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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4C1A2 it is the complementary color #0B3E5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4C1A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F4C1A2: #F9C19D, #FFD3B0, #FFE5C3, #FFF7D6 and #FFFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4C1A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F4C1A2: #F4C1A2, #E3AF8F, #D29D7C, #C18B69 and #B07956

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 34 / 4

HEX #F4C1A2

RGB 244 193 162

HSL 22.68, 0.79%, 0.8%

LAB 81.83, 14.05, 22.57

 

Complementary color

CMYK 88 / 33 / 0 / 64

HEX #0B3E5D

RGB 11 62 93

HSL 202.68, 0.79%, 0.2%

LAB 24.66, -3.75, -23

 

CMYK 0 / 22 / 37 / 2

HEX #F9C19D

RGB 249 193 157

HSL 23.48, 0.88%, 0.8%

LAB 82.22, 15.37, 25.84

 

CMYK 0 / 17 / 31 / 0

HEX #FFD3B0

RGB 255 211 176

HSL 26.58, 1%, 0.85%

LAB 87.48, 10.55, 23.13

 

CMYK 0 / 10 / 24 / 0

HEX #FFE5C3

RGB 255 229 195

HSL 34, 1%, 0.88%

LAB 92.24, 3.79, 19.84

 

CMYK 0 / 3 / 16 / 0

HEX #FFF7D6

RGB 255 247 214

HSL 48.29, 1%, 0.92%

LAB 97.08, -2.62, 16.83

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 21 / 34 / 4

HEX #F4C1A2

RGB 244 193 162

HSL 22.68, 0.79%, 0.8%

LAB 81.83, 14.05, 22.57

 

CMYK 0 / 23 / 37 / 11

HEX #E3AF8F

RGB 227 175 143

HSL 22.86, 0.6%, 0.73%

LAB 75.44, 14.73, 23.71

 

CMYK 0 / 25 / 41 / 18

HEX #D29D7C

RGB 210 157 124

HSL 23.02, 0.49%, 0.65%

LAB 68.95, 15.51, 24.95

 

CMYK 0 / 28 / 46 / 24

HEX #C18B69

RGB 193 139 105

HSL 23.18, 0.42%, 0.58%

LAB 62.36, 16.4, 26.29

 

CMYK 0 / 31 / 51 / 31

HEX #B07956

RGB 176 121 86

HSL 23.33, 0.36%, 0.51%

LAB 55.66, 17.43, 27.77

 

CMYK 0 / 21 / 34 / 4

HEX #F4C1A2

RGB 244 193 162

HSL 22.68, 0.79%, 0.8%

LAB 81.83, 14.05, 22.57

 

CMYK 0 / 16 / 33 / 4

HEX #F4CEA3

RGB 244 206 163

HSL 31.85, 0.79%, 0.8%

LAB 85.01, 7.37, 26.38

 

CMYK 0 / 10 / 33 / 4

HEX #F4DCA3

RGB 244 220 163

HSL 42.22, 0.79%, 0.8%

LAB 88.48, 0.15, 31.06

 

CMYK 0 / 5 / 33 / 4

HEX #F4E9A3

RGB 244 233 163

HSL 51.85, 0.79%, 0.8%

LAB 91.75, -6.44, 35.42

 

CMYK 1 / 0 / 33 / 4

HEX #F1F4A3

RGB 241 244 163

HSL 62.22, 0.79%, 0.8%

LAB 94.33, -13.05, 38.76

 

CMYK 0 / 21 / 34 / 4

HEX #F4C1A2

RGB 244 193 162

HSL 22.68, 0.79%, 0.8%

LAB 81.83, 14.05, 22.57

 

CMYK 0 / 20 / 33 / 84

HEX #28201B

RGB 40 32 27

HSL 23.08, 0.19%, 0.13%

LAB 13, 2.84, 4.83

 

CMYK 0 / 21 / 34 / 64

HEX #5B483C

RGB 91 72 60

HSL 23.23, 0.21%, 0.3%

LAB 32.22, 6.09, 10.26

 

CMYK 0 / 21 / 34 / 44

HEX #8E705E

RGB 142 112 94

HSL 22.5, 0.2%, 0.46%

LAB 49.67, 9.12, 14.52

 

CMYK 0 / 21 / 34 / 24

HEX #C19980

RGB 193 153 128

HSL 23.08, 0.34%, 0.63%

LAB 66.27, 11.37, 18.82

 

CMYK 0 / 21 / 34 / 4

HEX #F4C1A2

RGB 244 193 162

HSL 22.68, 0.79%, 0.8%

LAB 81.83, 14.05, 22.57

 

CMYK 19 / 0 / 33 / 4

HEX #C6F4A3

RGB 198 244 163

HSL 94.07, 0.79%, 0.8%

LAB 91.39, -28.69, 34.35

 

CMYK 33 / 32 / 0 / 4

HEX #A3A6F4

RGB 163 166 244

HSL 237.78, 0.79%, 0.8%

LAB 70.59, 16.68, -39.27

 

CMYK 0 / 21 / 34 / 4

HEX #F4C1A2

RGB 244 193 162

HSL 22.68, 0.79%, 0.8%

LAB 81.83, 14.05, 22.57

 

CMYK 33 / 0 / 21 / 4

HEX #A3F4C1

RGB 163 244 193

HSL 142.22, 0.79%, 0.8%

LAB 90.02, -35.12, 16.86

 

CMYK 21 / 33 / 0 / 4

HEX #C1A3F4

RGB 193 163 244

HSL 262.22, 0.79%, 0.8%

LAB 72.27, 26.93, -36.46

 

CMYK 0 / 21 / 34 / 4

HEX #F4C1A2

RGB 244 193 162

HSL 22.68, 0.79%, 0.8%

LAB 81.83, 14.05, 22.57

 

CMYK 19 / 0 / 33 / 4

HEX #C6F4A3

RGB 198 244 163

HSL 94.07, 0.79%, 0.8%

LAB 91.39, -28.69, 34.35

 

CMYK 33 / 12 / 0 / 4

HEX #A3D6F4

RGB 163 214 244

HSL 202.22, 0.79%, 0.8%

LAB 83.13, -9.43, -20

 

CMYK 14 / 33 / 0 / 4

HEX #D1A3F4

RGB 209 163 244

HSL 274.07, 0.79%, 0.8%

LAB 73.73, 31.71, -34.09

 

CMYK 0 / 21 / 34 / 4

HEX #F4C1A2

RGB 244 193 162

HSL 22.68, 0.79%, 0.8%

LAB 81.83, 14.05, 22.57

 

CMYK 29 / 0 / 33 / 4

HEX #AEF4A3

RGB 174 244 163

HSL 111.85, 0.79%, 0.8%

LAB 90.02, -36.77, 32.27

 

CMYK 33 / 12 / 0 / 4

HEX #A3D6F4

RGB 163 214 244

HSL 202.22, 0.79%, 0.8%

LAB 83.13, -9.43, -20

 

CMYK 5 / 33 / 0 / 4

HEX #E9A3F4

RGB 233 163 244

HSL 291.85, 0.79%, 0.8%

LAB 76.1, 39.04, -30.23

 

Description

Color code: HEX #F4C1A2 | qconv.com Color code: HEX #F4C1A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 193 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 193 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 34 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 34% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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