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Color name
HEX #78F42A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78F42A it is the complementary color #870BD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78F42A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78F42A shade: #7DF425, #8EFF38, #9FFF4B, #B0FF5E and #C1FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78F42A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78F42A shade: #78F42A, #67E217, #56D004, #45BE00 and #34AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78F42A shade: #78F42A, #AEF42A, #E5F42A, #F4CC2A and #F4962A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78F42A shade: #78F42A, #41F42A, #2AF449, #2AF47F and #2AF4B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78F42A shade matches the following richer shades: #78F42A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78F42A shade: #78F42A, #7CE23C, #80CF4E, #84BD60 and #88AB72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78F42A shade: #E6F42A, #B0F42A, #7BF42A, #45F42A and #2AF445

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78F42A shade: #51C10A, #61E80C, #78F42A, #91F651 and #AAF878

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78F42A shade: #78F42A, #2AF4CB and #F42ACB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78F42A shade: #78F42A, #2A7BF4 and #F42A7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78F42A shade: #78F42A, #2AF4CB, #A32AF4 and #F42A52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78F42A shade: #78F42A, #2AE0F4, #A32AF4 and #F43E2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 83 / 4

HEX #78F42A

RGB 120 244 42

HSL 96.83, 0.9%, 0.56%

LAB 86.44, -65.24, 77.26

 

Complementary color

CMYK 37 / 95 / 0 / 16

HEX #870BD5

RGB 135 11 213

HSL 276.83, 0.9%, 0.44%

LAB 38.19, 73.99, -73.89

 

CMYK 49 / 0 / 85 / 4

HEX #7DF425

RGB 125 244 37

HSL 94.49, 0.9%, 0.55%

LAB 86.6, -64.02, 78.57

 

CMYK 44 / 0 / 78 / 0

HEX #8EFF38

RGB 142 255 56

HSL 94.07, 1%, 0.61%

LAB 90.58, -62.24, 77.77

 

CMYK 38 / 0 / 71 / 0

HEX #9FFF4B

RGB 159 255 75

HSL 92, 1%, 0.65%

LAB 91.41, -55.82, 72.9

 

CMYK 31 / 0 / 63 / 0

HEX #B0FF5E

RGB 176 255 94

HSL 89.44, 1%, 0.68%

LAB 92.38, -48.77, 67.07

 

CMYK 24 / 0 / 56 / 0

HEX #C1FF71

RGB 193 255 113

HSL 86.2, 1%, 0.72%

LAB 93.47, -41.2, 60.59

 

CMYK 51 / 0 / 83 / 4

HEX #78F42A

RGB 120 244 42

HSL 96.83, 0.9%, 0.56%

LAB 86.44, -65.24, 77.26

 

CMYK 54 / 0 / 90 / 11

HEX #67E217

RGB 103 226 23

HSL 96.35, 0.82%, 0.49%

LAB 80.37, -64.16, 75.49

 

CMYK 59 / 0 / 98 / 18

HEX #56D004

RGB 86 208 4

HSL 95.88, 0.96%, 0.42%

LAB 74.25, -62.73, 72.5

 

CMYK 64 / 0 / 100 / 25

HEX #45BE00

RGB 69 190 0

HSL 98.21, 1%, 0.37%

LAB 68.09, -60.82, 67.82

 

CMYK 70 / 0 / 100 / 33

HEX #34AC00

RGB 52 172 0

HSL 101.86, 1%, 0.34%

LAB 61.86, -58.54, 62.69

 

CMYK 51 / 0 / 83 / 4

HEX #78F42A

RGB 120 244 42

HSL 96.83, 0.9%, 0.56%

LAB 86.44, -65.24, 77.26

 

CMYK 29 / 0 / 83 / 4

HEX #AEF42A

RGB 174 244 42

HSL 80.79, 0.9%, 0.56%

LAB 88.86, -47.75, 80.33

 

CMYK 6 / 0 / 83 / 4

HEX #E5F42A

RGB 229 244 42

HSL 64.46, 0.9%, 0.56%

LAB 92.37, -26.39, 84.71

 

CMYK 0 / 16 / 83 / 4

HEX #F4CC2A

RGB 244 204 42

HSL 48.12, 0.9%, 0.56%

LAB 83.22, -0.4, 77.52

 

CMYK 0 / 39 / 83 / 4

HEX #F4962A

RGB 244 150 42

HSL 32.08, 0.9%, 0.56%

LAB 70.32, 27.82, 66.55

 

CMYK 51 / 0 / 83 / 4

HEX #78F42A

RGB 120 244 42

HSL 96.83, 0.9%, 0.56%

LAB 86.44, -65.24, 77.26

 

CMYK 73 / 0 / 83 / 4

HEX #41F42A

RGB 65 244 42

HSL 113.17, 0.9%, 0.56%

LAB 84.99, -77.11, 75.43

 

CMYK 83 / 0 / 70 / 4

HEX #2AF449

RGB 42 244 73

HSL 129.21, 0.9%, 0.56%

LAB 84.83, -77.92, 65.81

 

CMYK 83 / 0 / 48 / 4

HEX #2AF47F

RGB 42 244 127

HSL 145.25, 0.9%, 0.56%

LAB 85.37, -71.39, 43.19

 

CMYK 83 / 0 / 25 / 4

HEX #2AF4B6

RGB 42 244 182

HSL 161.58, 0.9%, 0.56%

LAB 86.29, -60.83, 16.8

 

CMYK 51 / 0 / 83 / 4

HEX #78F42A

RGB 120 244 42

HSL 96.83, 0.9%, 0.56%

LAB 86.44, -65.24, 77.26

 

CMYK 51 / 0 / 83 / 4

HEX #78F42A

RGB 120 244 42

HSL 96.83, 0.9%, 0.56%

LAB 86.44, -65.24, 77.26

 

CMYK 45 / 0 / 73 / 11

HEX #7CE23C

RGB 124 226 60

HSL 96.87, 0.74%, 0.56%

LAB 81.29, -56.52, 67.41

 

CMYK 38 / 0 / 62 / 19

HEX #80CF4E

RGB 128 207 78

HSL 96.74, 0.57%, 0.56%

LAB 75.92, -46.27, 54.98

 

CMYK 30 / 0 / 49 / 26

HEX #84BD60

RGB 132 189 96

HSL 96.77, 0.41%, 0.56%

LAB 70.97, -35.11, 40.94

 

CMYK 20 / 0 / 33 / 33

HEX #88AB72

RGB 136 171 114

HSL 96.84, 0.25%, 0.56%

LAB 66.19, -22.57, 25.57

 

CMYK 6 / 0 / 83 / 4

HEX #E6F42A

RGB 230 244 42

HSL 64.16, 0.9%, 0.56%

LAB 92.44, -25.99, 84.8

 

CMYK 28 / 0 / 83 / 4

HEX #B0F42A

RGB 176 244 42

HSL 80.2, 0.9%, 0.56%

LAB 88.97, -47.02, 80.47

 

CMYK 50 / 0 / 83 / 4

HEX #7BF42A

RGB 123 244 42

HSL 95.94, 0.9%, 0.56%

LAB 86.54, -64.4, 77.4

 

CMYK 72 / 0 / 83 / 4

HEX #45F42A

RGB 69 244 42

HSL 111.98, 0.9%, 0.56%

LAB 85.06, -76.48, 75.52

 

CMYK 83 / 0 / 72 / 4

HEX #2AF445

RGB 42 244 69

HSL 128.02, 0.9%, 0.56%

LAB 84.8, -78.25, 67.2

 

CMYK 58 / 0 / 95 / 24

HEX #51C10A

RGB 81 193 10

HSL 96.72, 0.9%, 0.4%

LAB 69.41, -58.74, 67.89

 

CMYK 58 / 0 / 95 / 9

HEX #61E80C

RGB 97 232 12

HSL 96.82, 0.9%, 0.48%

LAB 81.99, -67.95, 78.12

 

CMYK 51 / 0 / 83 / 4

HEX #78F42A

RGB 120 244 42

HSL 96.83, 0.9%, 0.56%

LAB 86.44, -65.24, 77.26

 

CMYK 41 / 0 / 67 / 4

HEX #91F651

RGB 145 246 81

HSL 96.73, 0.9%, 0.64%

LAB 88.22, -56.33, 67.24

 

CMYK 31 / 0 / 52 / 3

HEX #AAF878

RGB 170 248 120

HSL 96.56, 0.9%, 0.72%

LAB 90.34, -45.43, 53.47

 

CMYK 51 / 0 / 83 / 4

HEX #78F42A

RGB 120 244 42

HSL 96.83, 0.9%, 0.56%

LAB 86.44, -65.24, 77.26

 

CMYK 83 / 0 / 17 / 4

HEX #2AF4CB

RGB 42 244 203

HSL 167.82, 0.9%, 0.56%

LAB 86.75, -55.87, 6.55

 

CMYK 0 / 83 / 17 / 4

HEX #F42ACB

RGB 244 42 203

HSL 312.18, 0.9%, 0.56%

LAB 57.27, 84.87, -36.53

 

CMYK 51 / 0 / 83 / 4

HEX #78F42A

RGB 120 244 42

HSL 96.83, 0.9%, 0.56%

LAB 86.44, -65.24, 77.26

 

CMYK 83 / 50 / 0 / 4

HEX #2A7BF4

RGB 42 123 244

HSL 215.94, 0.9%, 0.56%

LAB 53.16, 19.54, -67.34

 

CMYK 0 / 83 / 50 / 4

HEX #F42A7B

RGB 244 42 123

HSL 335.94, 0.9%, 0.56%

LAB 54.36, 76.67, 6.04

 

CMYK 51 / 0 / 83 / 4

HEX #78F42A

RGB 120 244 42

HSL 96.83, 0.9%, 0.56%

LAB 86.44, -65.24, 77.26

 

CMYK 83 / 0 / 17 / 4

HEX #2AF4CB

RGB 42 244 203

HSL 167.82, 0.9%, 0.56%

LAB 86.75, -55.87, 6.55

 

CMYK 33 / 83 / 0 / 4

HEX #A32AF4

RGB 163 42 244

HSL 275.94, 0.9%, 0.56%

LAB 46.94, 77.48, -77.05

 

CMYK 0 / 83 / 66 / 4

HEX #F42A52

RGB 244 42 82

HSL 348.12, 0.9%, 0.56%

LAB 53.49, 74.1, 29.45

 

CMYK 51 / 0 / 83 / 4

HEX #78F42A

RGB 120 244 42

HSL 96.83, 0.9%, 0.56%

LAB 86.44, -65.24, 77.26

 

CMYK 83 / 8 / 0 / 4

HEX #2AE0F4

RGB 42 224 244

HSL 185.94, 0.9%, 0.56%

LAB 82.02, -35.89, -22.06

 

CMYK 33 / 83 / 0 / 4

HEX #A32AF4

RGB 163 42 244

HSL 275.94, 0.9%, 0.56%

LAB 46.94, 77.48, -77.05

 

CMYK 0 / 75 / 83 / 4

HEX #F43E2A

RGB 244 62 42

HSL 5.94, 0.9%, 0.56%

LAB 54.91, 67.31, 53.01

 

Description

Color code: HEX #78F42A | qconv.com Color code: HEX #78F42A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 244 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 244 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 83 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 83% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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