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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 27 / 83 / 4 it is the complementary color CMYK 95 / 64 / 0 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 27 / 83 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 27 / 83 / 4: CMYK 0 / 28 / 85 / 2, CMYK 0 / 23 / 78 / 0, CMYK 0 / 16 / 71 / 0, CMYK 0 / 9 / 63 / 0 and CMYK 0 / 2 / 56 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 27 / 83 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 27 / 83 / 4: CMYK 0 / 27 / 83 / 4, CMYK 0 / 29 / 90 / 11, CMYK 0 / 32 / 98 / 17, CMYK 0 / 36 / 100 / 24 and CMYK 0 / 40 / 100 / 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 83 / 4

HEX #F5B32A

RGB 245 179 42

HSL 40.49, 0.91%, 0.56%

LAB 77.17, 13, 72.45

 

Complementary color

CMYK 95 / 64 / 0 / 16

HEX #0A4CD5

RGB 10 76 213

HSL 220.49, 0.91%, 0.44%

LAB 37.91, 36.14, -74.68

 

CMYK 0 / 28 / 85 / 2

HEX #FAB325

RGB 250 179 37

HSL 40, 0.96%, 0.56%

LAB 77.7, 15, 74.5

 

CMYK 0 / 23 / 78 / 0

HEX #FFC538

RGB 255 197 56

HSL 42.51, 1%, 0.61%

LAB 82.64, 8.29, 73.26

 

CMYK 0 / 16 / 71 / 0

HEX #FFD74B

RGB 255 215 75

HSL 46.67, 1%, 0.65%

LAB 87.18, -0.16, 70.8

 

CMYK 0 / 9 / 63 / 0

HEX #FFE95E

RGB 255 233 94

HSL 51.8, 1%, 0.68%

LAB 91.84, -8.19, 68.07

 

CMYK 0 / 2 / 56 / 0

HEX #FFFB71

RGB 255 251 113

HSL 58.31, 1%, 0.72%

LAB 96.59, -15.77, 65.26

 

CMYK 0 / 27 / 83 / 4

HEX #F5B32A

RGB 245 179 42

HSL 40.49, 0.91%, 0.56%

LAB 77.17, 13, 72.45

 

CMYK 0 / 29 / 90 / 11

HEX #E4A117

RGB 228 161 23

HSL 40.39, 0.82%, 0.49%

LAB 70.9, 14.81, 71.43

 

CMYK 0 / 32 / 98 / 17

HEX #D38F04

RGB 211 143 4

HSL 40.29, 0.96%, 0.42%

LAB 64.57, 16.85, 69.01

 

CMYK 0 / 36 / 100 / 24

HEX #C27D00

RGB 194 125 0

HSL 38.66, 1%, 0.38%

LAB 58.17, 19.16, 64.37

 

CMYK 0 / 40 / 100 / 31

HEX #B16B00

RGB 177 107 0

HSL 36.27, 1%, 0.35%

LAB 51.68, 21.6, 59.09

 

CMYK 0 / 27 / 83 / 4

HEX #F5B32A

RGB 245 179 42

HSL 40.49, 0.91%, 0.56%

LAB 77.17, 13, 72.45

 

CMYK 0 / 14 / 84 / 4

HEX #F4D228

RGB 244 210 40

HSL 50, 0.9%, 0.56%

LAB 84.73, -3.51, 79.28

 

CMYK 0 / 0 / 84 / 4

HEX #F4F428

RGB 244 244 40

HSL 60, 0.9%, 0.56%

LAB 93.49, -20.31, 86.53

 

CMYK 14 / 0 / 84 / 4

HEX #D2F428

RGB 210 244 40

HSL 70, 0.9%, 0.56%

LAB 91.03, -34.08, 83.49

 

CMYK 28 / 0 / 84 / 4

HEX #B0F428

RGB 176 244 40

HSL 80, 0.9%, 0.56%

LAB 88.96, -47.09, 80.9

 

CMYK 0 / 27 / 83 / 4

HEX #F5B32A

RGB 245 179 42

HSL 40.49, 0.91%, 0.56%

LAB 77.17, 13, 72.45

 

CMYK 0 / 27 / 83 / 84

HEX #291E07

RGB 41 30 7

HSL 40.59, 0.71%, 0.09%

LAB 12.06, 2.12, 15.08

 

CMYK 0 / 27 / 83 / 64

HEX #5C4310

RGB 92 67 16

HSL 40.26, 0.7%, 0.21%

LAB 30.22, 5.38, 33.2

 

CMYK 0 / 27 / 83 / 44

HEX #8F6819

RGB 143 104 25

HSL 40.17, 0.7%, 0.33%

LAB 46.72, 8.3, 47.05

 

CMYK 0 / 27 / 83 / 24

HEX #C28E21

RGB 194 142 33

HSL 40.62, 0.71%, 0.45%

LAB 62.44, 10.42, 60.38

 

CMYK 0 / 27 / 83 / 4

HEX #F5B32A

RGB 245 179 42

HSL 40.49, 0.91%, 0.56%

LAB 77.17, 13, 72.45

 

CMYK 73 / 0 / 84 / 4

HEX #43F428

RGB 67 244 40

HSL 112.06, 0.9%, 0.56%

LAB 85.02, -76.89, 75.92

 

CMYK 61 / 84 / 0 / 4

HEX #5F28F4

RGB 95 40 244

HSL 256.18, 0.9%, 0.56%

LAB 38.69, 70.35, -90.9

 

CMYK 0 / 27 / 83 / 4

HEX #F5B32A

RGB 245 179 42

HSL 40.49, 0.91%, 0.56%

LAB 77.17, 13, 72.45

 

CMYK 84 / 0 / 28 / 4

HEX #28F4B0

RGB 40 244 176

HSL 160, 0.9%, 0.56%

LAB 86.15, -62.32, 19.7

 

CMYK 28 / 84 / 0 / 4

HEX #B028F4

RGB 176 40 244

HSL 280, 0.9%, 0.56%

LAB 48.61, 79.86, -74.25

 

CMYK 0 / 27 / 83 / 4

HEX #F5B32A

RGB 245 179 42

HSL 40.49, 0.91%, 0.56%

LAB 77.17, 13, 72.45

 

CMYK 73 / 0 / 84 / 4

HEX #43F428

RGB 67 244 40

HSL 112.06, 0.9%, 0.56%

LAB 85.02, -76.89, 75.92

 

CMYK 84 / 56 / 0 / 4

HEX #286CF4

RGB 40 108 244

HSL 220, 0.9%, 0.56%

LAB 49.14, 28.83, -73.86

 

CMYK 11 / 84 / 0 / 4

HEX #D928F4

RGB 217 40 244

HSL 292.06, 0.9%, 0.56%

LAB 54.87, 86.26, -63.82

 

CMYK 0 / 27 / 83 / 4

HEX #F5B32A

RGB 245 179 42

HSL 40.49, 0.91%, 0.56%

LAB 77.17, 13, 72.45

 

CMYK 84 / 0 / 70 / 4

HEX #28F44A

RGB 40 244 74

HSL 130, 0.9%, 0.56%

LAB 84.82, -78.02, 65.43

 

CMYK 84 / 56 / 0 / 4

HEX #286CF4

RGB 40 108 244

HSL 220, 0.9%, 0.56%

LAB 49.14, 28.83, -73.86

 

CMYK 0 / 84 / 14 / 4

HEX #F428D2

RGB 244 40 210

HSL 310, 0.9%, 0.56%

LAB 57.47, 86.15, -40.22

 

Description

Color code: CMYK 0 / 27 / 83 / 4 | qconv.com Color code: CMYK 0 / 27 / 83 / 4 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 179 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 179 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 83 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 83% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - HOAC | Hermandad Obr...
Link: http://www.hoac.es

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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