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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 40 / 25 / 15 it is the complementary color CMYK 70 / 0 / 26 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 40 / 25 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 40 / 25 / 15: CMYK 0 / 41 / 29 / 13, CMYK 0 / 38 / 26 / 6, CMYK 0 / 35 / 23 / 0, CMYK 0 / 28 / 16 / 0 and CMYK 0 / 21 / 8 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 40 / 25 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 40 / 25 / 15: CMYK 0 / 40 / 25 / 15, CMYK 0 / 44 / 28 / 22, CMYK 0 / 49 / 32 / 28, CMYK 0 / 54 / 36 / 35 and CMYK 0 / 61 / 42 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 25 / 15

HEX #D982A3

RGB 217 130 163

HSL 337.24, 0.53%, 0.68%

LAB 64.45, 37.68, -3.1

 

Complementary color

CMYK 70 / 0 / 26 / 51

HEX #267D5C

RGB 38 125 92

HSL 157.24, 0.53%, 0.32%

LAB 46.78, -34.05, 10.64

 

CMYK 0 / 41 / 29 / 13

HEX #DE829E

RGB 222 130 158

HSL 341.74, 0.58%, 0.69%

LAB 64.93, 38.75, 0.52

 

CMYK 0 / 38 / 26 / 6

HEX #EF94B1

RGB 239 148 177

HSL 340.88, 0.74%, 0.76%

LAB 71.35, 37.9, -0.52

 

CMYK 0 / 35 / 23 / 0

HEX #FFA6C4

RGB 255 166 196

HSL 339.78, 1%, 0.83%

LAB 77.59, 36.75, -1.64

 

CMYK 0 / 28 / 16 / 0

HEX #FFB8D7

RGB 255 184 215

HSL 333.8, 1%, 0.86%

LAB 82.08, 30.16, -5.33

 

CMYK 0 / 21 / 8 / 0

HEX #FFCAEA

RGB 255 202 234

HSL 323.77, 1%, 0.9%

LAB 86.72, 23.77, -8.61

 

CMYK 0 / 40 / 25 / 15

HEX #D982A3

RGB 217 130 163

HSL 337.24, 0.53%, 0.68%

LAB 64.45, 37.68, -3.1

 

CMYK 0 / 44 / 28 / 22

HEX #C87090

RGB 200 112 144

HSL 338.18, 0.44%, 0.61%

LAB 57.92, 38.54, -2.04

 

CMYK 0 / 49 / 32 / 28

HEX #B75E7D

RGB 183 94 125

HSL 339.1, 0.38%, 0.54%

LAB 51.33, 39.42, -0.81

 

CMYK 0 / 54 / 36 / 35

HEX #A64C6A

RGB 166 76 106

HSL 340, 0.37%, 0.47%

LAB 44.68, 40.28, 0.66

 

CMYK 0 / 61 / 42 / 42

HEX #953A57

RGB 149 58 87

HSL 340.88, 0.44%, 0.41%

LAB 38.03, 41.04, 2.49

 

CMYK 0 / 40 / 25 / 15

HEX #D982A3

RGB 217 130 163

HSL 337.24, 0.53%, 0.68%

LAB 64.45, 37.68, -3.1

 

CMYK 0 / 40 / 31 / 15

HEX #D88294

RGB 216 130 148

HSL 347.44, 0.52%, 0.68%

LAB 63.92, 35.29, 4.63

 

CMYK 0 / 40 / 38 / 15

HEX #D88286

RGB 216 130 134

HSL 357.21, 0.52%, 0.68%

LAB 63.58, 33.56, 12.1

 

CMYK 0 / 35 / 40 / 15

HEX #D88C82

RGB 216 140 130

HSL 6.98, 0.52%, 0.68%

LAB 65.72, 27.76, 17.35

 

CMYK 0 / 29 / 40 / 15

HEX #D89A82

RGB 216 154 130

HSL 16.74, 0.52%, 0.68%

LAB 68.98, 20.2, 21.82

 

CMYK 0 / 40 / 25 / 15

HEX #D982A3

RGB 217 130 163

HSL 337.24, 0.53%, 0.68%

LAB 64.45, 37.68, -3.1

 

CMYK 0 / 38 / 23 / 95

HEX #0D080A

RGB 13 8 10

HSL 336, 0.24%, 0.04%

LAB 2.54, 1.65, -0.27

 

CMYK 0 / 41 / 25 / 75

HEX #402630

RGB 64 38 48

HSL 336.92, 0.25%, 0.2%

LAB 18.76, 13.98, -1.4

 

CMYK 0 / 40 / 25 / 55

HEX #734556

RGB 115 69 86

HSL 337.83, 0.25%, 0.36%

LAB 35.15, 22.29, -1.7

 

CMYK 0 / 40 / 25 / 35

HEX #A6637D

RGB 166 99 125

HSL 336.72, 0.27%, 0.52%

LAB 50.11, 30.58, -2.87

 

CMYK 0 / 40 / 25 / 15

HEX #D982A3

RGB 217 130 163

HSL 337.24, 0.53%, 0.68%

LAB 64.45, 37.68, -3.1

 

CMYK 0 / 7 / 40 / 15

HEX #D8C882

RGB 216 200 130

HSL 48.84, 0.52%, 0.68%

LAB 80.47, -4.27, 37.02

 

CMYK 40 / 9 / 0 / 15

HEX #82C5D8

RGB 130 197 216

HSL 193.26, 0.52%, 0.68%

LAB 75.85, -16.36, -16.17

 

CMYK 0 / 40 / 25 / 15

HEX #D982A3

RGB 217 130 163

HSL 337.24, 0.53%, 0.68%

LAB 64.45, 37.68, -3.1

 

CMYK 25 / 0 / 40 / 15

HEX #A3D882

RGB 163 216 130

HSL 96.98, 0.52%, 0.68%

LAB 81.02, -32.32, 36.98

 

CMYK 40 / 25 / 0 / 15

HEX #82A3D8

RGB 130 163 216

HSL 216.98, 0.52%, 0.68%

LAB 66.44, 1.99, -30.53

 

CMYK 0 / 40 / 25 / 15

HEX #D982A3

RGB 217 130 163

HSL 337.24, 0.53%, 0.68%

LAB 64.45, 37.68, -3.1

 

CMYK 0 / 7 / 40 / 15

HEX #D8C882

RGB 216 200 130

HSL 48.84, 0.52%, 0.68%

LAB 80.47, -4.27, 37.02

 

CMYK 40 / 0 / 15 / 15

HEX #82D8B7

RGB 130 216 183

HSL 156.98, 0.52%, 0.68%

LAB 80.33, -33.47, 8.15

 

CMYK 40 / 32 / 0 / 15

HEX #8292D8

RGB 130 146 216

HSL 228.84, 0.52%, 0.68%

LAB 61.88, 11.71, -37.62

 

CMYK 0 / 40 / 25 / 15

HEX #D982A3

RGB 217 130 163

HSL 337.24, 0.53%, 0.68%

LAB 64.45, 37.68, -3.1

 

CMYK 5 / 0 / 40 / 15

HEX #CED882

RGB 206 216 130

HSL 66.98, 0.52%, 0.68%

LAB 83.89, -16.32, 41.22

 

CMYK 40 / 0 / 15 / 15

HEX #82D8B7

RGB 130 216 183

HSL 156.98, 0.52%, 0.68%

LAB 80.33, -33.47, 8.15

 

CMYK 35 / 40 / 0 / 15

HEX #8C82D8

RGB 140 130 216

HSL 246.98, 0.52%, 0.68%

LAB 58.51, 23.73, -42.86

 

Description

Color code: CMYK 0 / 40 / 25 / 15 | qconv.com Color code: CMYK 0 / 40 / 25 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 130 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 130 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 25 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 25% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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