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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4F9EFF4 it is the complementary color #0B0610F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4F9EFF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F4F9EFF4: #F9F9EAF4, #FFFFFDF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4F9EFF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F4F9EFF4: #F4F9EFF4, #E3E7DCF4, #D2D5C9F4, #C1C3B6F4 and #B0B1A3F4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 4 / 2

HEX #F4F9EFF4

RGBA 244 249 239 0.96

HSLA 90, 0.45%, 0.96%, 0.96

LABA 97.32, -3.4, 4.21, 0.96

 

Complementary color

CMYK 30 / 60 / 0 / 90

HEX #0B0610F4

RGBA 11 6 16 0.96

HSLA 270, 0.45%, 0.04%, 0.96

LABA 2.16, 2.85, -3.73, 0.96

 

CMYK 0 / 0 / 6 / 2

HEX #F9F9EAF4

RGBA 249 249 234 0.96

HSLA 60, 0.56%, 0.95%, 0.96

LABA 97.56, -2.56, 7.19, 0.96

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFDF4

RGBA 255 255 253 0.96

HSLA 60, 1%, 1%, 0.96

LABA 99.95, -0.34, 0.94, 0.96

 

CMYK 2 / 0 / 4 / 2

HEX #F4F9EFF4

RGBA 244 249 239 0.96

HSLA 90, 0.45%, 0.96%, 0.96

LABA 97.32, -3.4, 4.21, 0.96

 

CMYK 2 / 0 / 5 / 9

HEX #E3E7DCF4

RGBA 227 231 220 0.96

HSLA 81.82, 0.19%, 0.88%, 0.96

LABA 91.08, -3.28, 4.87, 0.96

 

CMYK 1 / 0 / 5 / 16

HEX #D2D5C9F4

RGBA 210 213 201 0.96

HSLA 75, 0.13%, 0.81%, 0.96

LABA 84.74, -3.16, 5.56, 0.96

 

CMYK 1 / 0 / 6 / 23

HEX #C1C3B6F4

RGBA 193 195 182 0.96

HSLA 69.23, 0.1%, 0.74%, 0.96

LABA 78.31, -3.03, 6.28, 0.96

 

CMYK 1 / 0 / 8 / 29

HEX #B0B1A3F4

RGBA 176 177 163 0.96

HSLA 64.29, 0.08%, 0.67%, 0.96

LABA 71.77, -2.89, 7.03, 0.96

 

CMYK 2 / 0 / 4 / 2

HEX #F4F9EFF4

RGBA 244 249 239 0.96

HSLA 90, 0.45%, 0.96%, 0.96

LABA 97.32, -3.4, 4.21, 0.96

 

CMYK 2 / 0 / 3 / 2

HEX #F3F9F0F4

RGBA 243 249 240 0.96

HSLA 100, 0.43%, 0.96%, 0.96

LABA 97.27, -3.56, 3.61, 0.96

 

CMYK 3 / 0 / 3 / 2

HEX #F1F9F0F4

RGBA 241 249 240 0.96

HSLA 113.33, 0.43%, 0.96%, 0.96

LABA 97.12, -4.22, 3.39, 0.96

 

CMYK 3 / 0 / 3 / 2

HEX #F0F9F0F4

RGBA 240 249 240 0.96

HSLA 120, 0.43%, 0.96%, 0.96

LABA 97.05, -4.55, 3.27, 0.96

 

CMYK 3 / 0 / 3 / 2

HEX #F0F9F1F4

RGBA 240 249 241 0.96

HSLA 126.67, 0.43%, 0.96%, 0.96

LABA 97.08, -4.38, 2.79, 0.96

 

CMYK 2 / 0 / 4 / 2

HEX #F4F9EFF4

RGBA 244 249 239 0.96

HSLA 90, 0.45%, 0.96%, 0.96

LABA 97.32, -3.4, 4.21, 0.96

 

CMYK 2 / 0 / 4 / 79

HEX #2C2D2BF4

RGBA 44 45 43 0.96

HSLA 90, 0.02%, 0.17%, 0.96

LABA 18.31, -0.92, 1.13, 0.96

 

CMYK 2 / 0 / 4 / 60

HEX #5E605CF4

RGBA 94 96 92 0.96

HSLA 90, 0.02%, 0.37%, 0.96

LABA 40.44, -1.62, 2, 0.96

 

CMYK 2 / 0 / 4 / 41

HEX #90938DF4

RGBA 144 147 141 0.96

HSLA 90, 0.03%, 0.56%, 0.96

LABA 60.53, -2.25, 2.78, 0.96

 

CMYK 2 / 0 / 4 / 21

HEX #C2C6BEF4

RGBA 194 198 190 0.96

HSLA 90, 0.07%, 0.76%, 0.96

LABA 79.37, -2.84, 3.51, 0.96

 

CMYK 2 / 0 / 4 / 2

HEX #F4F9EFF4

RGBA 244 249 239 0.96

HSLA 90, 0.45%, 0.96%, 0.96

LABA 97.32, -3.4, 4.21, 0.96

 

CMYK 3 / 0 / 1 / 2

HEX #F0F9F6F4

RGBA 240 249 246 0.96

HSLA 160, 0.43%, 0.96%, 0.96

LABA 97.2, -3.49, 0.4, 0.96

 

CMYK 0 / 3 / 0 / 2

HEX #F9F0F8F4

RGBA 249 240 248 0.96

HSLA 306.67, 0.43%, 0.96%, 0.96

LABA 95.68, 4.41, -2.78, 0.96

 

CMYK 2 / 0 / 4 / 2

HEX #F4F9EFF4

RGBA 244 249 239 0.96

HSLA 90, 0.45%, 0.96%, 0.96

LABA 97.32, -3.4, 4.21, 0.96

 

CMYK 3 / 2 / 0 / 2

HEX #F0F4F9F4

RGBA 240 244 249 0.96

HSLA 213.33, 0.43%, 0.96%, 0.96

LABA 96.02, -0.41, -2.87, 0.96

 

CMYK 0 / 3 / 2 / 2

HEX #F9F0F4F4

RGBA 249 240 244 0.96

HSLA 333.33, 0.43%, 0.96%, 0.96

LABA 95.58, 3.71, -0.86, 0.96

 

CMYK 2 / 0 / 4 / 2

HEX #F4F9EFF4

RGBA 244 249 239 0.96

HSLA 90, 0.45%, 0.96%, 0.96

LABA 97.32, -3.4, 4.21, 0.96

 

CMYK 3 / 0 / 1 / 2

HEX #F0F9F6F4

RGBA 240 249 246 0.96

HSLA 160, 0.43%, 0.96%, 0.96

LABA 97.2, -3.49, 0.4, 0.96

 

CMYK 2 / 3 / 0 / 2

HEX #F4F0F9F4

RGBA 244 240 249 0.96

HSLA 266.67, 0.43%, 0.96%, 0.96

LABA 95.33, 2.94, -3.86, 0.96

 

CMYK 0 / 3 / 3 / 2

HEX #F9F0F2F4

RGBA 249 240 242 0.96

HSLA 346.67, 0.43%, 0.96%, 0.96

LABA 95.53, 3.36, 0.1, 0.96

 

CMYK 2 / 0 / 4 / 2

HEX #F4F9EFF4

RGBA 244 249 239 0.96

HSLA 90, 0.45%, 0.96%, 0.96

LABA 97.32, -3.4, 4.21, 0.96

 

CMYK 3 / 0 / 0 / 2

HEX #F0F9F9F4

RGBA 240 249 249 0.96

HSLA 180, 0.43%, 0.96%, 0.96

LABA 97.27, -2.95, -1.04, 0.96

 

CMYK 2 / 3 / 0 / 2

HEX #F4F0F9F4

RGBA 244 240 249 0.96

HSLA 266.67, 0.43%, 0.96%, 0.96

LABA 95.33, 2.94, -3.86, 0.96

 

CMYK 0 / 3 / 3 / 2

HEX #F9F0F0F4

RGBA 249 240 240 0.96

HSLA 0, 0.43%, 0.96%, 0.96

LABA 95.48, 3.02, 1.06, 0.96

 

Description

Color code: HEX #F4F9EFF4 | qconv.com Color code: HEX #F4F9EFF4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 249 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 249 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 4 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 4% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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