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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4CFB7 it is the complementary color #0B3048. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4CFB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F4CFB7: #F9CFB2, #FFE1C5, #FFF3D8, #FFFFEB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4CFB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F4CFB7: #F4CFB7, #E3BDA4, #D2AB91, #C1997E and #B0876B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 25 / 4

HEX #F4CFB7

RGB 244 207 183

HSL 23.61, 0.73%, 0.84%

LAB 85.64, 9.44, 16.75

 

Complementary color

CMYK 85 / 33 / 0 / 72

HEX #0B3048

RGB 11 48 72

HSL 203.61, 0.73%, 0.16%

LAB 18.6, -3.16, -18.59

 

CMYK 0 / 17 / 29 / 2

HEX #F9CFB2

RGB 249 207 178

HSL 24.51, 0.86%, 0.84%

LAB 86, 10.63, 19.94

 

CMYK 0 / 12 / 23 / 0

HEX #FFE1C5

RGB 255 225 197

HSL 28.97, 1%, 0.89%

LAB 91.3, 6.11, 17.48

 

CMYK 0 / 5 / 15 / 0

HEX #FFF3D8

RGB 255 243 216

HSL 41.54, 1%, 0.92%

LAB 96.13, -0.3, 14.46

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 0 / 15 / 25 / 4

HEX #F4CFB7

RGB 244 207 183

HSL 23.61, 0.73%, 0.84%

LAB 85.64, 9.44, 16.75

 

CMYK 0 / 17 / 28 / 11

HEX #E3BDA4

RGB 227 189 164

HSL 23.81, 0.53%, 0.77%

LAB 79.27, 9.93, 17.72

 

CMYK 0 / 19 / 31 / 18

HEX #D2AB91

RGB 210 171 145

HSL 24, 0.42%, 0.7%

LAB 72.81, 10.49, 18.76

 

CMYK 0 / 21 / 35 / 24

HEX #C1997E

RGB 193 153 126

HSL 24.18, 0.35%, 0.63%

LAB 66.23, 11.12, 19.88

 

CMYK 0 / 23 / 39 / 31

HEX #B0876B

RGB 176 135 107

HSL 24.35, 0.3%, 0.55%

LAB 59.54, 11.85, 21.09

 

CMYK 0 / 15 / 25 / 4

HEX #F4CFB7

RGB 244 207 183

HSL 23.61, 0.73%, 0.84%

LAB 85.64, 9.44, 16.75

 

CMYK 0 / 11 / 24 / 5

HEX #F3D9B8

RGB 243 217 184

HSL 33.56, 0.71%, 0.84%

LAB 88.04, 4.02, 19.55

 

CMYK 0 / 7 / 24 / 5

HEX #F3E3B8

RGB 243 227 184

HSL 43.73, 0.71%, 0.84%

LAB 90.53, -1.11, 23.01

 

CMYK 0 / 2 / 24 / 5

HEX #F3EDB8

RGB 243 237 184

HSL 53.9, 0.71%, 0.84%

LAB 93.05, -6.17, 26.47

 

CMYK 1 / 0 / 24 / 5

HEX #F1F3B8

RGB 241 243 184

HSL 62.03, 0.71%, 0.84%

LAB 94.42, -9.9, 28.32

 

CMYK 0 / 15 / 25 / 4

HEX #F4CFB7

RGB 244 207 183

HSL 23.61, 0.73%, 0.84%

LAB 85.64, 9.44, 16.75

 

CMYK 0 / 15 / 25 / 84

HEX #28221E

RGB 40 34 30

HSL 24, 0.14%, 0.14%

LAB 13.76, 2, 3.74

 

CMYK 0 / 15 / 25 / 64

HEX #5B4D44

RGB 91 77 68

HSL 23.48, 0.14%, 0.31%

LAB 33.88, 4.24, 7.51

 

CMYK 0 / 15 / 25 / 44

HEX #8E786B

RGB 142 120 107

HSL 22.29, 0.14%, 0.49%

LAB 52.11, 6.39, 10.3

 

CMYK 0 / 15 / 25 / 24

HEX #C1A491

RGB 193 164 145

HSL 23.75, 0.28%, 0.66%

LAB 69.42, 7.68, 13.8

 

CMYK 0 / 15 / 25 / 4

HEX #F4CFB7

RGB 244 207 183

HSL 23.61, 0.73%, 0.84%

LAB 85.64, 9.44, 16.75

 

CMYK 14 / 0 / 24 / 5

HEX #D1F3B8

RGB 209 243 184

HSL 94.58, 0.71%, 0.84%

LAB 92.18, -21.33, 24.89

 

CMYK 24 / 24 / 0 / 5

HEX #B8B9F3

RGB 184 185 243

HSL 238.98, 0.71%, 0.84%

LAB 76.9, 11.89, -28.84

 

CMYK 0 / 15 / 25 / 4

HEX #F4CFB7

RGB 244 207 183

HSL 23.61, 0.73%, 0.84%

LAB 85.64, 9.44, 16.75

 

CMYK 24 / 0 / 15 / 5

HEX #B8F3CF

RGB 184 243 207

HSL 143.39, 0.71%, 0.84%

LAB 91.14, -25.68, 11.36

 

CMYK 15 / 24 / 0 / 5

HEX #CFB8F3

RGB 207 184 243

HSL 263.39, 0.71%, 0.84%

LAB 78.47, 19.44, -26.27

 

CMYK 0 / 15 / 25 / 4

HEX #F4CFB7

RGB 244 207 183

HSL 23.61, 0.73%, 0.84%

LAB 85.64, 9.44, 16.75

 

CMYK 14 / 0 / 24 / 5

HEX #D1F3B8

RGB 209 243 184

HSL 94.58, 0.71%, 0.84%

LAB 92.18, -21.33, 24.89

 

CMYK 24 / 9 / 0 / 5

HEX #B8DDF3

RGB 184 221 243

HSL 202.37, 0.71%, 0.84%

LAB 86.19, -7.32, -14.74

 

CMYK 10 / 24 / 0 / 5

HEX #DBB8F3

RGB 219 184 243

HSL 275.59, 0.71%, 0.84%

LAB 79.51, 23.2, -24.6

 

CMYK 0 / 15 / 25 / 4

HEX #F4CFB7

RGB 244 207 183

HSL 23.61, 0.73%, 0.84%

LAB 85.64, 9.44, 16.75

 

CMYK 21 / 0 / 24 / 5

HEX #BFF3B8

RGB 191 243 184

HSL 112.88, 0.71%, 0.84%

LAB 91.07, -27.44, 23.18

 

CMYK 24 / 9 / 0 / 5

HEX #B8DDF3

RGB 184 221 243

HSL 202.37, 0.71%, 0.84%

LAB 86.19, -7.32, -14.74

 

CMYK 2 / 24 / 0 / 5

HEX #EDB8F3

RGB 237 184 243

HSL 293.9, 0.71%, 0.84%

LAB 81.16, 28.94, -21.93

 

Description

Color code: HEX #F4CFB7 | qconv.com Color code: HEX #F4CFB7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 207 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 207 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 25 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 25% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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