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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5F58A it is the complementary color #4A0A75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5F58A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5F58A shade: #BAF585, #CBFF98, #DCFFAB, #EDFFBE and #FEFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5F58A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5F58A shade: #B5F58A, #A4E377, #93D164, #82BF51 and #71AD3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5F58A shade: #B5F58A, #D2F58A, #EEF58A, #F5DE8A and #F5C18A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5F58A shade: #B5F58A, #98F58A, #8AF598, #8AF5B5 and #8AF5D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5F58A shade matches the following richer shades: #B5F58A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5F58A shade: #B5F58A, #B7EA94, #B9E09E, #BBD6A9 and #BDCCB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5F58A shade: #EFF58A, #D3F58A, #B6F58A, #9AF58A and #8AF596

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5F58A shade: #85EE3E, #9DF164, #B5F58A, #CDF8B0 and #E5FBD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5F58A shade: #B5F58A, #8AF5DE and #F58AE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5F58A shade: #B5F58A, #8AB6F5 and #F58AB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5F58A shade: #B5F58A, #8AF5DE, #C88AF5 and #F58AA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5F58A shade: #B5F58A, #8AECF5, #C88AF5 and #F5938A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 44 / 4

HEX #B5F58A

RGB 181 245 138

HSL 95.89, 0.84%, 0.75%

LAB 90.3, -38.31, 45.07

 

Complementary color

CMYK 37 / 91 / 0 / 54

HEX #4A0A75

RGB 74 10 117

HSL 275.89, 0.84%, 0.25%

LAB 19.87, 46.04, -46.01

 

CMYK 24 / 0 / 46 / 4

HEX #BAF585

RGB 186 245 133

HSL 91.61, 0.85%, 0.74%

LAB 90.52, -37.17, 47.81

 

CMYK 20 / 0 / 40 / 0

HEX #CBFF98

RGB 203 255 152

HSL 90.29, 1%, 0.8%

LAB 94.52, -33.48, 43.91

 

CMYK 14 / 0 / 33 / 0

HEX #DCFFAB

RGB 220 255 171

HSL 85, 1%, 0.84%

LAB 95.86, -25.05, 36.53

 

CMYK 7 / 0 / 25 / 0

HEX #EDFFBE

RGB 237 255 190

HSL 76.62, 1%, 0.87%

LAB 97.33, -16.43, 29.18

 

CMYK 0 / 0 / 18 / 0

HEX #FEFFD1

RGB 254 255 209

HSL 61.3, 1%, 0.91%

LAB 98.9, -7.69, 21.93

 

CMYK 26 / 0 / 44 / 4

HEX #B5F58A

RGB 181 245 138

HSL 95.89, 0.84%, 0.75%

LAB 90.3, -38.31, 45.07

 

CMYK 28 / 0 / 48 / 11

HEX #A4E377

RGB 164 227 119

HSL 95, 0.66%, 0.68%

LAB 84.05, -38.38, 46.22

 

CMYK 30 / 0 / 52 / 18

HEX #93D164

RGB 147 209 100

HSL 94.13, 0.54%, 0.61%

LAB 77.71, -38.41, 47.36

 

CMYK 32 / 0 / 58 / 25

HEX #82BF51

RGB 130 191 81

HSL 93.27, 0.46%, 0.53%

LAB 71.28, -38.37, 48.45

 

CMYK 35 / 0 / 64 / 32

HEX #71AD3E

RGB 113 173 62

HSL 92.43, 0.47%, 0.46%

LAB 64.76, -38.24, 49.37

 

CMYK 26 / 0 / 44 / 4

HEX #B5F58A

RGB 181 245 138

HSL 95.89, 0.84%, 0.75%

LAB 90.3, -38.31, 45.07

 

CMYK 14 / 0 / 44 / 4

HEX #D2F58A

RGB 210 245 138

HSL 79.63, 0.84%, 0.75%

LAB 92.06, -27.95, 47.65

 

CMYK 3 / 0 / 44 / 4

HEX #EEF58A

RGB 238 245 138

HSL 63.93, 0.84%, 0.75%

LAB 94.02, -17.38, 50.51

 

CMYK 0 / 9 / 44 / 4

HEX #F5DE8A

RGB 245 222 138

HSL 47.1, 0.84%, 0.75%

LAB 88.68, -3.22, 43.97

 

CMYK 0 / 21 / 44 / 4

HEX #F5C18A

RGB 245 193 138

HSL 30.84, 0.84%, 0.75%

LAB 81.5, 11.75, 34.76

 

CMYK 26 / 0 / 44 / 4

HEX #B5F58A

RGB 181 245 138

HSL 95.89, 0.84%, 0.75%

LAB 90.3, -38.31, 45.07

 

CMYK 38 / 0 / 44 / 4

HEX #98F58A

RGB 152 245 138

HSL 112.15, 0.84%, 0.75%

LAB 88.84, -47.74, 42.91

 

CMYK 44 / 0 / 38 / 4

HEX #8AF598

RGB 138 245 152

HSL 127.85, 0.84%, 0.75%

LAB 88.44, -49.78, 35.38

 

CMYK 44 / 0 / 26 / 4

HEX #8AF5B5

RGB 138 245 181

HSL 144.11, 0.84%, 0.75%

LAB 88.94, -44.79, 21.37

 

CMYK 44 / 0 / 14 / 4

HEX #8AF5D2

RGB 138 245 210

HSL 160.37, 0.84%, 0.75%

LAB 89.56, -38.94, 7.25

 

CMYK 26 / 0 / 44 / 4

HEX #B5F58A

RGB 181 245 138

HSL 95.89, 0.84%, 0.75%

LAB 90.3, -38.31, 45.07

 

CMYK 26 / 0 / 44 / 4

HEX #B5F58A

RGB 181 245 138

HSL 95.89, 0.84%, 0.75%

LAB 90.3, -38.31, 45.07

 

CMYK 22 / 0 / 37 / 8

HEX #B7EA94

RGB 183 234 148

HSL 95.58, 0.67%, 0.75%

LAB 87.51, -31.29, 36.59

 

CMYK 17 / 0 / 29 / 12

HEX #B9E09E

RGB 185 224 158

HSL 95.45, 0.52%, 0.75%

LAB 85.04, -24.42, 28.26

 

CMYK 13 / 0 / 21 / 16

HEX #BBD6A9

RGB 187 214 169

HSL 96, 0.35%, 0.75%

LAB 82.66, -17.1, 19.29

 

CMYK 7 / 0 / 12 / 20

HEX #BDCCB3

RGB 189 204 179

HSL 96, 0.2%, 0.75%

LAB 80.33, -9.65, 10.73

 

CMYK 2 / 0 / 44 / 4

HEX #EFF58A

RGB 239 245 138

HSL 63.36, 0.84%, 0.75%

LAB 94.09, -16.99, 50.62

 

CMYK 14 / 0 / 44 / 4

HEX #D3F58A

RGB 211 245 138

HSL 79.07, 0.84%, 0.75%

LAB 92.13, -27.58, 47.75

 

CMYK 26 / 0 / 44 / 4

HEX #B6F58A

RGB 182 245 138

HSL 95.33, 0.84%, 0.75%

LAB 90.36, -37.96, 45.16

 

CMYK 37 / 0 / 44 / 4

HEX #9AF58A

RGB 154 245 138

HSL 111.03, 0.84%, 0.75%

LAB 88.93, -47.13, 43.04

 

CMYK 44 / 0 / 39 / 4

HEX #8AF596

RGB 138 245 150

HSL 126.73, 0.84%, 0.75%

LAB 88.4, -50.09, 36.34

 

CMYK 44 / 0 / 74 / 7

HEX #85EE3E

RGB 133 238 62

HSL 95.8, 0.84%, 0.59%

LAB 85.24, -58.24, 70.75

 

CMYK 35 / 0 / 59 / 5

HEX #9DF164

RGB 157 241 100

HSL 95.74, 0.83%, 0.67%

LAB 87.48, -48.82, 58.88

 

CMYK 26 / 0 / 44 / 4

HEX #B5F58A

RGB 181 245 138

HSL 95.89, 0.84%, 0.75%

LAB 90.3, -38.31, 45.07

 

CMYK 17 / 0 / 29 / 3

HEX #CDF8B0

RGB 205 248 176

HSL 95.83, 0.84%, 0.83%

LAB 93.12, -26.3, 30.19

 

CMYK 9 / 0 / 15 / 2

HEX #E5FBD6

RGB 229 251 214

HSL 95.68, 0.82%, 0.91%

LAB 96.21, -13.64, 15.33

 

CMYK 26 / 0 / 44 / 4

HEX #B5F58A

RGB 181 245 138

HSL 95.89, 0.84%, 0.75%

LAB 90.3, -38.31, 45.07

 

CMYK 44 / 0 / 9 / 4

HEX #8AF5DE

RGB 138 245 222

HSL 167.1, 0.84%, 0.75%

LAB 89.85, -36.29, 1.43

 

CMYK 0 / 44 / 8 / 4

HEX #F58AE1

RGB 245 138 225

HSL 311.21, 0.84%, 0.75%

LAB 71.57, 52.25, -26.7

 

CMYK 26 / 0 / 44 / 4

HEX #B5F58A

RGB 181 245 138

HSL 95.89, 0.84%, 0.75%

LAB 90.3, -38.31, 45.07

 

CMYK 44 / 26 / 0 / 4

HEX #8AB6F5

RGB 138 182 245

HSL 215.33, 0.84%, 0.75%

LAB 73.19, 1.45, -35.89

 

CMYK 0 / 44 / 26 / 4

HEX #F58AB6

RGB 245 138 182

HSL 335.33, 0.84%, 0.75%

LAB 70.15, 45.78, -4.99

 

CMYK 26 / 0 / 44 / 4

HEX #B5F58A

RGB 181 245 138

HSL 95.89, 0.84%, 0.75%

LAB 90.3, -38.31, 45.07

 

CMYK 44 / 0 / 9 / 4

HEX #8AF5DE

RGB 138 245 222

HSL 167.1, 0.84%, 0.75%

LAB 89.85, -36.29, 1.43

 

CMYK 18 / 44 / 0 / 4

HEX #C88AF5

RGB 200 138 245

HSL 274.77, 0.84%, 0.75%

LAB 67.31, 42.87, -44.7

 

CMYK 0 / 44 / 34 / 4

HEX #F58AA1

RGB 245 138 161

HSL 347.1, 0.84%, 0.75%

LAB 69.59, 43.1, 5.93

 

CMYK 26 / 0 / 44 / 4

HEX #B5F58A

RGB 181 245 138

HSL 95.89, 0.84%, 0.75%

LAB 90.3, -38.31, 45.07

 

CMYK 44 / 4 / 0 / 4

HEX #8AECF5

RGB 138 236 245

HSL 185.05, 0.84%, 0.75%

LAB 87.96, -26.57, -13.38

 

CMYK 18 / 44 / 0 / 4

HEX #C88AF5

RGB 200 138 245

HSL 274.77, 0.84%, 0.75%

LAB 67.31, 42.87, -44.7

 

CMYK 0 / 40 / 44 / 4

HEX #F5938A

RGB 245 147 138

HSL 5.05, 0.84%, 0.75%

LAB 70.95, 35.92, 20.65

 

Description

Color code: HEX #B5F58A | qconv.com Color code: HEX #B5F58A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 245 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 245 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 44 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 44% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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