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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 32 / 60 / 11 it is the complementary color CMYK 83 / 38 / 0 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 32 / 60 / 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 32 / 60 / 11: CMYK 0 / 34 / 63 / 9, CMYK 0 / 31 / 58 / 2, CMYK 0 / 25 / 51 / 0, CMYK 0 / 18 / 44 / 0 and CMYK 0 / 11 / 36 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 32 / 60 / 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 32 / 60 / 11: CMYK 0 / 32 / 60 / 11, CMYK 0 / 35 / 66 / 18, CMYK 0 / 39 / 73 / 24, CMYK 0 / 43 / 81 / 31 and CMYK 0 / 48 / 91 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 60 / 11

HEX #E39A5B

RGB 227 154 91

HSL 27.79, 0.71%, 0.62%

LAB 69.61, 21.04, 43.67

 

Complementary color

CMYK 83 / 38 / 0 / 36

HEX #1C65A4

RGB 28 101 164

HSL 207.79, 0.71%, 0.38%

LAB 41.59, 1.45, -40.1

 

CMYK 0 / 34 / 63 / 9

HEX #E89A56

RGB 232 154 86

HSL 27.95, 0.76%, 0.62%

LAB 70.13, 22.76, 46.95

 

CMYK 0 / 31 / 58 / 2

HEX #F9AC69

RGB 249 172 105

HSL 27.92, 0.92%, 0.69%

LAB 76.48, 21.48, 45.42

 

CMYK 0 / 25 / 51 / 0

HEX #FFBE7C

RGB 255 190 124

HSL 30.23, 1%, 0.74%

LAB 81.59, 15.98, 42.26

 

CMYK 0 / 18 / 44 / 0

HEX #FFD08F

RGB 255 208 143

HSL 34.82, 1%, 0.78%

LAB 86.18, 8.39, 38.45

 

CMYK 0 / 11 / 36 / 0

HEX #FFE2A2

RGB 255 226 162

HSL 41.29, 1%, 0.82%

LAB 90.9, 1.18, 34.96

 

CMYK 0 / 32 / 60 / 11

HEX #E39A5B

RGB 227 154 91

HSL 27.79, 0.71%, 0.62%

LAB 69.61, 21.04, 43.67

 

CMYK 0 / 35 / 66 / 18

HEX #D28848

RGB 210 136 72

HSL 27.83, 0.61%, 0.55%

LAB 63.16, 22.4, 45.24

 

CMYK 0 / 39 / 73 / 24

HEX #C17635

RGB 193 118 53

HSL 27.86, 0.57%, 0.48%

LAB 56.64, 23.96, 46.78

 

CMYK 0 / 43 / 81 / 31

HEX #B06422

RGB 176 100 34

HSL 27.89, 0.68%, 0.41%

LAB 50.05, 25.75, 48.08

 

CMYK 0 / 48 / 91 / 38

HEX #9F520F

RGB 159 82 15

HSL 27.92, 0.83%, 0.34%

LAB 43.42, 27.8, 48.57

 

CMYK 0 / 32 / 60 / 11

HEX #E39A5B

RGB 227 154 91

HSL 27.79, 0.71%, 0.62%

LAB 69.61, 21.04, 43.67

 

CMYK 0 / 23 / 61 / 11

HEX #E2AE59

RGB 226 174 89

HSL 37.23, 0.7%, 0.62%

LAB 74.29, 9.81, 50.12

 

CMYK 0 / 13 / 61 / 11

HEX #E2C559

RGB 226 197 89

HSL 47.3, 0.7%, 0.62%

LAB 80.08, -2.25, 56.67

 

CMYK 0 / 3 / 61 / 11

HEX #E2DC59

RGB 226 220 89

HSL 57.37, 0.7%, 0.62%

LAB 86.04, -13.9, 63.22

 

CMYK 7 / 0 / 61 / 11

HEX #D2E259

RGB 210 226 89

HSL 67.01, 0.7%, 0.62%

LAB 86.41, -23.32, 63.26

 

CMYK 0 / 32 / 60 / 11

HEX #E39A5B

RGB 227 154 91

HSL 27.79, 0.71%, 0.62%

LAB 69.61, 21.04, 43.67

 

CMYK 0 / 30 / 61 / 91

HEX #171009

RGB 23 16 9

HSL 30, 0.44%, 0.06%

LAB 5.17, 1.8, 4.08

 

CMYK 0 / 32 / 59 / 71

HEX #4A321E

RGB 74 50 30

HSL 27.27, 0.42%, 0.2%

LAB 23.1, 8.2, 16.98

 

CMYK 0 / 32 / 60 / 51

HEX #7D5532

RGB 125 85 50

HSL 28, 0.43%, 0.34%

LAB 39.73, 12.58, 26.88

 

CMYK 0 / 32 / 60 / 31

HEX #B07747

RGB 176 119 71

HSL 27.43, 0.43%, 0.48%

LAB 54.95, 17.26, 35.12

 

CMYK 0 / 32 / 60 / 11

HEX #E39A5B

RGB 227 154 91

HSL 27.79, 0.71%, 0.62%

LAB 69.61, 21.04, 43.67

 

CMYK 39 / 0 / 61 / 11

HEX #89E259

RGB 137 226 89

HSL 98.98, 0.7%, 0.62%

LAB 82.07, -50.18, 57.24

 

CMYK 58 / 61 / 0 / 11

HEX #6059E2

RGB 96 89 226

HSL 243.07, 0.7%, 0.62%

LAB 45.8, 41.18, -69.05

 

CMYK 0 / 32 / 60 / 11

HEX #E39A5B

RGB 227 154 91

HSL 27.79, 0.71%, 0.62%

LAB 69.61, 21.04, 43.67

 

CMYK 61 / 0 / 33 / 11

HEX #59E297

RGB 89 226 151

HSL 147.15, 0.7%, 0.62%

LAB 81.15, -54.01, 25.87

 

CMYK 33 / 61 / 0 / 11

HEX #9759E2

RGB 151 89 226

HSL 267.15, 0.7%, 0.62%

LAB 50.94, 52.14, -60.49

 

CMYK 0 / 32 / 60 / 11

HEX #E39A5B

RGB 227 154 91

HSL 27.79, 0.71%, 0.62%

LAB 69.61, 21.04, 43.67

 

CMYK 39 / 0 / 61 / 11

HEX #89E259

RGB 137 226 89

HSL 98.98, 0.7%, 0.62%

LAB 82.07, -50.18, 57.24

 

CMYK 61 / 27 / 0 / 11

HEX #59A4E2

RGB 89 164 226

HSL 207.15, 0.7%, 0.62%

LAB 65.09, -4.92, -38.3

 

CMYK 21 / 61 / 0 / 11

HEX #B259E2

RGB 178 89 226

HSL 278.98, 0.7%, 0.62%

LAB 54.13, 58.32, -55.19

 

CMYK 0 / 32 / 60 / 11

HEX #E39A5B

RGB 227 154 91

HSL 27.79, 0.71%, 0.62%

LAB 69.61, 21.04, 43.67

 

CMYK 58 / 0 / 61 / 11

HEX #60E259

RGB 96 226 89

HSL 116.93, 0.7%, 0.62%

LAB 80.52, -61.7, 55.07

 

CMYK 61 / 27 / 0 / 11

HEX #59A4E2

RGB 89 164 226

HSL 207.15, 0.7%, 0.62%

LAB 65.09, -4.92, -38.3

 

CMYK 3 / 61 / 0 / 11

HEX #DC59E2

RGB 220 89 226

HSL 297.37, 0.7%, 0.62%

LAB 59.75, 68.34, -45.91

 

Description

Color code: CMYK 0 / 32 / 60 / 11 | qconv.com Color code: CMYK 0 / 32 / 60 / 11 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 154 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 154 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 60 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 60% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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