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Color name
HEX #F4AC6D

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4AC6D it is the complementary color #0B5392. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4AC6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4AC6D shade: #F9AC68, #FFBE7B, #FFD08E, #FFE2A1 and #FFF4B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4AC6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4AC6D shade: #F4AC6D, #E39A5A, #D28847, #C17634 and #B06421

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4AC6D shade: #F4AB6C, #F4876C and #F46C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4AC6D shade: #F4AB6C, #F4D06C, #F3F46C, #CEF46C and #AAF46C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4AC6D shade matches the following richer shades: #F4AB6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4AC6D shade: #F4AB6C, #E7AC79, #DAAD86, #CEAE92 and #C1AF9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4AC6D shade: #F46C75, #F4876C, #F4AB6C, #F4D06C and #F4F46C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4AC6D shade: #EE801F, #F19646, #F4AB6C, #F7C192 and #FAD7B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4AC6D shade: #F4AC6D, #99F46C and #756CF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4AC6D shade: #F4AC6D, #6CF4AB and #AB6CF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4AC6D shade: #F4AC6D, #99F46C, #6CB4F4 and #C76CF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4AC6D shade: #F4AC6D, #70F46C, #6CB4F4 and #EF6CF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 55 / 4

HEX #F4AC6D

RGB 244 172 109

HSL 28, 0.86%, 0.69%

LAB 75.97, 19.77, 42.66

 

Complementary color

CMYK 92 / 43 / 0 / 43

HEX #0B5392

RGB 11 83 146

HSL 208, 0.86%, 0.31%

LAB 34.67, 4.5, -40.37

 

CMYK 0 / 31 / 58 / 2

HEX #F9AC68

RGB 249 172 104

HSL 28.14, 0.92%, 0.69%

LAB 76.46, 21.41, 45.91

 

CMYK 0 / 25 / 52 / 0

HEX #FFBE7B

RGB 255 190 123

HSL 30.45, 1%, 0.74%

LAB 81.57, 15.9, 42.75

 

CMYK 0 / 18 / 44 / 0

HEX #FFD08E

RGB 255 208 142

HSL 35.04, 1%, 0.78%

LAB 86.17, 8.29, 38.94

 

CMYK 0 / 11 / 37 / 0

HEX #FFE2A1

RGB 255 226 161

HSL 41.49, 1%, 0.82%

LAB 90.88, 1.07, 35.45

 

CMYK 0 / 4 / 29 / 0

HEX #FFF4B4

RGB 255 244 180

HSL 51.2, 1%, 0.85%

LAB 95.69, -5.76, 32.23

 

CMYK 0 / 30 / 55 / 4

HEX #F4AC6D

RGB 244 172 109

HSL 28, 0.86%, 0.69%

LAB 75.97, 19.77, 42.66

 

CMYK 0 / 32 / 60 / 11

HEX #E39A5A

RGB 227 154 90

HSL 28.03, 0.71%, 0.62%

LAB 69.6, 20.97, 44.17

 

CMYK 0 / 35 / 66 / 18

HEX #D28847

RGB 210 136 71

HSL 28.06, 0.61%, 0.55%

LAB 63.15, 22.34, 45.73

 

CMYK 0 / 39 / 73 / 24

HEX #C17634

RGB 193 118 52

HSL 28.09, 0.58%, 0.48%

LAB 56.63, 23.91, 47.24

 

CMYK 0 / 43 / 81 / 31

HEX #B06421

RGB 176 100 33

HSL 28.11, 0.68%, 0.41%

LAB 50.04, 25.72, 48.49

 

CMYK 0 / 30 / 56 / 4

HEX #F4AB6C

RGB 244 171 108

HSL 27.79, 0.86%, 0.69%

LAB 75.73, 20.22, 42.86

 

CMYK 0 / 45 / 56 / 4

HEX #F4876C

RGB 244 135 108

HSL 11.91, 0.86%, 0.69%

LAB 67.76, 39.02, 32.87

 

CMYK 0 / 56 / 56 / 4

HEX #F46C6C

RGB 244 108 108

HSL 0, 0.86%, 0.69%

LAB 62.54, 52.24, 26.09

 

CMYK 0 / 30 / 56 / 4

HEX #F4AB6C

RGB 244 171 108

HSL 27.79, 0.86%, 0.69%

LAB 75.73, 20.22, 42.86

 

CMYK 0 / 15 / 56 / 4

HEX #F4D06C

RGB 244 208 108

HSL 44.12, 0.86%, 0.69%

LAB 84.7, 0.89, 53.63

 

CMYK 0 / 0 / 56 / 4

HEX #F3F46C

RGB 243 244 108

HSL 60.44, 0.86%, 0.69%

LAB 93.81, -17.5, 64.05

 

CMYK 16 / 0 / 56 / 4

HEX #CEF46C

RGB 206 244 108

HSL 76.76, 0.86%, 0.69%

LAB 91.19, -31.9, 60.37

 

CMYK 30 / 0 / 56 / 4

HEX #AAF46C

RGB 170 244 108

HSL 92.65, 0.86%, 0.69%

LAB 89.08, -44.94, 57.39

 

CMYK 0 / 30 / 56 / 4

HEX #F4AB6C

RGB 244 171 108

HSL 27.79, 0.86%, 0.69%

LAB 75.73, 20.22, 42.86

 

CMYK 0 / 30 / 56 / 4

HEX #F4AB6C

RGB 244 171 108

HSL 27.79, 0.86%, 0.69%

LAB 75.73, 20.22, 42.86

 

CMYK 0 / 26 / 48 / 9

HEX #E7AC79

RGB 231 172 121

HSL 27.82, 0.7%, 0.69%

LAB 74.75, 15.58, 34.59

 

CMYK 0 / 21 / 39 / 15

HEX #DAAD86

RGB 218 173 134

HSL 27.86, 0.53%, 0.69%

LAB 73.88, 11.21, 26.29

 

CMYK 0 / 16 / 29 / 19

HEX #CEAE92

RGB 206 174 146

HSL 28, 0.38%, 0.69%

LAB 73.2, 7.45, 18.7

 

CMYK 0 / 9 / 18 / 24

HEX #C1AF9F

RGB 193 175 159

HSL 28.24, 0.22%, 0.69%

LAB 72.56, 3.82, 10.54

 

CMYK 0 / 56 / 52 / 4

HEX #F46C75

RGB 244 108 117

HSL 356.03, 0.86%, 0.69%

LAB 62.71, 52.95, 21.19

 

CMYK 0 / 45 / 56 / 4

HEX #F4876C

RGB 244 135 108

HSL 11.91, 0.86%, 0.69%

LAB 67.76, 39.02, 32.87

 

CMYK 0 / 30 / 56 / 4

HEX #F4AB6C

RGB 244 171 108

HSL 27.79, 0.86%, 0.69%

LAB 75.73, 20.22, 42.86

 

CMYK 0 / 15 / 56 / 4

HEX #F4D06C

RGB 244 208 108

HSL 44.12, 0.86%, 0.69%

LAB 84.7, 0.89, 53.63

 

CMYK 0 / 0 / 56 / 4

HEX #F4F46C

RGB 244 244 108

HSL 60, 0.86%, 0.69%

LAB 93.89, -17.1, 64.15

 

CMYK 0 / 46 / 87 / 7

HEX #EE801F

RGB 238 128 31

HSL 28.12, 0.86%, 0.53%

LAB 64.74, 36.51, 65.15

 

CMYK 0 / 38 / 71 / 5

HEX #F19646

RGB 241 150 70

HSL 28.07, 0.86%, 0.61%

LAB 70.14, 27.65, 54.94

 

CMYK 0 / 30 / 56 / 4

HEX #F4AB6C

RGB 244 171 108

HSL 27.79, 0.86%, 0.69%

LAB 75.73, 20.22, 42.86

 

CMYK 0 / 22 / 41 / 3

HEX #F7C192

RGB 247 193 146

HSL 27.92, 0.86%, 0.77%

LAB 81.83, 13.37, 31.06

 

CMYK 0 / 14 / 26 / 2

HEX #FAD7B9

RGB 250 215 185

HSL 27.69, 0.87%, 0.85%

LAB 88.17, 7.78, 19.31

 

CMYK 0 / 30 / 55 / 4

HEX #F4AC6D

RGB 244 172 109

HSL 28, 0.86%, 0.69%

LAB 75.97, 19.77, 42.66

 

CMYK 37 / 0 / 56 / 4

HEX #99F46C

RGB 153 244 108

HSL 100.15, 0.86%, 0.69%

LAB 88.24, -50.58, 56.19

 

CMYK 52 / 56 / 0 / 4

HEX #756CF4

RGB 117 108 244

HSL 243.97, 0.86%, 0.69%

LAB 52.99, 39.34, -67.43

 

CMYK 0 / 30 / 55 / 4

HEX #F4AC6D

RGB 244 172 109

HSL 28, 0.86%, 0.69%

LAB 75.97, 19.77, 42.66

 

CMYK 56 / 0 / 30 / 4

HEX #6CF4AB

RGB 108 244 171

HSL 147.79, 0.86%, 0.69%

LAB 87.4, -53.46, 24.2

 

CMYK 30 / 56 / 0 / 4

HEX #AB6CF4

RGB 171 108 244

HSL 267.79, 0.86%, 0.69%

LAB 57.96, 51.13, -59.18

 

CMYK 0 / 30 / 55 / 4

HEX #F4AC6D

RGB 244 172 109

HSL 28, 0.86%, 0.69%

LAB 75.97, 19.77, 42.66

 

CMYK 37 / 0 / 56 / 4

HEX #99F46C

RGB 153 244 108

HSL 100.15, 0.86%, 0.69%

LAB 88.24, -50.58, 56.19

 

CMYK 56 / 26 / 0 / 4

HEX #6CB4F4

RGB 108 180 244

HSL 208.24, 0.86%, 0.69%

LAB 71.12, -4.5, -38.68

 

CMYK 18 / 56 / 0 / 4

HEX #C76CF4

RGB 199 108 244

HSL 280.15, 0.86%, 0.69%

LAB 61.13, 57.94, -53.93

 

CMYK 0 / 30 / 55 / 4

HEX #F4AC6D

RGB 244 172 109

HSL 28, 0.86%, 0.69%

LAB 75.97, 19.77, 42.66

 

CMYK 54 / 0 / 56 / 4

HEX #70F46C

RGB 112 244 108

HSL 118.24, 0.86%, 0.69%

LAB 86.62, -62.27, 53.89

 

CMYK 56 / 26 / 0 / 4

HEX #6CB4F4

RGB 108 180 244

HSL 208.24, 0.86%, 0.69%

LAB 71.12, -4.5, -38.68

 

CMYK 2 / 56 / 0 / 4

HEX #EF6CF4

RGB 239 108 244

HSL 297.79, 0.86%, 0.69%

LAB 66.22, 67.96, -45.55

 

Description

Color code: HEX #F4AC6D | qconv.com Color code: HEX #F4AC6D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 172 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 172 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 55 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 55% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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