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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F56CC4CE it is the complementary color #0A933BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F56CC4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F56CC4CE shade: #FA6CBFCE, #FF7ED2CE, #FF90E5CE, #FFA2F8CE and #FFB4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F56CC4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F56CC4CE shade: #F56CC4CE, #E45AB1CE, #D3489ECE, #C2368BCE and #B12478CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F56CC4CE shade: #F56BC4, #F56B9E, #F56B79 and #F56B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F56CC4CE shade: #F56BC4, #F56BE9, #DC6BF5, #B76BF5 and #926BF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F56CC4CE shade matches the following richer shades: #F56BC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F56CC4CE shade: #F56BC4, #E878C0, #DB85BC, #CE92B9 and #C29EB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F56CC4CE shade: #DC6BF5, #F56BE9, #F56BC5, #F56BA0 and #F56B7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F56CC4CE shade: #EF1EA4, #F245B4, #F56BC4, #F792D3 and #FAB8E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F56CC4CE shade: #F56CC4, #F5B76B and #6BF5EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F56CC4CE shade: #F56CC4, #C5F56B and #6BC5F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F56CC4CE shade: #F56CC4, #F5B76B, #6BF59B and #6BA9F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F56CC4CE shade: #F56CC4, #F5E06B, #6BF59B and #6B80F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 16 / 3

HEX #F56CC4CE

RGBA 245 108 196 0.81

HSLA 321.46, 0.87%, 0.69%, 0.81

LABA 65.06, 62.1, -20.5, 0.81

 

Complementary color

CMYK 75 / 0 / 48 / 34

HEX #0A933BCE

RGBA 10 147 59 0.81

HSLA 141.46, 0.87%, 0.31%, 0.81

LABA 53.22, -52.15, 36.85, 0.81

 

CMYK 0 / 46 / 19 / 2

HEX #FA6CBFCE

RGBA 250 108 191 0.81

HSLA 324.93, 0.93%, 0.7%, 0.81

LABA 65.6, 62.87, -16.79, 0.81

 

CMYK 0 / 41 / 14 / 0

HEX #FF7ED2CE

RGBA 255 126 210 0.81

HSLA 320.93, 1%, 0.75%, 0.81

LABA 70.06, 58.76, -20.6, 0.81

 

CMYK 0 / 35 / 8 / 0

HEX #FF90E5CE

RGBA 255 144 229 0.81

HSLA 314.05, 1%, 0.78%, 0.81

LABA 74.1, 52.95, -24.92, 0.81

 

CMYK 0 / 30 / 2 / 0

HEX #FFA2F8CE

RGBA 255 162 248 0.81

HSLA 304.52, 1%, 0.82%, 0.81

LABA 78.39, 47.04, -28.68, 0.81

 

CMYK 0 / 24 / 0 / 0

HEX #FFB4FFCE

RGBA 255 180 255 0.81

HSLA 300, 1%, 0.85%, 0.81

LABA 82.44, 38.96, -26.23, 0.81

 

CMYK 0 / 45 / 16 / 3

HEX #F56CC4CE

RGBA 245 108 196 0.81

HSLA 321.46, 0.87%, 0.69%, 0.81

LABA 65.06, 62.1, -20.5, 0.81

 

CMYK 0 / 49 / 18 / 9

HEX #E45AB1CE

RGBA 228 90 177 0.81

HSLA 322.17, 0.72%, 0.62%, 0.81

LABA 58.96, 62.49, -19.19, 0.81

 

CMYK 0 / 53 / 20 / 14

HEX #D3489ECE

RGBA 211 72 158 0.81

HSLA 322.88, 0.61%, 0.55%, 0.81

LABA 52.9, 62.61, -17.6, 0.81

 

CMYK 0 / 58 / 23 / 19

HEX #C2368BCE

RGBA 194 54 139 0.81

HSLA 323.57, 0.56%, 0.49%, 0.81

LABA 46.94, 62.31, -15.6, 0.81

 

CMYK 0 / 65 / 26 / 25

HEX #B12478CE

RGBA 177 36 120 0.81

HSLA 324.26, 0.66%, 0.42%, 0.81

LABA 41.16, 61.32, -13.04, 0.81

 

CMYK 0 / 56 / 20 / 4

HEX #F56BC4

RGB 245 107 196

HSL 321.3, 0.87%, 0.69%

LAB 64.89, 62.55, -20.75

 

CMYK 0 / 56 / 36 / 4

HEX #F56B9E

RGB 245 107 158

HSL 337.83, 0.87%, 0.69%

LAB 63.67, 57.75, -0.95

 

CMYK 0 / 56 / 51 / 4

HEX #F56B79

RGB 245 107 121

HSL 353.91, 0.87%, 0.69%

LAB 62.77, 54.09, 19

 

CMYK 0 / 56 / 56 / 4

HEX #F56B6B

RGB 245 107 107

HSL 0, 0.87%, 0.69%

LAB 62.5, 52.97, 26.62

 

CMYK 0 / 56 / 20 / 4

HEX #F56BC4

RGB 245 107 196

HSL 321.3, 0.87%, 0.69%

LAB 64.89, 62.55, -20.75

 

CMYK 0 / 56 / 5 / 4

HEX #F56BE9

RGB 245 107 233

HSL 305.22, 0.87%, 0.69%

LAB 66.38, 68.11, -39.17

 

CMYK 10 / 56 / 0 / 4

HEX #DC6BF5

RGB 220 107 245

HSL 289.13, 0.87%, 0.69%

LAB 63.61, 63.83, -50.39

 

CMYK 25 / 56 / 0 / 4

HEX #B76BF5

RGB 183 107 245

HSL 273.04, 0.87%, 0.69%

LAB 59.14, 54.75, -57.77

 

CMYK 40 / 56 / 0 / 4

HEX #926BF5

RGB 146 107 245

HSL 256.96, 0.87%, 0.69%

LAB 55.3, 46.2, -64.14

 

CMYK 0 / 56 / 20 / 4

HEX #F56BC4

RGB 245 107 196

HSL 321.3, 0.87%, 0.69%

LAB 64.89, 62.55, -20.75

 

CMYK 0 / 56 / 20 / 4

HEX #F56BC4

RGB 245 107 196

HSL 321.3, 0.87%, 0.69%

LAB 64.89, 62.55, -20.75

 

CMYK 0 / 48 / 17 / 9

HEX #E878C0

RGB 232 120 192

HSL 321.43, 0.71%, 0.69%

LAB 65.27, 51.98, -18.08

 

CMYK 0 / 39 / 14 / 14

HEX #DB85BC

RGB 219 133 188

HSL 321.63, 0.54%, 0.69%

LAB 66.11, 40.56, -14.72

 

CMYK 0 / 29 / 10 / 19

HEX #CE92B9

RGB 206 146 185

HSL 321, 0.38%, 0.69%

LAB 67.41, 28.68, -11.23

 

CMYK 0 / 19 / 7 / 24

HEX #C29EB5

RGB 194 158 181

HSL 321.67, 0.23%, 0.69%

LAB 68.94, 17.17, -6.86

 

CMYK 10 / 56 / 0 / 4

HEX #DC6BF5

RGB 220 107 245

HSL 289.13, 0.87%, 0.69%

LAB 63.61, 63.83, -50.39

 

CMYK 0 / 56 / 5 / 4

HEX #F56BE9

RGB 245 107 233

HSL 305.22, 0.87%, 0.69%

LAB 66.38, 68.11, -39.17

 

CMYK 0 / 56 / 20 / 4

HEX #F56BC5

RGB 245 107 197

HSL 320.87, 0.87%, 0.69%

LAB 64.93, 62.69, -21.26

 

CMYK 0 / 56 / 35 / 4

HEX #F56BA0

RGB 245 107 160

HSL 336.96, 0.87%, 0.69%

LAB 63.73, 57.98, -2.02

 

CMYK 0 / 56 / 50 / 4

HEX #F56B7B

RGB 245 107 123

HSL 353.04, 0.87%, 0.69%

LAB 62.81, 54.26, 17.91

 

CMYK 0 / 87 / 31 / 6

HEX #EF1EA4

RGB 239 30 164

HSL 321.53, 0.87%, 0.53%

LAB 53.98, 81.47, -19.04

 

CMYK 0 / 71 / 26 / 5

HEX #F245B4

RGB 242 69 180

HSL 321.5, 0.87%, 0.61%

LAB 58.44, 74.47, -21.51

 

CMYK 0 / 56 / 20 / 4

HEX #F56BC4

RGB 245 107 196

HSL 321.3, 0.87%, 0.69%

LAB 64.89, 62.55, -20.75

 

CMYK 0 / 41 / 15 / 3

HEX #F792D3

RGB 247 146 211

HSL 321.39, 0.86%, 0.77%

LAB 72.91, 46.6, -16.93

 

CMYK 0 / 26 / 9 / 2

HEX #FAB8E3

RGB 250 184 227

HSL 320.91, 0.87%, 0.85%

LAB 81.92, 30.39, -12.07

 

CMYK 0 / 56 / 20 / 4

HEX #F56CC4

RGB 245 108 196

HSL 321.46, 0.87%, 0.69%

LAB 65.06, 62.1, -20.5

 

CMYK 0 / 25 / 56 / 4

HEX #F5B76B

RGB 245 183 107

HSL 33.04, 0.87%, 0.69%

LAB 78.66, 14.23, 46.96

 

CMYK 56 / 0 / 3 / 4

HEX #6BF5EE

RGB 107 245 238

HSL 176.96, 0.87%, 0.69%

LAB 89.21, -38.98, -7.98

 

CMYK 0 / 56 / 20 / 4

HEX #F56CC4

RGB 245 108 196

HSL 321.46, 0.87%, 0.69%

LAB 65.06, 62.1, -20.5

 

CMYK 20 / 0 / 56 / 4

HEX #C5F56B

RGB 197 245 107

HSL 80.87, 0.87%, 0.69%

LAB 90.89, -35.82, 60.31

 

CMYK 56 / 20 / 0 / 4

HEX #6BC5F5

RGB 107 197 245

HSL 200.87, 0.87%, 0.69%

LAB 75.85, -13.55, -31.88

 

CMYK 0 / 56 / 20 / 4

HEX #F56CC4

RGB 245 108 196

HSL 321.46, 0.87%, 0.69%

LAB 65.06, 62.1, -20.5

 

CMYK 0 / 25 / 56 / 4

HEX #F5B76B

RGB 245 183 107

HSL 33.04, 0.87%, 0.69%

LAB 78.66, 14.23, 46.96

 

CMYK 56 / 0 / 37 / 4

HEX #6BF59B

RGB 107 245 155

HSL 140.87, 0.87%, 0.69%

LAB 87.39, -57, 32.29

 

CMYK 56 / 31 / 0 / 4

HEX #6BA9F5

RGB 107 169 245

HSL 213.04, 0.87%, 0.69%

LAB 68.09, 1.74, -43.96

 

CMYK 0 / 56 / 20 / 4

HEX #F56CC4

RGB 245 108 196

HSL 321.46, 0.87%, 0.69%

LAB 65.06, 62.1, -20.5

 

CMYK 0 / 9 / 56 / 4

HEX #F5E06B

RGB 245 224 107

HSL 50.87, 0.87%, 0.69%

LAB 88.82, -6.9, 58.88

 

CMYK 56 / 0 / 37 / 4

HEX #6BF59B

RGB 107 245 155

HSL 140.87, 0.87%, 0.69%

LAB 87.39, -57, 32.29

 

CMYK 56 / 48 / 0 / 4

HEX #6B80F5

RGB 107 128 245

HSL 230.87, 0.87%, 0.69%

LAB 57.23, 25.79, -61.2

 

Description

Color code: HEX #F56CC4CE | qconv.com Color code: HEX #F56CC4CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 108 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 108 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 16 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 16% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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