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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 78 / 96 / 0 / 4 it is the complementary color CMYK 18 / 0 / 96 / 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 78 / 96 / 0 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 78 / 96 / 0 / 4: CMYK 75 / 96 / 0 / 6, CMYK 70 / 89 / 0 / 0, CMYK 64 / 82 / 0 / 0, CMYK 57 / 75 / 0 / 0 and CMYK 50 / 68 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 78 / 96 / 0 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 78 / 96 / 0 / 4: CMYK 78 / 96 / 0 / 4, CMYK 84 / 100 / 0 / 11, CMYK 90 / 100 / 0 / 19, CMYK 98 / 100 / 0 / 26 and CMYK 100 / 100 / 0 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 96 / 0 / 4

HEX #360AF5

RGB 54 10 245

HSL 251.23, 0.92%, 0.5%

LAB 33.12, 75.99, -100.82

 

Complementary color

CMYK 18 / 0 / 96 / 4

HEX #C9F50A

RGB 201 245 10

HSL 71.23, 0.92%, 0.5%

LAB 90.66, -38.61, 87.22

 

CMYK 75 / 96 / 0 / 6

HEX #3B0AF0

RGB 59 10 240

HSL 252.78, 0.92%, 0.49%

LAB 32.78, 74.93, -98.55

 

CMYK 70 / 89 / 0 / 0

HEX #4C1CFF

RGB 76 28 255

HSL 252.69, 1%, 0.55%

LAB 37.09, 75.56, -99.79

 

CMYK 64 / 82 / 0 / 0

HEX #5D2EFF

RGB 93 46 255

HSL 253.49, 1%, 0.59%

LAB 40.41, 70.85, -94.24

 

CMYK 57 / 75 / 0 / 0

HEX #6E40FF

RGB 110 64 255

HSL 254.45, 1%, 0.63%

LAB 44.52, 65.01, -87.41

 

CMYK 50 / 68 / 0 / 0

HEX #7F52FF

RGB 127 82 255

HSL 255.61, 1%, 0.66%

LAB 49.21, 58.66, -79.65

 

CMYK 78 / 96 / 0 / 4

HEX #360AF5

RGB 54 10 245

HSL 251.23, 0.92%, 0.5%

LAB 33.12, 75.99, -100.82

 

CMYK 84 / 100 / 0 / 11

HEX #2500E2

RGB 37 0 226

HSL 249.82, 1%, 0.44%

LAB 29.12, 72.63, -96.71

 

CMYK 90 / 100 / 0 / 19

HEX #1400CF

RGB 20 0 207

HSL 245.8, 1%, 0.41%

LAB 25.72, 67.82, -91.41

 

CMYK 98 / 100 / 0 / 26

HEX #0300BC

RGB 3 0 188

HSL 240.96, 1%, 0.37%

LAB 22.48, 63, -85.66

 

CMYK 100 / 100 / 0 / 34

HEX #0000A9

RGB 0 0 169

HSL 240, 1%, 0.33%

LAB 19.49, 58.19, -79.26

 

CMYK 78 / 96 / 0 / 4

HEX #360AF5

RGB 54 10 245

HSL 251.23, 0.92%, 0.5%

LAB 33.12, 75.99, -100.82

 

CMYK 62 / 96 / 0 / 4

HEX #5C0AF4

RGB 92 10 244

HSL 261.03, 0.92%, 0.5%

LAB 36.03, 77.29, -95.33

 

CMYK 46 / 96 / 0 / 4

HEX #830AF4

RGB 131 10 244

HSL 271.03, 0.92%, 0.5%

LAB 40.53, 80.06, -87.74

 

CMYK 30 / 96 / 0 / 4

HEX #AA0AF4

RGB 170 10 244

HSL 281.03, 0.92%, 0.5%

LAB 46.04, 84.08, -78.49

 

CMYK 14 / 96 / 0 / 4

HEX #D10AF4

RGB 209 10 244

HSL 291.03, 0.92%, 0.5%

LAB 52.18, 89.16, -68.22

 

CMYK 78 / 96 / 0 / 4

HEX #360AF5

RGB 54 10 245

HSL 251.23, 0.92%, 0.5%

LAB 33.12, 75.99, -100.82

 

CMYK 78 / 95 / 0 / 84

HEX #090229

RGB 9 2 41

HSL 250.77, 0.91%, 0.08%

LAB 2.36, 11.71, -22.15

 

CMYK 78 / 96 / 0 / 64

HEX #14045C

RGB 20 4 92

HSL 250.91, 0.92%, 0.19%

LAB 9.06, 35.84, -47.63

 

CMYK 78 / 96 / 0 / 44

HEX #20068F

RGB 32 6 143

HSL 251.39, 0.92%, 0.29%

LAB 17.56, 50.14, -66.48

 

CMYK 78 / 96 / 0 / 24

HEX #2B08C2

RGB 43 8 194

HSL 251.29, 0.92%, 0.4%

LAB 25.51, 63.41, -84.11

 

CMYK 78 / 96 / 0 / 4

HEX #360AF5

RGB 54 10 245

HSL 251.23, 0.92%, 0.5%

LAB 33.12, 75.99, -100.82

 

CMYK 0 / 96 / 37 / 4

HEX #F40A9A

RGB 244 10 154

HSL 323.08, 0.92%, 0.5%

LAB 53.8, 83.73, -13.32

 

CMYK 75 / 0 / 96 / 4

HEX #3DF40A

RGB 61 244 10

HSL 106.92, 0.92%, 0.5%

LAB 84.85, -78.62, 80.28

 

CMYK 78 / 96 / 0 / 4

HEX #360AF5

RGB 54 10 245

HSL 251.23, 0.92%, 0.5%

LAB 33.12, 75.99, -100.82

 

CMYK 0 / 78 / 96 / 4

HEX #F4350A

RGB 244 53 10

HSL 11.03, 0.92%, 0.5%

LAB 53.82, 69.46, 63.84

 

CMYK 96 / 0 / 78 / 4

HEX #0AF435

RGB 10 244 53

HSL 131.03, 0.92%, 0.5%

LAB 84.5, -81.33, 71.91

 

CMYK 78 / 96 / 0 / 4

HEX #360AF5

RGB 54 10 245

HSL 251.23, 0.92%, 0.5%

LAB 33.12, 75.99, -100.82

 

CMYK 0 / 96 / 37 / 4

HEX #F40A9A

RGB 244 10 154

HSL 323.08, 0.92%, 0.5%

LAB 53.8, 83.73, -13.32

 

CMYK 18 / 0 / 96 / 4

HEX #C9F40A

RGB 201 244 10

HSL 71.03, 0.92%, 0.5%

LAB 90.39, -38.17, 87.01

 

CMYK 96 / 0 / 59 / 4

HEX #0AF464

RGB 10 244 100

HSL 143.08, 0.92%, 0.5%

LAB 84.84, -77.02, 54.91

 

CMYK 78 / 96 / 0 / 4

HEX #360AF5

RGB 54 10 245

HSL 251.23, 0.92%, 0.5%

LAB 33.12, 75.99, -100.82

 

CMYK 0 / 96 / 66 / 4

HEX #F40A54

RGB 244 10 84

HSL 341.03, 0.92%, 0.5%

LAB 51.94, 78.76, 26.28

 

CMYK 18 / 0 / 96 / 4

HEX #C9F40A

RGB 201 244 10

HSL 71.03, 0.92%, 0.5%

LAB 90.39, -38.17, 87.01

 

CMYK 96 / 0 / 30 / 4

HEX #0AF4AA

RGB 10 244 170

HSL 161.03, 0.92%, 0.5%

LAB 85.84, -65.11, 22.32

 

Description

Color code: CMYK 78 / 96 / 0 / 4 | qconv.com Color code: CMYK 78 / 96 / 0 / 4 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 10 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 10 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 96 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 96% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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