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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F495284C it is the complementary color #0B6AD74C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F495284C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F495284C shade: #F995234C, #FFA7364C, #FFB9494C, #FFCB5C4C and #FFDD6F4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F495284C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F495284C shade: #F495284C, #E383154C, #D271024C, #C15F004C and #B04D004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F495284C shade: #F4962A, #F45F2A and #F42A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F495284C shade: #F4962A, #F4CC2A, #E5F42A, #AEF42A and #78F42A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F495284C shade matches the following richer shades: #F4962A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F495284C shade: #F4962A, #E2943C, #CF934E, #BD9260 and #AB9172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F495284C shade: #F42A2A, #F4602A, #F4962A, #F4CB2A and #E6F42A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F495284C shade: #C16C0A, #E8820C, #F4962A, #F6A951 and #F8BC78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F495284C shade: #F49528, #60F42A and #452AF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F495284C shade: #F49528, #2AF496 and #962AF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F495284C shade: #F49528, #60F42A, #2A88F4 and #BE2AF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F495284C shade: #F49528, #2AF431, #2A88F4 and #F42AED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 25 / 1

HEX #F495284C

RGBA 244 149 40 0.3

HSLA 32.06, 0.9%, 0.56%, 0.3

LABA 70.09, 28.29, 67.02, 0.3

 

Complementary color

CMYK 28 / 15 / 0 / 5

HEX #0B6AD74C

RGBA 11 106 215 0.3

HSLA 212.06, 0.9%, 0.44%, 0.3

LABA 46.02, 17.42, -62.59, 0.3

 

CMYK 0 / 12 / 26 / 1

HEX #F995234C

RGBA 249 149 35 0.3

HSLA 31.96, 0.95%, 0.56%, 0.3

LABA 70.7, 30.23, 69.33, 0.3

 

CMYK 0 / 10 / 24 / 0

HEX #FFA7364C

RGBA 255 167 54 0.3

HSLA 33.73, 1%, 0.61%, 0.3

LABA 75.55, 23.85, 67.49, 0.3

 

CMYK 0 / 8 / 21 / 0

HEX #FFB9494C

RGBA 255 185 73 0.3

HSLA 36.92, 1%, 0.64%, 0.3

LABA 79.86, 15.22, 64.23, 0.3

 

CMYK 0 / 6 / 19 / 0

HEX #FFCB5C4C

RGBA 255 203 92 0.3

HSLA 40.86, 1%, 0.68%, 0.3

LABA 84.35, 6.89, 60.83, 0.3

 

CMYK 0 / 4 / 17 / 0

HEX #FFDD6F4C

RGBA 255 221 111 0.3

HSLA 45.83, 1%, 0.72%, 0.3

LABA 88.98, -1.04, 57.47, 0.3

 

CMYK 0 / 12 / 25 / 1

HEX #F495284C

RGBA 244 149 40 0.3

HSLA 32.06, 0.9%, 0.56%, 0.3

LABA 70.09, 28.29, 67.02, 0.3

 

CMYK 0 / 13 / 27 / 3

HEX #E383154C

RGBA 227 131 21 0.3

HSLA 32.04, 0.83%, 0.49%, 0.3

LABA 63.85, 30.29, 66.53, 0.3

 

CMYK 0 / 14 / 30 / 5

HEX #D271024C

RGBA 210 113 2 0.3

HSLA 32.02, 0.98%, 0.42%, 0.3

LABA 57.58, 32.48, 64.69, 0.3

 

CMYK 0 / 15 / 30 / 7

HEX #C15F004C

RGBA 193 95 0 0.3

HSLA 29.53, 1%, 0.38%, 0.3

LABA 51.29, 34.87, 60, 0.3

 

CMYK 0 / 17 / 30 / 9

HEX #B04D004C

RGBA 176 77 0 0.3

HSLA 26.25, 1%, 0.35%, 0.3

LABA 44.99, 37.23, 54.96, 0.3

 

CMYK 0 / 39 / 83 / 4

HEX #F4962A

RGB 244 150 42

HSL 32.08, 0.9%, 0.56%

LAB 70.32, 27.82, 66.55

 

CMYK 0 / 61 / 83 / 4

HEX #F45F2A

RGB 244 95 42

HSL 15.74, 0.9%, 0.56%

LAB 59.51, 54.81, 57.12

 

CMYK 0 / 83 / 83 / 4

HEX #F42A2A

RGB 244 42 42

HSL 0, 0.9%, 0.56%

LAB 53.01, 72.66, 51.29

 

CMYK 0 / 39 / 83 / 4

HEX #F4962A

RGB 244 150 42

HSL 32.08, 0.9%, 0.56%

LAB 70.32, 27.82, 66.55

 

CMYK 0 / 16 / 83 / 4

HEX #F4CC2A

RGB 244 204 42

HSL 48.12, 0.9%, 0.56%

LAB 83.22, -0.4, 77.52

 

CMYK 6 / 0 / 83 / 4

HEX #E5F42A

RGB 229 244 42

HSL 64.46, 0.9%, 0.56%

LAB 92.37, -26.39, 84.71

 

CMYK 29 / 0 / 83 / 4

HEX #AEF42A

RGB 174 244 42

HSL 80.79, 0.9%, 0.56%

LAB 88.86, -47.75, 80.33

 

CMYK 51 / 0 / 83 / 4

HEX #78F42A

RGB 120 244 42

HSL 96.83, 0.9%, 0.56%

LAB 86.44, -65.24, 77.26

 

CMYK 0 / 39 / 83 / 4

HEX #F4962A

RGB 244 150 42

HSL 32.08, 0.9%, 0.56%

LAB 70.32, 27.82, 66.55

 

CMYK 0 / 39 / 83 / 4

HEX #F4962A

RGB 244 150 42

HSL 32.08, 0.9%, 0.56%

LAB 70.32, 27.82, 66.55

 

CMYK 0 / 35 / 73 / 11

HEX #E2943C

RGB 226 148 60

HSL 31.81, 0.74%, 0.56%

LAB 67.78, 22.03, 56.39

 

CMYK 0 / 29 / 62 / 19

HEX #CF934E

RGB 207 147 78

HSL 32.09, 0.57%, 0.56%

LAB 65.5, 15.56, 44.83

 

CMYK 0 / 23 / 49 / 26

HEX #BD9260

RGB 189 146 96

HSL 32.26, 0.41%, 0.56%

LAB 63.53, 9.97, 32.62

 

CMYK 0 / 15 / 33 / 33

HEX #AB9172

RGB 171 145 114

HSL 32.63, 0.25%, 0.56%

LAB 61.76, 5.1, 20.09

 

CMYK 0 / 83 / 83 / 4

HEX #F42A2A

RGB 244 42 42

HSL 0, 0.9%, 0.56%

LAB 53.01, 72.66, 51.29

 

CMYK 0 / 61 / 83 / 4

HEX #F4602A

RGB 244 96 42

HSL 16.04, 0.9%, 0.56%

LAB 59.68, 54.37, 57.26

 

CMYK 0 / 39 / 83 / 4

HEX #F4962A

RGB 244 150 42

HSL 32.08, 0.9%, 0.56%

LAB 70.32, 27.82, 66.55

 

CMYK 0 / 17 / 83 / 4

HEX #F4CB2A

RGB 244 203 42

HSL 47.82, 0.9%, 0.56%

LAB 82.97, 0.11, 77.31

 

CMYK 6 / 0 / 83 / 4

HEX #E6F42A

RGB 230 244 42

HSL 64.16, 0.9%, 0.56%

LAB 92.44, -25.99, 84.8

 

CMYK 0 / 44 / 95 / 24

HEX #C16C0A

RGB 193 108 10

HSL 32.13, 0.9%, 0.4%

LAB 54.12, 28.11, 59.79

 

CMYK 0 / 44 / 95 / 9

HEX #E8820C

RGB 232 130 12

HSL 32.18, 0.9%, 0.48%

LAB 64.28, 32.76, 68.92

 

CMYK 0 / 39 / 83 / 4

HEX #F4962A

RGB 244 150 42

HSL 32.08, 0.9%, 0.56%

LAB 70.32, 27.82, 66.55

 

CMYK 0 / 31 / 67 / 4

HEX #F6A951

RGB 246 169 81

HSL 32, 0.9%, 0.64%

LAB 75.18, 20.28, 55.47

HEX #F6A951

CMYK 0 / 24 / 52 / 3

HEX #F8BC78

RGB 248 188 120

HSL 31.88, 0.9%, 0.72%

LAB 80.34, 13.88, 42.56

HEX #F8BC78

CMYK 0 / 39 / 84 / 4

HEX #F49528

RGB 244 149 40

HSL 32.06, 0.9%, 0.56%

LAB 70.09, 28.29, 67.02

 

CMYK 61 / 0 / 83 / 4

HEX #60F42A

RGB 96 244 42

HSL 103.96, 0.9%, 0.56%

LAB 85.68, -71.27, 76.31

 

CMYK 72 / 83 / 0 / 4

HEX #452AF4

RGB 69 42 244

HSL 248.02, 0.9%, 0.56%

LAB 36.84, 67.69, -94.04

 

CMYK 0 / 39 / 84 / 4

HEX #F49528

RGB 244 149 40

HSL 32.06, 0.9%, 0.56%

LAB 70.09, 28.29, 67.02

 

CMYK 83 / 0 / 39 / 4

HEX #2AF496

RGB 42 244 150

HSL 152.08, 0.9%, 0.56%

LAB 85.7, -67.43, 32.33

 

CMYK 39 / 83 / 0 / 4

HEX #962AF4

RGB 150 42 244

HSL 272.08, 0.9%, 0.56%

LAB 45.18, 75.71, -80

 

CMYK 0 / 39 / 84 / 4

HEX #F49528

RGB 244 149 40

HSL 32.06, 0.9%, 0.56%

LAB 70.09, 28.29, 67.02

 

CMYK 61 / 0 / 83 / 4

HEX #60F42A

RGB 96 244 42

HSL 103.96, 0.9%, 0.56%

LAB 85.68, -71.27, 76.31

 

CMYK 83 / 44 / 0 / 4

HEX #2A88F4

RGB 42 136 244

HSL 212.08, 0.9%, 0.56%

LAB 56.72, 11.51, -61.61

 

CMYK 22 / 83 / 0 / 4

HEX #BE2AF4

RGB 190 42 244

HSL 283.96, 0.9%, 0.56%

LAB 50.84, 81.48, -70.52

 

CMYK 0 / 39 / 84 / 4

HEX #F49528

RGB 244 149 40

HSL 32.06, 0.9%, 0.56%

LAB 70.09, 28.29, 67.02

 

CMYK 83 / 0 / 80 / 4

HEX #2AF431

RGB 42 244 49

HSL 122.08, 0.9%, 0.56%

LAB 84.7, -79.59, 73.28

 

CMYK 83 / 44 / 0 / 4

HEX #2A88F4

RGB 42 136 244

HSL 212.08, 0.9%, 0.56%

LAB 56.72, 11.51, -61.61

 

CMYK 0 / 83 / 3 / 4

HEX #F42AED

RGB 244 42 237

HSL 302.08, 0.9%, 0.56%

LAB 58.98, 89.45, -53.07

 

Description

Color code: HEX #F495284C | qconv.com Color code: HEX #F495284C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 149 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 149 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 25 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 25% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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