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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5ABA7 it is the complementary color #0A5458. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5ABA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F5ABA7: #FAABA2, #FFBDB5, #FFCFC8, #FFE1DB and #FFF3EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5ABA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F5ABA7: #F5ABA7, #E49994, #D38781, #C2756E and #B1635B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 32 / 4

HEX #F5ABA7

RGB 245 171 167

HSL 3.08, 0.8%, 0.81%

LAB 76.88, 26.66, 13.01

 

Complementary color

CMYK 89 / 5 / 0 / 65

HEX #0A5458

RGB 10 84 88

HSL 183.08, 0.8%, 0.19%

LAB 32.06, -19.08, -8.39

 

CMYK 0 / 32 / 35 / 2

HEX #FAABA2

RGB 250 171 162

HSL 6.14, 0.9%, 0.81%

LAB 77.32, 27.9, 16.42

 

CMYK 0 / 26 / 29 / 0

HEX #FFBDB5

RGB 255 189 181

HSL 6.49, 1%, 0.85%

LAB 82.37, 22.68, 13.36

 

CMYK 0 / 19 / 22 / 0

HEX #FFCFC8

RGB 255 207 200

HSL 7.64, 1%, 0.89%

LAB 87.02, 15.86, 9.86

 

CMYK 0 / 12 / 14 / 0

HEX #FFE1DB

RGB 255 225 219

HSL 10, 1%, 0.93%

LAB 91.79, 9.36, 6.7

 

CMYK 0 / 5 / 7 / 0

HEX #FFF3EE

RGB 255 243 238

HSL 17.65, 1%, 0.97%

LAB 96.63, 3.18, 3.83

 

CMYK 0 / 30 / 32 / 4

HEX #F5ABA7

RGB 245 171 167

HSL 3.08, 0.8%, 0.81%

LAB 76.88, 26.66, 13.01

 

CMYK 0 / 33 / 35 / 11

HEX #E49994

RGB 228 153 148

HSL 3.75, 0.6%, 0.74%

LAB 70.47, 27.49, 14.14

 

CMYK 0 / 36 / 39 / 17

HEX #D38781

RGB 211 135 129

HSL 4.39, 0.48%, 0.67%

LAB 63.97, 28.41, 15.39

 

CMYK 0 / 40 / 43 / 24

HEX #C2756E

RGB 194 117 110

HSL 5, 0.41%, 0.6%

LAB 57.38, 29.43, 16.79

 

CMYK 0 / 44 / 49 / 31

HEX #B1635B

RGB 177 99 91

HSL 5.58, 0.36%, 0.53%

LAB 50.72, 30.55, 18.4

 

CMYK 0 / 30 / 32 / 4

HEX #F5ABA7

RGB 245 171 167

HSL 3.08, 0.8%, 0.81%

LAB 76.88, 26.66, 13.01

 

CMYK 0 / 25 / 32 / 4

HEX #F5B8A7

RGB 245 184 167

HSL 13.08, 0.8%, 0.81%

LAB 79.89, 19.79, 17.23

 

CMYK 0 / 20 / 32 / 4

HEX #F5C5A7

RGB 245 197 167

HSL 23.08, 0.8%, 0.81%

LAB 82.99, 12.94, 21.53

 

CMYK 0 / 14 / 32 / 4

HEX #F5D2A7

RGB 245 210 167

HSL 33.08, 0.8%, 0.81%

LAB 86.15, 6.16, 25.87

 

CMYK 0 / 9 / 32 / 4

HEX #F5DFA7

RGB 245 223 167

HSL 43.08, 0.8%, 0.81%

LAB 89.38, -0.52, 30.24

 

CMYK 0 / 30 / 32 / 4

HEX #F5ABA7

RGB 245 171 167

HSL 3.08, 0.8%, 0.81%

LAB 76.88, 26.66, 13.01

 

CMYK 0 / 29 / 32 / 84

HEX #291D1C

RGB 41 29 28

HSL 4.62, 0.19%, 0.14%

LAB 12.18, 5.69, 2.96

 

CMYK 0 / 30 / 32 / 64

HEX #5C403F

RGB 92 64 63

HSL 2.07, 0.19%, 0.3%

LAB 30.16, 12.05, 5.46

 

CMYK 0 / 30 / 32 / 44

HEX #8F6461

RGB 143 100 97

HSL 3.91, 0.19%, 0.47%

LAB 46.73, 16.95, 8.65

 

CMYK 0 / 30 / 32 / 24

HEX #C28784

RGB 194 135 132

HSL 2.9, 0.34%, 0.64%

LAB 62.05, 22.21, 10.71

 

CMYK 0 / 30 / 32 / 4

HEX #F5ABA7

RGB 245 171 167

HSL 3.08, 0.8%, 0.81%

LAB 76.88, 26.66, 13.01

 

CMYK 8 / 0 / 32 / 4

HEX #E1F5A7

RGB 225 245 167

HSL 75.38, 0.8%, 0.81%

LAB 93.49, -18.97, 35.45

 

CMYK 32 / 21 / 0 / 4

HEX #A7C2F5

RGB 167 194 245

HSL 219.23, 0.8%, 0.81%

LAB 78.11, 2.55, -28.16

 

CMYK 0 / 30 / 32 / 4

HEX #F5ABA7

RGB 245 171 167

HSL 3.08, 0.8%, 0.81%

LAB 76.88, 26.66, 13.01

 

CMYK 32 / 0 / 30 / 4

HEX #A7F5AB

RGB 167 245 171

HSL 123.08, 0.8%, 0.81%

LAB 90.07, -38.19, 28.24

 

CMYK 30 / 32 / 0 / 4

HEX #ABA7F5

RGB 171 167 245

HSL 243.08, 0.8%, 0.81%

LAB 71.48, 18.59, -38.38

 

CMYK 0 / 30 / 32 / 4

HEX #F5ABA7

RGB 245 171 167

HSL 3.08, 0.8%, 0.81%

LAB 76.88, 26.66, 13.01

 

CMYK 8 / 0 / 32 / 4

HEX #E1F5A7

RGB 225 245 167

HSL 75.38, 0.8%, 0.81%

LAB 93.49, -18.97, 35.45

 

CMYK 32 / 2 / 0 / 4

HEX #A7F1F5

RGB 167 241 245

HSL 183.08, 0.8%, 0.81%

LAB 90.65, -21.75, -9.23

 

CMYK 24 / 32 / 0 / 4

HEX #BBA7F5

RGB 187 167 245

HSL 255.38, 0.8%, 0.81%

LAB 72.76, 23.18, -36.29

 

CMYK 0 / 30 / 32 / 4

HEX #F5ABA7

RGB 245 171 167

HSL 3.08, 0.8%, 0.81%

LAB 76.88, 26.66, 13.01

 

CMYK 18 / 0 / 32 / 4

HEX #CAF5A7

RGB 202 245 167

HSL 93.08, 0.8%, 0.81%

LAB 91.98, -27.21, 33.16

 

CMYK 32 / 2 / 0 / 4

HEX #A7F1F5

RGB 167 241 245

HSL 183.08, 0.8%, 0.81%

LAB 90.65, -21.75, -9.23

 

CMYK 14 / 32 / 0 / 4

HEX #D2A7F5

RGB 210 167 245

HSL 273.08, 0.8%, 0.81%

LAB 74.78, 30.05, -32.99

 

Description

Color code: HEX #F5ABA7 | qconv.com Color code: HEX #F5ABA7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 171 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 171 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 32 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 32% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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