL 47.44, 0.67%, 0.75%

LAB 86.38, -3.41, 35.8

 

CMYK 0 / 6 / 29 / 12

HEX #E0D29E

RGB 224 210 158

HSL 47.27, 0.52%, 0.75%

LAB 84.18, -2.98, 27.57

 

CMYK 0 / 5 / 21 / 16

HEX #D6CCA9

RGB 214 204 169

HSL 46.67, 0.35%, 0.75%

LAB 82.03, -2.15, 18.72

 

CMYK 0 / 3 / 12 / 20

HEX #CCC6B3

RGB 204 198 179

HSL 45.6, 0.2%, 0.75%

LAB 79.89, -1.16, 10.26

 

CMYK 0 / 33 / 44 / 4

HEX #F5A48A

RGB 245 164 138

HSL 14.58, 0.84%, 0.75%

LAB 74.7, 27.03, 25.74

 

CMYK 0 / 21 / 44 / 4

HEX #F5C18A

RGB 245 193 138

HSL 30.84, 0.84%, 0.75%

LAB 81.5, 11.75, 34.76

 

CMYK 0 / 9 / 44 / 4

HEX #F5DE8A

RGB 245 222 138

HSL 47.1, 0.84%, 0.75%

LAB 88.68, -3.22, 43.97

 

CMYK 2 / 0 / 44 / 4

HEX #EFF58A

RGB 239 245 138

HSL 63.36, 0.84%, 0.75%

LAB 94.09, -16.99, 50.62

 

CMYK 14 / 0 / 44 / 4

HEX #D3F58A

RGB 211 245 138

HSL 79.07, 0.84%, 0.75%

LAB 92.13, -27.58, 47.75

 

CMYK 0 / 16 / 74 / 7

HEX #EEC93E

RGB 238 201 62

HSL 47.39, 0.84%, 0.59%

LAB 82, -0.73, 70

 

CMYK 0 / 12 / 59 / 5

HEX #F1D464

RGB 241 212 100

HSL 47.66, 0.83%, 0.67%

LAB 85.36, -2.97, 58

 

CMYK 0 / 9 / 44 / 4

HEX #F5DE8A

RGB 245 222 138

HSL 47.1, 0.84%, 0.75%

LAB 88.68, -3.22, 43.97

 

CMYK 0 / 6 / 29 / 3

HEX #F8E9B0

RGB 248 233 176

HSL 47.5, 0.84%, 0.83%

LAB 92.3, -3.35, 29.6

 

CMYK 0 / 3 / 15 / 2

HEX #FBF3D6

RGB 251 243 214

HSL 47.03, 0.82%, 0.91%

LAB 95.77, -2.01, 14.95

 

CMYK 0 / 9 / 43 / 4

HEX #F5DF8C

RGB 245 223 140

HSL 47.43, 0.84%, 0.75%

LAB 88.96, -3.53, 43.33

 

CMYK 43 / 0 / 44 / 4

HEX #8BF58A

RGB 139 245 138

HSL 119.44, 0.84%, 0.75%

LAB 88.27, -51.58, 42.07

 

CMYK 27 / 44 / 0 / 4

HEX #B38AF5

RGB 179 138 245

HSL 262.99, 0.84%, 0.75%

LAB 65.24, 37.08, -48.1

 

CMYK 0 / 9 / 43 / 4

HEX #F5DF8C

RGB 245 223 140

HSL 47.43, 0.84%, 0.75%

LAB 88.96, -3.53, 43.33

 

CMYK 44 / 0 / 9 / 4

HEX #8AF5DE

RGB 138 245 222

HSL 167.1, 0.84%, 0.75%

LAB 89.85, -36.29, 1.43

 

CMYK 9 / 44 / 0 / 4

HEX #DE8AF5

RGB 222 138 245

HSL 287.1, 0.84%, 0.75%

LAB 69.68, 49.08, -40.82

 

CMYK 0 / 9 / 43 / 4

HEX #F5DF8C

RGB 245 223 140

HSL 47.43, 0.84%, 0.75%

LAB 88.96, -3.53, 43.33

 

CMYK 43 / 0 / 44 / 4

HEX #8BF58A

RGB 139 245 138

HSL 119.44, 0.84%, 0.75%

LAB 88.27, -51.58, 42.07

 

CMYK 44 / 34 / 0 / 4

HEX #8AA1F5

RGB 138 161 245

HSL 227.1, 0.84%, 0.75%

LAB 67.64, 13.26, -44.55

 

CMYK 1 / 44 / 0 / 4

HEX #F38AF5

RGB 243 138 245

HSL 298.88, 0.84%, 0.75%

LAB 72.11, 55.08, -36.85

 

CMYK 0 / 9 / 43 / 4

HEX #F5DF8C

RGB 245 223 140

HSL 47.43, 0.84%, 0.75%

LAB 88.96, -3.53, 43.33

 

CMYK 44 / 0 / 31 / 4

HEX #8AF5A8

RGB 138 245 168

HSL 136.82, 0.84%, 0.75%

LAB 88.7, -47.13, 27.68

 

CMYK 44 / 34 / 0 / 4

HEX #8AA1F5

RGB 138 161 245

HSL 227.1, 0.84%, 0.75%

LAB 67.64, 13.26, -44.55

 

CMYK 0 / 44 / 13 / 4

HEX #F58AD6

RGB 245 138 214

HSL 317.38, 0.84%, 0.75%

LAB 71.18, 50.48, -21.24

 

Description

Color code: HEX #F5DF8C | qconv.com Color code: HEX #F5DF8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 223 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 223 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 43 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 43% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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