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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5960C it is the complementary color #0A69F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5960C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5960C shade: #FA9607, #FFA81A, #FFBA2D, #FFCC40 and #FFDE53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5960C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5960C shade: #F5960C, #E48400, #D37200, #C26000 and #B14E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5960C shade: #F5950A, #F5560A, #F5170A and #F50A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5960C shade: #F5950A, #F5D40A, #D6F50A, #97F50A and #57F50A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5960C shade matches the following richer shades: #F5950A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5960C shade: #F5950A, #E0911F, #CC8E33, #B78A48 and #A2865D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5960C shade: #F5160A, #F5540A, #F5930A, #F5D20A and #D9F50A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5960C shade: #A66507, #CD7D09, #F5950A, #F6A632 and #F8B759

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5960C shade: #F5960C, #3DF50A and #350AF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5960C shade: #F5960C, #0AF593 and #930AF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5960C shade: #F5960C, #3DF50A, #0A6CF5 and #C20AF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5960C shade: #F5960C, #0AF51E, #0A6CF5 and #F50AE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 95 / 4

HEX #F5960C

RGB 245 150 12

HSL 35.54, 0.92%, 0.5%

LAB 70.35, 27.7, 73.86

 

Complementary color

CMYK 96 / 57 / 0 / 5

HEX #0A69F3

RGB 10 105 243

HSL 215.54, 0.92%, 0.5%

LAB 47.8, 28.96, -75.5

 

CMYK 0 / 40 / 97 / 2

HEX #FA9607

RGB 250 150 7

HSL 35.31, 0.96%, 0.5%

LAB 70.98, 29.72, 75.22

 

CMYK 0 / 34 / 90 / 0

HEX #FFA81A

RGB 255 168 26

HSL 37.21, 1%, 0.55%

LAB 75.66, 22.64, 75.77

 

CMYK 0 / 27 / 82 / 0

HEX #FFBA2D

RGB 255 186 45

HSL 40.29, 1%, 0.59%

LAB 79.94, 13.66, 74.34

 

CMYK 0 / 20 / 75 / 0

HEX #FFCC40

RGB 255 204 64

HSL 43.98, 1%, 0.63%

LAB 84.39, 4.98, 72.14

 

CMYK 0 / 13 / 67 / 0

HEX #FFDE53

RGB 255 222 83

HSL 48.49, 1%, 0.66%

LAB 88.98, -3.31, 69.52

 

CMYK 0 / 39 / 95 / 4

HEX #F5960C

RGB 245 150 12

HSL 35.54, 0.92%, 0.5%

LAB 70.35, 27.7, 73.86

 

CMYK 0 / 42 / 100 / 11

HEX #E48400

RGB 228 132 0

HSL 34.74, 1%, 0.45%

LAB 64.16, 29.95, 70.37

 

CMYK 0 / 46 / 100 / 17

HEX #D37200

RGB 211 114 0

HSL 32.42, 1%, 0.41%

LAB 57.93, 32.35, 65.34

 

CMYK 0 / 51 / 100 / 24

HEX #C26000

RGB 194 96 0

HSL 29.69, 1%, 0.38%

LAB 51.65, 34.76, 60.29

 

CMYK 0 / 56 / 100 / 31

HEX #B14E00

RGB 177 78 0

HSL 26.44, 1%, 0.35%

LAB 45.35, 37.12, 55.24

 

CMYK 0 / 39 / 96 / 4

HEX #F5950A

RGB 245 149 10

HSL 35.49, 0.92%, 0.5%

LAB 70.13, 28.2, 73.97

 

CMYK 0 / 65 / 96 / 4

HEX #F5560A

RGB 245 86 10

HSL 19.4, 0.92%, 0.5%

LAB 58.12, 58.42, 66.34

 

CMYK 0 / 91 / 96 / 4

HEX #F5170A

RGB 245 23 10

HSL 3.32, 0.92%, 0.5%

LAB 51.89, 75.77, 62.97

 

CMYK 0 / 96 / 96 / 4

HEX #F50A0A

RGB 245 10 10

HSL 0, 0.92%, 0.5%

LAB 51.44, 77.07, 62.75

 

CMYK 0 / 39 / 96 / 4

HEX #F5950A

RGB 245 149 10

HSL 35.49, 0.92%, 0.5%

LAB 70.13, 28.2, 73.97

 

CMYK 0 / 13 / 96 / 4

HEX #F5D40A

RGB 245 212 10

HSL 51.57, 0.92%, 0.5%

LAB 85.26, -4.59, 84.66

 

CMYK 13 / 0 / 96 / 4

HEX #D6F50A

RGB 214 245 10

HSL 67.91, 0.92%, 0.5%

LAB 91.52, -33.47, 88.24

 

CMYK 38 / 0 / 96 / 4

HEX #97F50A

RGB 151 245 10

HSL 84, 0.92%, 0.5%

LAB 87.92, -56.9, 83.91

 

CMYK 64 / 0 / 96 / 4

HEX #57F50A

RGB 87 245 10

HSL 100.34, 0.92%, 0.5%

LAB 85.68, -74.4, 81.17

 

CMYK 0 / 39 / 96 / 4

HEX #F5950A

RGB 245 149 10

HSL 35.49, 0.92%, 0.5%

LAB 70.13, 28.2, 73.97

 

CMYK 0 / 39 / 96 / 4

HEX #F5950A

RGB 245 149 10

HSL 35.49, 0.92%, 0.5%

LAB 70.13, 28.2, 73.97

 

CMYK 0 / 35 / 86 / 12

HEX #E0911F

RGB 224 145 31

HSL 35.44, 0.76%, 0.5%

LAB 66.67, 21.8, 65.94

 

CMYK 0 / 30 / 75 / 20

HEX #CC8E33

RGB 204 142 51

HSL 35.69, 0.6%, 0.5%

LAB 63.69, 15.48, 55.28

 

CMYK 0 / 25 / 61 / 28

HEX #B78A48

RGB 183 138 72

HSL 35.68, 0.44%, 0.5%

LAB 60.53, 9.77, 41.4

 

CMYK 0 / 17 / 43 / 36

HEX #A2865D

RGB 162 134 93

HSL 35.65, 0.27%, 0.5%

LAB 57.58, 4.91, 26.05

 

CMYK 0 / 91 / 96 / 4

HEX #F5160A

RGB 245 22 10

HSL 3.06, 0.92%, 0.5%

LAB 51.85, 75.89, 62.95

 

CMYK 0 / 66 / 96 / 4

HEX #F5540A

RGB 245 84 10

HSL 18.89, 0.92%, 0.5%

LAB 57.82, 59.22, 66.16

 

CMYK 0 / 40 / 96 / 4

HEX #F5930A

RGB 245 147 10

HSL 34.98, 0.92%, 0.5%

LAB 69.68, 29.24, 73.67

 

CMYK 0 / 14 / 96 / 4

HEX #F5D20A

RGB 245 210 10

HSL 51.06, 0.92%, 0.5%

LAB 84.75, -3.57, 84.29

 

CMYK 11 / 0 / 96 / 4

HEX #D9F50A

RGB 217 245 10

HSL 67.15, 0.92%, 0.5%

LAB 91.72, -32.26, 88.49

 

CMYK 0 / 39 / 96 / 35

HEX #A66507

RGB 166 101 7

HSL 35.47, 0.92%, 0.34%

LAB 48.8, 20.16, 54.96

 

CMYK 0 / 39 / 96 / 20

HEX #CD7D09

RGB 205 125 9

HSL 35.51, 0.92%, 0.42%

LAB 59.59, 24.05, 64.49

 

CMYK 0 / 39 / 96 / 4

HEX #F5950A

RGB 245 149 10

HSL 35.49, 0.92%, 0.5%

LAB 70.13, 28.2, 73.97

 

CMYK 0 / 33 / 80 / 4

HEX #F6A632

RGB 246 166 50

HSL 35.51, 0.92%, 0.58%

LAB 74.25, 20.5, 67.35

 

CMYK 0 / 26 / 64 / 3

HEX #F8B759

RGB 248 183 89

HSL 35.47, 0.92%, 0.66%

LAB 78.78, 14.22, 55.82

 

CMYK 0 / 39 / 95 / 4

HEX #F5960C

RGB 245 150 12

HSL 35.54, 0.92%, 0.5%

LAB 70.35, 27.7, 73.86

 

CMYK 75 / 0 / 96 / 4

HEX #3DF50A

RGB 61 245 10

HSL 106.98, 0.92%, 0.5%

LAB 85.16, -78.91, 80.53

 

CMYK 78 / 96 / 0 / 4

HEX #350AF5

RGB 53 10 245

HSL 250.98, 0.92%, 0.5%

LAB 33.06, 75.96, -100.92

 

CMYK 0 / 39 / 95 / 4

HEX #F5960C

RGB 245 150 12

HSL 35.54, 0.92%, 0.5%

LAB 70.35, 27.7, 73.86

 

CMYK 96 / 0 / 40 / 4

HEX #0AF593

RGB 10 245 147

HSL 154.98, 0.92%, 0.5%

LAB 85.74, -70.07, 33.84

 

CMYK 40 / 96 / 0 / 4

HEX #930AF5

RGB 147 10 245

HSL 274.98, 0.92%, 0.5%

LAB 42.78, 81.77, -84.52

 

CMYK 0 / 39 / 95 / 4

HEX #F5960C

RGB 245 150 12

HSL 35.54, 0.92%, 0.5%

LAB 70.35, 27.7, 73.86

 

CMYK 75 / 0 / 96 / 4

HEX #3DF50A

RGB 61 245 10

HSL 106.98, 0.92%, 0.5%

LAB 85.16, -78.91, 80.53

 

CMYK 96 / 56 / 0 / 4

HEX #0A6CF5

RGB 10 108 245

HSL 214.98, 0.92%, 0.5%

LAB 48.74, 27.81, -75.09

 

CMYK 21 / 96 / 0 / 4

HEX #C20AF5

RGB 194 10 245

HSL 286.98, 0.92%, 0.5%

LAB 49.83, 87.27, -72.7

 

CMYK 0 / 39 / 95 / 4

HEX #F5960C

RGB 245 150 12

HSL 35.54, 0.92%, 0.5%

LAB 70.35, 27.7, 73.86

 

CMYK 96 / 0 / 88 / 4

HEX #0AF51E

RGB 10 245 30

HSL 125.11, 0.92%, 0.5%

LAB 84.72, -82.68, 77.44

 

CMYK 96 / 56 / 0 / 4

HEX #0A6CF5

RGB 10 108 245

HSL 214.98, 0.92%, 0.5%

LAB 48.74, 27.81, -75.09

 

CMYK 0 / 96 / 8 / 4

HEX #F50AE1

RGB 245 10 225

HSL 305.11, 0.92%, 0.5%

LAB 57.14, 91.99, -49.23

 

Description

Color code: HEX #F5960C | qconv.com Color code: HEX #F5960C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 150 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 150 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 95 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 95% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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