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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4C752 it is the complementary color #0B38AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4C752. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F4C752: #F9C74D, #FFD960, #FFEB73, #FFFD86 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4C752. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F4C752: #F4C752, #E3B53F, #D2A32C, #C19119 and #B07F06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 66 / 4

HEX #F4C752

RGB 244 199 82

HSL 43.33, 0.88%, 0.64%

LAB 82.21, 3.81, 62.54

 

Complementary color

CMYK 94 / 68 / 0 / 32

HEX #0B38AD

RGB 11 56 173

HSL 223.33, 0.88%, 0.36%

LAB 29.2, 33.86, -65.54

 

CMYK 0 / 20 / 69 / 2

HEX #F9C74D

RGB 249 199 77

HSL 42.56, 0.93%, 0.64%

LAB 82.66, 5.63, 65.25

 

CMYK 0 / 15 / 62 / 0

HEX #FFD960

RGB 255 217 96

HSL 45.66, 1%, 0.69%

LAB 87.84, -0.03, 62.9

 

CMYK 0 / 8 / 55 / 0

HEX #FFEB73

RGB 255 235 115

HSL 51.43, 1%, 0.73%

LAB 92.54, -7.77, 59.76

 

CMYK 0 / 1 / 47 / 0

HEX #FFFD86

RGB 255 253 134

HSL 59.01, 1%, 0.76%

LAB 97.32, -15.06, 56.7

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 0 / 18 / 66 / 4

HEX #F4C752

RGB 244 199 82

HSL 43.33, 0.88%, 0.64%

LAB 82.21, 3.81, 62.54

 

CMYK 0 / 20 / 72 / 11

HEX #E3B53F

RGB 227 181 63

HSL 43.17, 0.75%, 0.57%

LAB 75.91, 5.04, 63.34

 

CMYK 0 / 22 / 79 / 18

HEX #D2A32C

RGB 210 163 44

HSL 43.01, 0.65%, 0.5%

LAB 69.52, 6.46, 63.68

 

CMYK 0 / 25 / 87 / 24

HEX #C19119

RGB 193 145 25

HSL 42.86, 0.77%, 0.43%

LAB 63.06, 8.12, 63.16

 

CMYK 0 / 28 / 97 / 31

HEX #B07F06

RGB 176 127 6

HSL 42.71, 0.93%, 0.36%

LAB 56.51, 10.06, 61.18

 

CMYK 0 / 18 / 66 / 4

HEX #F4C752

RGB 244 199 82

HSL 43.33, 0.88%, 0.64%

LAB 82.21, 3.81, 62.54

 

CMYK 0 / 7 / 66 / 5

HEX #F3E152

RGB 243 225 82

HSL 53.29, 0.87%, 0.64%

LAB 88.69, -9.82, 69.28

 

CMYK 3 / 0 / 66 / 5

HEX #EBF352

RGB 235 243 82

HSL 62.98, 0.87%, 0.64%

LAB 92.74, -21.87, 73.21

 

CMYK 14 / 0 / 66 / 5

HEX #D0F352

RGB 208 243 82

HSL 73.04, 0.87%, 0.64%

LAB 90.83, -32.57, 70.66

 

CMYK 25 / 0 / 66 / 5

HEX #B6F352

RGB 182 243 82

HSL 82.73, 0.87%, 0.64%

LAB 89.23, -42.39, 68.49

 

CMYK 0 / 18 / 66 / 4

HEX #F4C752

RGB 244 199 82

HSL 43.33, 0.88%, 0.64%

LAB 82.21, 3.81, 62.54

 

CMYK 0 / 18 / 68 / 84

HEX #28210D

RGB 40 33 13

HSL 44.44, 0.51%, 0.1%

LAB 13.03, 0.04, 13.82

 

CMYK 0 / 19 / 66 / 64

HEX #5B4A1F

RGB 91 74 31

HSL 43, 0.49%, 0.24%

LAB 32.3, 1.48, 27.83

 

CMYK 0 / 18 / 66 / 44

HEX #8E7430

RGB 142 116 48

HSL 43.4, 0.49%, 0.37%

LAB 50.04, 2.11, 40.33

 

CMYK 0 / 19 / 66 / 24

HEX #C19D41

RGB 193 157 65

HSL 43.13, 0.51%, 0.51%

LAB 66.39, 3.26, 51.6

 

CMYK 0 / 18 / 66 / 4

HEX #F4C752

RGB 244 199 82

HSL 43.33, 0.88%, 0.64%

LAB 82.21, 3.81, 62.54

 

CMYK 61 / 0 / 66 / 5

HEX #5FF352

RGB 95 243 82

HSL 115.16, 0.87%, 0.64%

LAB 85.58, -68.54, 63.52

 

CMYK 45 / 66 / 0 / 5

HEX #8552F3

RGB 133 82 243

HSL 259.01, 0.87%, 0.64%

LAB 48.87, 56.46, -73.49

 

CMYK 0 / 18 / 66 / 4

HEX #F4C752

RGB 244 199 82

HSL 43.33, 0.88%, 0.64%

LAB 82.21, 3.81, 62.54

 

CMYK 66 / 0 / 19 / 5

HEX #52F3C6

RGB 82 243 198

HSL 163.23, 0.87%, 0.64%

LAB 86.98, -52.12, 9.57

 

CMYK 19 / 66 / 0 / 5

HEX #C652F3

RGB 198 82 243

HSL 283.23, 0.87%, 0.64%

LAB 56.6, 69.38, -60.63

 

CMYK 0 / 18 / 66 / 4

HEX #F4C752

RGB 244 199 82

HSL 43.33, 0.88%, 0.64%

LAB 82.21, 3.81, 62.54

 

CMYK 61 / 0 / 66 / 5

HEX #5FF352

RGB 95 243 82

HSL 115.16, 0.87%, 0.64%

LAB 85.58, -68.54, 63.52

 

CMYK 66 / 47 / 0 / 5

HEX #5280F3

RGB 82 128 243

HSL 222.86, 0.87%, 0.64%

LAB 55.79, 20.77, -62.47

 

CMYK 5 / 66 / 0 / 5

HEX #E652F3

RGB 230 82 243

HSL 295.16, 0.87%, 0.64%

LAB 61.07, 76.29, -53.22

 

CMYK 0 / 18 / 66 / 4

HEX #F4C752

RGB 244 199 82

HSL 43.33, 0.88%, 0.64%

LAB 82.21, 3.81, 62.54

 

CMYK 66 / 0 / 52 / 5

HEX #52F375

RGB 82 243 117

HSL 133.04, 0.87%, 0.64%

LAB 85.59, -67.19, 48.35

 

CMYK 66 / 47 / 0 / 5

HEX #5280F3

RGB 82 128 243

HSL 222.86, 0.87%, 0.64%

LAB 55.79, 20.77, -62.47

 

CMYK 0 / 66 / 14 / 5

HEX #F352D0

RGB 243 82 208

HSL 313.04, 0.87%, 0.64%

LAB 61.35, 73.88, -33.03

 

Description

Color code: HEX #F4C752 | qconv.com Color code: HEX #F4C752 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 199 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 199 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 66 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 66% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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