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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5B72ACE it is the complementary color #0A48D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5B72ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5B72ACE shade: #FAB725CE, #FFC938CE, #FFDB4BCE, #FFED5ECE and #FFFF71CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5B72ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5B72ACE shade: #F5B72ACE, #E4A517CE, #D39304CE, #C28100CE and #B16F00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5B72ACE shade: #F5B729, #F57F29, #F54829 and #F52929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5B72ACE shade: #F5B729, #F5EE29, #C5F529, #8EF529 and #57F529

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5B72ACE shade matches the following richer shades: #F5B729

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5B72ACE shade: #F5B729, #E3AF3B, #D1A84D, #BEA15F and #AC9A71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5B72ACE shade: #F54729, #F57E29, #F5B429, #F5EB29 and #C9F529

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5B72ACE shade: #C28909, #E9A50B, #F5B729, #F7C450 and #F9D178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5B72ACE shade: #F5B72A, #41F529 and #6329F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5B72ACE shade: #F5B72A, #29F5B4 and #B429F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5B72ACE shade: #F5B72A, #41F529, #2969F5 and #DD29F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5B72ACE shade: #F5B72A, #29F54E, #2969F5 and #F529CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 67 / 3

HEX #F5B72ACE

RGBA 245 183 42 0.81

HSLA 41.67, 0.91%, 0.56%, 0.81

LABA 78.14, 10.91, 73.27, 0.81

 

Complementary color

CMYK 77 / 54 / 0 / 13

HEX #0A48D5CE

RGBA 10 72 213 0.81

HSLA 221.67, 0.91%, 0.44%, 0.81

LABA 36.94, 38.7, -76.29, 0.81

 

CMYK 0 / 22 / 69 / 2

HEX #FAB725CE

RGBA 250 183 37 0.81

HSLA 41.13, 0.96%, 0.56%, 0.81

LABA 78.65, 12.91, 75.28, 0.81

 

CMYK 0 / 17 / 63 / 0

HEX #FFC938CE

RGBA 255 201 56 0.81

HSLA 43.72, 1%, 0.61%, 0.81

LABA 83.61, 6.23, 74.15, 0.81

 

CMYK 0 / 11 / 57 / 0

HEX #FFDB4BCE

RGBA 255 219 75 0.81

HSLA 48, 1%, 0.65%, 0.81

LABA 88.18, -2.19, 71.79, 0.81

 

CMYK 0 / 6 / 51 / 0

HEX #FFED5ECE

RGBA 255 237 94 0.81

HSLA 53.29, 1%, 0.68%, 0.81

LABA 92.86, -10.17, 69.15, 0.81

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF71CE

RGBA 255 255 113 0.81

HSLA 60, 1%, 0.72%, 0.81

LABA 97.62, -17.7, 66.42, 0.81

 

CMYK 0 / 20 / 67 / 3

HEX #F5B72ACE

RGBA 245 183 42 0.81

HSLA 41.67, 0.91%, 0.56%, 0.81

LABA 78.14, 10.91, 73.27, 0.81

 

CMYK 0 / 22 / 73 / 9

HEX #E4A517CE

RGBA 228 165 23 0.81

HSLA 41.56, 0.82%, 0.49%, 0.81

LABA 71.87, 12.68, 72.16, 0.81

 

CMYK 0 / 25 / 79 / 14

HEX #D39304CE

RGBA 211 147 4 0.81

HSLA 41.45, 0.96%, 0.42%, 0.81

LABA 65.53, 14.69, 69.68, 0.81

 

CMYK 0 / 27 / 81 / 19

HEX #C28100CE

RGBA 194 129 0 0.81

HSLA 39.9, 1%, 0.38%, 0.81

LABA 59.13, 16.96, 65, 0.81

 

CMYK 0 / 30 / 81 / 25

HEX #B16F00CE

RGBA 177 111 0 0.81

HSLA 37.63, 1%, 0.35%, 0.81

LABA 52.64, 19.37, 59.71, 0.81

 

CMYK 0 / 25 / 83 / 4

HEX #F5B729

RGB 245 183 41

HSL 41.76, 0.91%, 0.56%

LAB 78.13, 10.88, 73.55

 

CMYK 0 / 48 / 83 / 4

HEX #F57F29

RGB 245 127 41

HSL 25.29, 0.91%, 0.56%

LAB 65.55, 40.02, 62.85

 

CMYK 0 / 71 / 83 / 4

HEX #F54829

RGB 245 72 41

HSL 9.12, 0.91%, 0.56%

LAB 56.29, 64.24, 54.78

 

CMYK 0 / 83 / 83 / 4

HEX #F52929

RGB 245 41 41

HSL 0, 0.91%, 0.56%

LAB 53.12, 73.12, 51.96

 

CMYK 0 / 25 / 83 / 4

HEX #F5B729

RGB 245 183 41

HSL 41.76, 0.91%, 0.56%

LAB 78.13, 10.88, 73.55

 

CMYK 0 / 3 / 83 / 4

HEX #F5EE29

RGB 245 238 41

HSL 57.94, 0.91%, 0.56%

LAB 92.01, -16.98, 85.13

 

CMYK 20 / 0 / 83 / 4

HEX #C5F529

RGB 197 245 41

HSL 74.12, 0.91%, 0.56%

LAB 90.48, -39.58, 82.47

 

CMYK 42 / 0 / 83 / 4

HEX #8EF529

RGB 142 245 41

HSL 90.29, 0.91%, 0.56%

LAB 87.59, -59.11, 78.84

 

CMYK 64 / 0 / 83 / 4

HEX #57F529

RGB 87 245 41

HSL 106.47, 0.91%, 0.56%

LAB 85.75, -73.56, 76.51

 

CMYK 0 / 25 / 83 / 4

HEX #F5B729

RGB 245 183 41

HSL 41.76, 0.91%, 0.56%

LAB 78.13, 10.88, 73.55

 

CMYK 0 / 25 / 83 / 4

HEX #F5B729

RGB 245 183 41

HSL 41.76, 0.91%, 0.56%

LAB 78.13, 10.88, 73.55

 

CMYK 0 / 23 / 74 / 11

HEX #E3AF3B

RGB 227 175 59

HSL 41.43, 0.75%, 0.56%

LAB 74.39, 8.02, 63.4

 

CMYK 0 / 20 / 63 / 18

HEX #D1A84D

RGB 209 168 77

HSL 41.36, 0.59%, 0.56%

LAB 70.94, 5.01, 51.53

 

CMYK 0 / 15 / 50 / 25

HEX #BEA15F

RGB 190 161 95

HSL 41.68, 0.42%, 0.56%

LAB 67.47, 2.11, 38.12

 

CMYK 0 / 10 / 34 / 33

HEX #AC9A71

RGB 172 154 113

HSL 41.69, 0.26%, 0.56%

LAB 64.22, 0.42, 23.97

 

CMYK 0 / 71 / 83 / 4

HEX #F54729

RGB 245 71 41

HSL 8.82, 0.91%, 0.56%

LAB 56.17, 64.59, 54.66

 

CMYK 0 / 49 / 83 / 4

HEX #F57E29

RGB 245 126 41

HSL 25, 0.91%, 0.56%

LAB 65.35, 40.53, 62.68

 

CMYK 0 / 27 / 83 / 4

HEX #F5B429

RGB 245 180 41

HSL 40.88, 0.91%, 0.56%

LAB 77.41, 12.45, 72.94

 

CMYK 0 / 4 / 83 / 4

HEX #F5EB29

RGB 245 235 41

HSL 57.06, 0.91%, 0.56%

LAB 91.23, -15.52, 84.48

 

CMYK 18 / 0 / 83 / 4

HEX #C9F529

RGB 201 245 41

HSL 72.94, 0.91%, 0.56%

LAB 90.73, -38.03, 82.78

 

CMYK 0 / 29 / 95 / 24

HEX #C28909

RGB 194 137 9

HSL 41.51, 0.91%, 0.4%

LAB 61.12, 12.68, 64.94

 

CMYK 0 / 29 / 95 / 9

HEX #E9A50B

RGB 233 165 11

HSL 41.62, 0.91%, 0.48%

LAB 72.4, 14.69, 74.75

 

CMYK 0 / 25 / 83 / 4

HEX #F5B729

RGB 245 183 41

HSL 41.76, 0.91%, 0.56%

LAB 78.13, 10.88, 73.55

 

CMYK 0 / 21 / 68 / 3

HEX #F7C450

RGB 247 196 80

HSL 41.68, 0.91%, 0.64%

LAB 81.75, 6.51, 62.99

 

CMYK 0 / 16 / 52 / 2

HEX #F9D178

RGB 249 209 120

HSL 41.4, 0.91%, 0.72%

LAB 85.55, 3.37, 49.01

 

CMYK 0 / 25 / 83 / 4

HEX #F5B72A

RGB 245 183 42

HSL 41.67, 0.91%, 0.56%

LAB 78.14, 10.91, 73.27

 

CMYK 73 / 0 / 83 / 4

HEX #41F529

RGB 65 245 41

HSL 112.94, 0.91%, 0.56%

LAB 85.3, -77.45, 75.93

 

CMYK 60 / 83 / 0 / 4

HEX #6329F5

RGB 99 41 245

HSL 257.06, 0.91%, 0.56%

LAB 39.29, 70.6, -90.46

 

CMYK 0 / 25 / 83 / 4

HEX #F5B72A

RGB 245 183 42

HSL 41.67, 0.91%, 0.56%

LAB 78.14, 10.91, 73.27

 

CMYK 83 / 0 / 27 / 4

HEX #29F5B4

RGB 41 245 180

HSL 160.88, 0.91%, 0.56%

LAB 86.54, -61.73, 18.18

 

CMYK 27 / 83 / 0 / 4

HEX #B429F5

RGB 180 41 245

HSL 280.88, 0.91%, 0.56%

LAB 49.35, 80.4, -73.57

 

CMYK 0 / 25 / 83 / 4

HEX #F5B72A

RGB 245 183 42

HSL 41.67, 0.91%, 0.56%

LAB 78.14, 10.91, 73.27

 

CMYK 73 / 0 / 83 / 4

HEX #41F529

RGB 65 245 41

HSL 112.94, 0.91%, 0.56%

LAB 85.3, -77.45, 75.93

 

CMYK 83 / 57 / 0 / 4

HEX #2969F5

RGB 41 105 245

HSL 221.18, 0.91%, 0.56%

LAB 48.47, 31.17, -75.51

 

CMYK 10 / 83 / 0 / 4

HEX #DD29F5

RGB 221 41 245

HSL 292.94, 0.91%, 0.56%

LAB 55.64, 86.88, -63.1

 

CMYK 0 / 25 / 83 / 4

HEX #F5B72A

RGB 245 183 42

HSL 41.67, 0.91%, 0.56%

LAB 78.14, 10.91, 73.27

 

CMYK 83 / 0 / 68 / 4

HEX #29F54E

RGB 41 245 78

HSL 130.88, 0.91%, 0.56%

LAB 85.16, -77.86, 64.31

 

CMYK 83 / 57 / 0 / 4

HEX #2969F5

RGB 41 105 245

HSL 221.18, 0.91%, 0.56%

LAB 48.47, 31.17, -75.51

 

CMYK 0 / 83 / 16 / 4

HEX #F529CF

RGB 245 41 207

HSL 311.18, 0.91%, 0.56%

LAB 57.56, 85.77, -38.34

 

Description

Color code: HEX #F5B72ACE | qconv.com Color code: HEX #F5B72ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 183 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 183 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 67 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 67% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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