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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4689C it is the complementary color #0B9763. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4689C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4689C shade: #F96897, #FF7AAA, #FF8CBD, #FF9ED0 and #FFB0E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4689C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4689C shade: #F4689C, #E35689, #D24476, #C13263 and #B02050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4689C shade: #F4679B, #F46776 and #F46767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4689C shade: #F4679B, #F467C1, #F467E7, #DA67F4 and #B467F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4689C shade matches the following richer shades: #F4679B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4689C shade: #F4679B, #E6749F, #D982A2, #CC8FA6 and #BF9CA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4689C shade: #F467E8, #F467C2, #F4679D, #F46778 and #F47C67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4689C shade: #EE1A69, #F14182, #F4679B, #F68EB5 and #F9B4CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4689C shade: #F4689C, #F4DA67 and #67D5F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4689C shade: #F4689C, #9DF467 and #679DF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4689C shade: #F4689C, #F4DA67, #67F4BE and #6781F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4689C shade: #F4689C, #E3F467, #67F4BE and #7867F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 36 / 4

HEX #F4689C

RGB 244 104 156

HSL 337.71, 0.86%, 0.68%

LAB 62.96, 58.56, -0.87

 

Complementary color

CMYK 93 / 0 / 34 / 41

HEX #0B9763

RGB 11 151 99

HSL 157.71, 0.86%, 0.32%

LAB 55.18, -46.21, 18.17

 

CMYK 0 / 58 / 39 / 2

HEX #F96897

RGB 249 104 151

HSL 340.55, 0.92%, 0.69%

LAB 63.57, 59.59, 2.99

 

CMYK 0 / 52 / 33 / 0

HEX #FF7AAA

RGB 255 122 170

HSL 338.35, 1%, 0.74%

LAB 68.08, 55.39, -1.15

 

CMYK 0 / 45 / 26 / 0

HEX #FF8CBD

RGB 255 140 189

HSL 334.43, 1%, 0.77%

LAB 72.02, 49.05, -5.99

 

CMYK 0 / 38 / 18 / 0

HEX #FF9ED0

RGB 255 158 208

HSL 329.07, 1%, 0.81%

LAB 76.23, 42.62, -10.2

 

CMYK 0 / 31 / 11 / 0

HEX #FFB0E3

RGB 255 176 227

HSL 321.27, 1%, 0.85%

LAB 80.66, 36.25, -13.91

 

CMYK 0 / 57 / 36 / 4

HEX #F4689C

RGB 244 104 156

HSL 337.71, 0.86%, 0.68%

LAB 62.96, 58.56, -0.87

 

CMYK 0 / 62 / 40 / 11

HEX #E35689

RGB 227 86 137

HSL 338.3, 0.72%, 0.61%

LAB 56.87, 59.09, 0.98

 

CMYK 0 / 68 / 44 / 18

HEX #D24476

RGB 210 68 118

HSL 338.87, 0.61%, 0.55%

LAB 50.86, 59.36, 3.21

 

CMYK 0 / 74 / 49 / 24

HEX #C13263

RGB 193 50 99

HSL 339.44, 0.59%, 0.48%

LAB 44.97, 59.2, 5.96

 

CMYK 0 / 82 / 55 / 31

HEX #B02050

RGB 176 32 80

HSL 340, 0.69%, 0.41%

LAB 39.31, 58.32, 9.44

 

CMYK 0 / 58 / 36 / 4

HEX #F4679B

RGB 244 103 155

HSL 337.87, 0.87%, 0.68%

LAB 62.76, 58.9, -0.58

 

CMYK 0 / 58 / 52 / 4

HEX #F46776

RGB 244 103 118

HSL 353.62, 0.87%, 0.68%

LAB 61.86, 55.32, 19.46

 

CMYK 0 / 58 / 58 / 4

HEX #F46767

RGB 244 103 103

HSL 0, 0.87%, 0.68%

LAB 61.58, 54.17, 27.66

 

CMYK 0 / 58 / 36 / 4

HEX #F4679B

RGB 244 103 155

HSL 337.87, 0.87%, 0.68%

LAB 62.76, 58.9, -0.58

 

CMYK 0 / 58 / 21 / 4

HEX #F467C1

RGB 244 103 193

HSL 321.7, 0.87%, 0.68%

LAB 63.99, 63.61, -20.45

 

CMYK 0 / 58 / 5 / 4

HEX #F467E7

RGB 244 103 231

HSL 305.53, 0.87%, 0.68%

LAB 65.52, 69.25, -39.41

 

CMYK 11 / 58 / 0 / 4

HEX #DA67F4

RGB 218 103 244

HSL 288.94, 0.87%, 0.68%

LAB 62.62, 64.98, -51.41

 

CMYK 26 / 58 / 0 / 4

HEX #B467F4

RGB 180 103 244

HSL 272.77, 0.87%, 0.68%

LAB 57.98, 55.84, -59.09

 

CMYK 0 / 58 / 36 / 4

HEX #F4679B

RGB 244 103 155

HSL 337.87, 0.87%, 0.68%

LAB 62.76, 58.9, -0.58

 

CMYK 0 / 58 / 36 / 4

HEX #F4679B

RGB 244 103 155

HSL 337.87, 0.87%, 0.68%

LAB 62.76, 58.9, -0.58

 

CMYK 0 / 50 / 31 / 10

HEX #E6749F

RGB 230 116 159

HSL 337.37, 0.7%, 0.68%

LAB 63.19, 48.75, -2.48

 

CMYK 0 / 40 / 25 / 15

HEX #D982A2

RGB 217 130 162

HSL 337.93, 0.53%, 0.68%

LAB 64.42, 37.54, -2.57

 

CMYK 0 / 30 / 19 / 20

HEX #CC8FA6

RGB 204 143 166

HSL 337.38, 0.37%, 0.68%

LAB 65.93, 26.49, -2.79

 

CMYK 0 / 18 / 12 / 25

HEX #BF9CA9

RGB 191 156 169

HSL 337.71, 0.21%, 0.68%

LAB 67.81, 15.1, -1.87

 

CMYK 0 / 58 / 5 / 4

HEX #F467E8

RGB 244 103 232

HSL 305.11, 0.87%, 0.68%

LAB 65.56, 69.41, -39.9

 

CMYK 0 / 58 / 20 / 4

HEX #F467C2

RGB 244 103 194

HSL 321.28, 0.87%, 0.68%

LAB 64.02, 63.74, -20.96

 

CMYK 0 / 58 / 36 / 4

HEX #F4679D

RGB 244 103 157

HSL 337.02, 0.87%, 0.68%

LAB 62.82, 59.12, -1.65

 

CMYK 0 / 58 / 51 / 4

HEX #F46778

RGB 244 103 120

HSL 352.77, 0.87%, 0.68%

LAB 61.9, 55.48, 18.37

 

CMYK 0 / 49 / 58 / 4

HEX #F47C67

RGB 244 124 103

HSL 8.94, 0.87%, 0.68%

LAB 65.46, 44.18, 32.66

 

CMYK 0 / 89 / 56 / 7

HEX #EE1A69

RGB 238 26 105

HSL 337.64, 0.86%, 0.52%

LAB 51.76, 76.83, 13.08

 

CMYK 0 / 73 / 46 / 5

HEX #F14182

RGB 241 65 130

HSL 337.84, 0.86%, 0.6%

LAB 56.18, 70.3, 4.4

 

CMYK 0 / 58 / 36 / 4

HEX #F4679B

RGB 244 103 155

HSL 337.87, 0.87%, 0.68%

LAB 62.76, 58.9, -0.58

 

CMYK 0 / 42 / 26 / 4

HEX #F68EB5

RGB 246 142 181

HSL 337.5, 0.85%, 0.76%

LAB 71.06, 43.96, -3.08

 

CMYK 0 / 28 / 17 / 2

HEX #F9B4CE

RGB 249 180 206

HSL 337.39, 0.85%, 0.84%

LAB 80.31, 28.8, -3.15

 

CMYK 0 / 57 / 36 / 4

HEX #F4689C

RGB 244 104 156

HSL 337.71, 0.86%, 0.68%

LAB 62.96, 58.56, -0.87

 

CMYK 0 / 11 / 58 / 4

HEX #F4DA67

RGB 244 218 103

HSL 48.94, 0.87%, 0.68%

LAB 87.17, -4.57, 58.78

 

CMYK 58 / 13 / 0 / 4

HEX #67D5F4

RGB 103 213 244

HSL 193.19, 0.87%, 0.68%

LAB 80.18, -22.82, -24.73

 

CMYK 0 / 57 / 36 / 4

HEX #F4689C

RGB 244 104 156

HSL 337.71, 0.86%, 0.68%

LAB 62.96, 58.56, -0.87

 

CMYK 36 / 0 / 58 / 4

HEX #9DF467

RGB 157 244 103

HSL 97.02, 0.87%, 0.68%

LAB 88.38, -49.79, 58.6

 

CMYK 58 / 36 / 0 / 4

HEX #679DF4

RGB 103 157 244

HSL 217.02, 0.87%, 0.68%

LAB 64.59, 7.51, -48.94

 

CMYK 0 / 57 / 36 / 4

HEX #F4689C

RGB 244 104 156

HSL 337.71, 0.86%, 0.68%

LAB 62.96, 58.56, -0.87

 

CMYK 0 / 11 / 58 / 4

HEX #F4DA67

RGB 244 218 103

HSL 48.94, 0.87%, 0.68%

LAB 87.17, -4.57, 58.78

 

CMYK 58 / 0 / 22 / 4

HEX #67F4BE

RGB 103 244 190

HSL 157.02, 0.87%, 0.68%

LAB 87.63, -50.63, 14.72

 

CMYK 58 / 47 / 0 / 4

HEX #6781F4

RGB 103 129 244

HSL 228.94, 0.87%, 0.68%

LAB 57.19, 24.11, -60.72

 

CMYK 0 / 57 / 36 / 4

HEX #F4689C

RGB 244 104 156

HSL 337.71, 0.86%, 0.68%

LAB 62.96, 58.56, -0.87

 

CMYK 7 / 0 / 58 / 4

HEX #E3F467

RGB 227 244 103

HSL 67.23, 0.87%, 0.68%

LAB 92.58, -24.19, 64.48

 

CMYK 58 / 0 / 22 / 4

HEX #67F4BE

RGB 103 244 190

HSL 157.02, 0.87%, 0.68%

LAB 87.63, -50.63, 14.72

 

CMYK 51 / 58 / 0 / 4

HEX #7867F4

RGB 120 103 244

HSL 247.23, 0.87%, 0.68%

LAB 52.09, 42.82, -68.88

 

Description

Color code: HEX #F4689C | qconv.com Color code: HEX #F4689C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 104 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 104 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 36 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 36% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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