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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4A269 it is the complementary color #0B5D96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4A269. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F4A269: #F9A264, #FFB477, #FFC68A, #FFD89D and #FFEAB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4A269. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F4A269: #F4A269, #E39056, #D27E43, #C16C30 and #B05A1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 57 / 4

HEX #F4A269

RGB 244 162 105

HSL 24.6, 0.86%, 0.68%

LAB 73.61, 24.74, 41.8

 

Complementary color

CMYK 93 / 38 / 0 / 41

HEX #0B5D96

RGB 11 93 150

HSL 204.6, 0.86%, 0.32%

LAB 38.02, -0.36, -37.43

 

CMYK 0 / 35 / 60 / 2

HEX #F9A264

RGB 249 162 100

HSL 24.97, 0.93%, 0.68%

LAB 74.13, 26.37, 45.12

 

CMYK 0 / 29 / 53 / 0

HEX #FFB477

RGB 255 180 119

HSL 26.91, 1%, 0.73%

LAB 79.18, 20.79, 41.78

 

CMYK 0 / 22 / 46 / 0

HEX #FFC68A

RGB 255 198 138

HSL 30.77, 1%, 0.77%

LAB 83.7, 13.09, 37.79

 

CMYK 0 / 15 / 38 / 0

HEX #FFD89D

RGB 255 216 157

HSL 36.12, 1%, 0.81%

LAB 88.36, 5.74, 34.15

 

CMYK 0 / 8 / 31 / 0

HEX #FFEAB0

RGB 255 234 176

HSL 44.05, 1%, 0.85%

LAB 93.12, -1.23, 30.81

 

CMYK 0 / 34 / 57 / 4

HEX #F4A269

RGB 244 162 105

HSL 24.6, 0.86%, 0.68%

LAB 73.61, 24.74, 41.8

 

CMYK 0 / 37 / 62 / 11

HEX #E39056

RGB 227 144 86

HSL 24.68, 0.72%, 0.61%

LAB 67.24, 26.03, 43.41

 

CMYK 0 / 40 / 68 / 18

HEX #D27E43

RGB 210 126 67

HSL 24.76, 0.61%, 0.54%

LAB 60.81, 27.5, 45.09

 

CMYK 0 / 44 / 75 / 24

HEX #C16C30

RGB 193 108 48

HSL 24.83, 0.6%, 0.47%

LAB 54.32, 29.15, 46.75

 

CMYK 0 / 49 / 84 / 31

HEX #B05A1D

RGB 176 90 29

HSL 24.9, 0.72%, 0.4%

LAB 47.79, 31.01, 48.11

 

CMYK 0 / 34 / 57 / 4

HEX #F4A269

RGB 244 162 105

HSL 24.6, 0.86%, 0.68%

LAB 73.61, 24.74, 41.8

 

CMYK 0 / 25 / 58 / 5

HEX #F3B667

RGB 243 182 103

HSL 33.86, 0.85%, 0.68%

LAB 78.16, 13.63, 48.29

 

CMYK 0 / 15 / 58 / 5

HEX #F3CE67

RGB 243 206 103

HSL 44.14, 0.85%, 0.68%

LAB 84.06, 1.14, 55.19

 

CMYK 0 / 6 / 58 / 5

HEX #F3E567

RGB 243 229 103

HSL 54, 0.85%, 0.68%

LAB 89.89, -10.5, 61.83

 

CMYK 4 / 0 / 58 / 5

HEX #EAF367

RGB 234 243 103

HSL 63.86, 0.85%, 0.68%

LAB 92.83, -20.95, 64.9

 

CMYK 0 / 34 / 57 / 4

HEX #F4A269

RGB 244 162 105

HSL 24.6, 0.86%, 0.68%

LAB 73.61, 24.74, 41.8

 

CMYK 0 / 33 / 58 / 84

HEX #281B11

RGB 40 27 17

HSL 26.09, 0.4%, 0.11%

LAB 11.1, 4.81, 9.07

 

CMYK 0 / 34 / 57 / 64

HEX #5B3C27

RGB 91 60 39

HSL 24.23, 0.4%, 0.25%

LAB 28.39, 10.99, 18.43

 

CMYK 0 / 34 / 57 / 44

HEX #8E5E3D

RGB 142 94 61

HSL 24.44, 0.4%, 0.4%

LAB 44.37, 15.88, 26.76

 

CMYK 0 / 34 / 57 / 24

HEX #C18053

RGB 193 128 83

HSL 24.55, 0.47%, 0.54%

LAB 59.34, 20.43, 34.48

 

CMYK 0 / 34 / 57 / 4

HEX #F4A269

RGB 244 162 105

HSL 24.6, 0.86%, 0.68%

LAB 73.61, 24.74, 41.8

 

CMYK 35 / 0 / 58 / 5

HEX #9FF367

RGB 159 243 103

HSL 96, 0.85%, 0.68%

LAB 88.19, -48.71, 58.41

 

CMYK 58 / 58 / 0 / 5

HEX #6767F3

RGB 103 103 243

HSL 240, 0.85%, 0.68%

LAB 50.75, 39.42, -70.55

 

CMYK 0 / 34 / 57 / 4

HEX #F4A269

RGB 244 162 105

HSL 24.6, 0.86%, 0.68%

LAB 73.61, 24.74, 41.8

 

CMYK 58 / 0 / 35 / 5

HEX #67F39F

RGB 103 243 159

HSL 144, 0.85%, 0.68%

LAB 86.75, -56.36, 29.4

 

CMYK 35 / 58 / 0 / 5

HEX #9F67F3

RGB 159 103 243

HSL 264, 0.85%, 0.68%

LAB 55.63, 50.76, -62.43

 

CMYK 0 / 34 / 57 / 4

HEX #F4A269

RGB 244 162 105

HSL 24.6, 0.86%, 0.68%

LAB 73.61, 24.74, 41.8

 

CMYK 35 / 0 / 58 / 5

HEX #9FF367

RGB 159 243 103

HSL 96, 0.85%, 0.68%

LAB 88.19, -48.71, 58.41

 

CMYK 58 / 23 / 0 / 5

HEX #67BBF3

RGB 103 187 243

HSL 204, 0.85%, 0.68%

LAB 72.82, -9.6, -35.51

 

CMYK 23 / 58 / 0 / 5

HEX #BB67F3

RGB 187 103 243

HSL 276, 0.85%, 0.68%

LAB 58.73, 57.28, -57.29

 

CMYK 0 / 34 / 57 / 4

HEX #F4A269

RGB 244 162 105

HSL 24.6, 0.86%, 0.68%

LAB 73.61, 24.74, 41.8

 

CMYK 52 / 0 / 58 / 5

HEX #75F367

RGB 117 243 103

HSL 114, 0.85%, 0.68%

LAB 86.44, -61.2, 55.94

 

CMYK 58 / 23 / 0 / 5

HEX #67BBF3

RGB 103 187 243

HSL 204, 0.85%, 0.68%

LAB 72.82, -9.6, -35.51

 

CMYK 6 / 58 / 0 / 5

HEX #E567F3

RGB 229 103 243

HSL 294, 0.85%, 0.68%

LAB 64.02, 67.5, -48.55

 

Description

Color code: HEX #F4A269 | qconv.com Color code: HEX #F4A269 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 162 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 162 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 57 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 57% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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