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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F58042 it is the complementary color #0A7FBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F58042. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F58042: #FA803D, #FF9250, #FFA463, #FFB676 and #FFC889

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F58042. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F58042: #F58042, #E46E2F, #D35C1C, #C24A09 and #B13800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 73 / 4

HEX #F58042

RGB 245 128 66

HSL 20.78, 0.9%, 0.61%

LAB 65.94, 40.4, 52.52

 

Complementary color

CMYK 95 / 33 / 0 / 26

HEX #0A7FBD

RGB 10 127 189

HSL 200.78, 0.9%, 0.39%

LAB 50.59, -5.87, -40.41

 

CMYK 0 / 49 / 76 / 2

HEX #FA803D

RGB 250 128 61

HSL 21.27, 0.95%, 0.61%

LAB 66.6, 42.12, 55.76

 

CMYK 0 / 43 / 69 / 0

HEX #FF9250

RGB 255 146 80

HSL 22.63, 1%, 0.66%

LAB 71.14, 35.84, 51.81

 

CMYK 0 / 36 / 61 / 0

HEX #FFA463

RGB 255 164 99

HSL 25, 1%, 0.69%

LAB 75.27, 27.66, 47.16

 

CMYK 0 / 29 / 54 / 0

HEX #FFB676

RGB 255 182 118

HSL 28.03, 1%, 0.73%

LAB 79.63, 19.66, 42.86

 

CMYK 0 / 22 / 46 / 0

HEX #FFC889

RGB 255 200 137

HSL 32.03, 1%, 0.77%

LAB 84.16, 11.95, 38.9

 

CMYK 0 / 48 / 73 / 4

HEX #F58042

RGB 245 128 66

HSL 20.78, 0.9%, 0.61%

LAB 65.94, 40.4, 52.52

 

CMYK 0 / 52 / 79 / 11

HEX #E46E2F

RGB 228 110 47

HSL 20.88, 0.77%, 0.54%

LAB 59.75, 42.09, 54.26

 

CMYK 0 / 56 / 87 / 17

HEX #D35C1C

RGB 211 92 28

HSL 20.98, 0.77%, 0.47%

LAB 53.59, 43.87, 55.57

 

CMYK 0 / 62 / 95 / 24

HEX #C24A09

RGB 194 74 9

HSL 21.08, 0.91%, 0.4%

LAB 47.48, 45.66, 55.66

 

CMYK 0 / 68 / 100 / 31

HEX #B13800

RGB 177 56 0

HSL 18.98, 1%, 0.35%

LAB 41.49, 47.31, 53.18

 

CMYK 0 / 48 / 73 / 4

HEX #F58042

RGB 245 128 66

HSL 20.78, 0.9%, 0.61%

LAB 65.94, 40.4, 52.52

 

CMYK 0 / 37 / 73 / 4

HEX #F59B42

RGB 245 155 66

HSL 29.83, 0.9%, 0.61%

LAB 71.72, 26.48, 58.53

 

CMYK 0 / 24 / 73 / 4

HEX #F5B942

RGB 245 185 66

HSL 39.89, 0.9%, 0.61%

LAB 78.75, 10.71, 65.59

 

CMYK 0 / 12 / 73 / 4

HEX #F5D742

RGB 245 215 66

HSL 49.94, 0.9%, 0.61%

LAB 86.21, -4.75, 72.84

 

CMYK 0 / 0 / 73 / 4

HEX #F5F542

RGB 245 245 66

HSL 60, 0.9%, 0.61%

LAB 93.93, -19.55, 80.13

 

CMYK 0 / 48 / 73 / 4

HEX #F58042

RGB 245 128 66

HSL 20.78, 0.9%, 0.61%

LAB 65.94, 40.4, 52.52

 

CMYK 0 / 49 / 73 / 84

HEX #29150B

RGB 41 21 11

HSL 20, 0.58%, 0.1%

LAB 9.25, 8.95, 9.52

 

CMYK 0 / 48 / 73 / 64

HEX #5C3019

RGB 92 48 25

HSL 20.6, 0.57%, 0.23%

LAB 25.14, 17.78, 23.16

 

CMYK 0 / 48 / 73 / 44

HEX #8F4B27

RGB 143 75 39

HSL 20.77, 0.57%, 0.36%

LAB 39.61, 25.67, 33.54

 

CMYK 0 / 48 / 73 / 24

HEX #C26534

RGB 194 101 52

HSL 20.7, 0.58%, 0.48%

LAB 52.98, 33.47, 43.43

 

CMYK 0 / 48 / 73 / 4

HEX #F58042

RGB 245 128 66

HSL 20.78, 0.9%, 0.61%

LAB 65.94, 40.4, 52.52

 

CMYK 39 / 0 / 73 / 4

HEX #95F542

RGB 149 245 66

HSL 92.18, 0.9%, 0.61%

LAB 88.01, -55.67, 72.39

 

CMYK 73 / 69 / 0 / 4

HEX #424DF5

RGB 66 77 245

HSL 236.31, 0.9%, 0.61%

LAB 42.85, 50.42, -84.67

 

CMYK 0 / 48 / 73 / 4

HEX #F58042

RGB 245 128 66

HSL 20.78, 0.9%, 0.61%

LAB 65.94, 40.4, 52.52

 

CMYK 73 / 0 / 49 / 4

HEX #42F57D

RGB 66 245 125

HSL 139.78, 0.9%, 0.61%

LAB 85.98, -69.29, 44.99

 

CMYK 49 / 73 / 0 / 4

HEX #7D42F5

RGB 125 66 245

HSL 259.78, 0.9%, 0.61%

LAB 45.43, 63.46, -80.27

 

CMYK 0 / 48 / 73 / 4

HEX #F58042

RGB 245 128 66

HSL 20.78, 0.9%, 0.61%

LAB 65.94, 40.4, 52.52

 

CMYK 39 / 0 / 73 / 4

HEX #95F542

RGB 149 245 66

HSL 92.18, 0.9%, 0.61%

LAB 88.01, -55.67, 72.39

 

CMYK 73 / 24 / 0 / 4

HEX #42B9F5

RGB 66 185 245

HSL 200.11, 0.9%, 0.61%

LAB 71.18, -13.75, -39.23

 

CMYK 34 / 73 / 0 / 4

HEX #A142F5

RGB 161 66 245

HSL 271.84, 0.9%, 0.61%

LAB 49.58, 69.22, -73.32

 

CMYK 0 / 48 / 73 / 4

HEX #F58042

RGB 245 128 66

HSL 20.78, 0.9%, 0.61%

LAB 65.94, 40.4, 52.52

 

CMYK 61 / 0 / 73 / 4

HEX #5FF542

RGB 95 245 66

HSL 110.28, 0.9%, 0.61%

LAB 86.07, -70.48, 69.83

 

CMYK 73 / 24 / 0 / 4

HEX #42B9F5

RGB 66 185 245

HSL 200.11, 0.9%, 0.61%

LAB 71.18, -13.75, -39.23

 

CMYK 12 / 73 / 0 / 4

HEX #D742F5

RGB 215 66 245

HSL 289.94, 0.9%, 0.61%

LAB 57.01, 79.14, -60.94

 

Description

Color code: HEX #F58042 | qconv.com Color code: HEX #F58042 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 128 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 128 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 73 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 73% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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