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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4458F it is the complementary color #0BBA70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4458F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4458F shade: #F9458A, #FF579D, #FF69B0, #FF7BC3 and #FF8DD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4458F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4458F shade: #F4458F, #E3337C, #D22169, #C10F56 and #B00043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4458F shade: #F4438E, #F4435E and #F44343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4458F shade: #F4438E, #F443BE, #F443ED, #CB43F4 and #9B43F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4458F shade matches the following richer shades: #F4438E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4458F shade: #F4438E, #E45390, #D46393, #C47395 and #B48398

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4458F shade: #F443EE, #F443BF, #F44390, #F44361 and #F45543

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4458F shade: #D80D63, #F21C76, #F4438E, #F66AA5 and #F991BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4458F shade: #F4458F, #F4CB43 and #43D7F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4458F shade: #F4458F, #90F443 and #4390F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4458F shade: #F4458F, #F4CB43, #43F4A7 and #436CF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4458F shade: #F4458F, #E8F443, #43F4A7 and #4F43F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 41 / 4

HEX #F4458F

RGB 244 69 143

HSL 334.63, 0.89%, 0.61%

LAB 57.53, 70.99, -1.25

 

Complementary color

CMYK 94 / 0 / 40 / 27

HEX #0BBA70

RGB 11 186 112

HSL 154.63, 0.89%, 0.39%

LAB 66.79, -56.42, 26.72

 

CMYK 0 / 72 / 45 / 2

HEX #F9458A

RGB 249 69 138

HSL 337, 0.94%, 0.62%

LAB 58.26, 71.88, 2.85

 

CMYK 0 / 66 / 38 / 0

HEX #FF579D

RGB 255 87 157

HSL 335, 1%, 0.67%

LAB 62.09, 68.99, -2.51

 

CMYK 0 / 59 / 31 / 0

HEX #FF69B0

RGB 255 105 176

HSL 331.6, 1%, 0.71%

LAB 65.36, 63.77, -8.57

 

CMYK 0 / 52 / 24 / 0

HEX #FF7BC3

RGB 255 123 195

HSL 327.27, 1%, 0.74%

LAB 69.02, 58.07, -13.82

 

CMYK 0 / 45 / 16 / 0

HEX #FF8DD6

RGB 255 141 214

HSL 321.58, 1%, 0.78%

LAB 73, 52.1, -18.36

 

CMYK 0 / 72 / 41 / 4

HEX #F4458F

RGB 244 69 143

HSL 334.63, 0.89%, 0.61%

LAB 57.53, 70.99, -1.25

 

CMYK 0 / 78 / 45 / 11

HEX #E3337C

RGB 227 51 124

HSL 335.11, 0.76%, 0.55%

LAB 52.01, 70.28, 1.64

 

CMYK 0 / 84 / 50 / 18

HEX #D22169

RGB 210 33 105

HSL 335.59, 0.73%, 0.48%

LAB 46.72, 68.83, 5.19

 

CMYK 0 / 92 / 55 / 24

HEX #C10F56

RGB 193 15 86

HSL 336.07, 0.86%, 0.41%

LAB 41.77, 66.34, 9.57

 

CMYK 0 / 100 / 62 / 31

HEX #B00043

RGB 176 0 67

HSL 337.16, 1%, 0.35%

LAB 37.18, 62.71, 14.86

 

CMYK 0 / 73 / 42 / 4

HEX #F4438E

RGB 244 67 142

HSL 334.58, 0.89%, 0.61%

LAB 57.27, 71.55, -1.05

 

CMYK 0 / 73 / 61 / 4

HEX #F4435E

RGB 244 67 94

HSL 350.85, 0.89%, 0.61%

LAB 56.14, 67.86, 25.77

 

CMYK 0 / 73 / 73 / 4

HEX #F44343

RGB 244 67 67

HSL 0, 0.89%, 0.61%

LAB 55.74, 66.5, 40.8

 

CMYK 0 / 73 / 42 / 4

HEX #F4438E

RGB 244 67 142

HSL 334.58, 0.89%, 0.61%

LAB 57.27, 71.55, -1.05

 

CMYK 0 / 73 / 22 / 4

HEX #F443BE

RGB 244 67 190

HSL 318.31, 0.89%, 0.61%

LAB 58.94, 76.82, -26.47

 

CMYK 0 / 73 / 3 / 4

HEX #F443ED

RGB 244 67 237

HSL 302.37, 0.89%, 0.61%

LAB 61.1, 83.32, -49.7

 

CMYK 17 / 73 / 0 / 4

HEX #CB43F4

RGB 203 67 244

HSL 286.1, 0.89%, 0.61%

LAB 55.32, 76.31, -63.19

 

CMYK 36 / 73 / 0 / 4

HEX #9B43F4

RGB 155 67 244

HSL 269.83, 0.89%, 0.61%

LAB 48.9, 67.56, -73.89

 

CMYK 0 / 73 / 42 / 4

HEX #F4438E

RGB 244 67 142

HSL 334.58, 0.89%, 0.61%

LAB 57.27, 71.55, -1.05

 

CMYK 0 / 73 / 42 / 4

HEX #F4438E

RGB 244 67 142

HSL 334.58, 0.89%, 0.61%

LAB 57.27, 71.55, -1.05

 

CMYK 0 / 64 / 37 / 11

HEX #E45390

RGB 228 83 144

HSL 334.76, 0.73%, 0.61%

LAB 56.78, 61.39, -3.26

 

CMYK 0 / 53 / 31 / 17

HEX #D46393

RGB 212 99 147

HSL 334.51, 0.57%, 0.61%

LAB 57.1, 49.59, -4.81

 

CMYK 0 / 41 / 24 / 23

HEX #C47395

RGB 196 115 149

HSL 334.81, 0.41%, 0.61%

LAB 58.2, 36.24, -4.6

 

CMYK 0 / 27 / 16 / 29

HEX #B48398

RGB 180 131 152

HSL 334.29, 0.25%, 0.61%

LAB 60.07, 22.12, -3.77

 

CMYK 0 / 73 / 2 / 4

HEX #F443EE

RGB 244 67 238

HSL 302.03, 0.89%, 0.61%

LAB 61.15, 83.47, -50.18

 

CMYK 0 / 73 / 22 / 4

HEX #F443BF

RGB 244 67 191

HSL 317.97, 0.89%, 0.61%

LAB 58.98, 76.95, -26.99

 

CMYK 0 / 73 / 41 / 4

HEX #F44390

RGB 244 67 144

HSL 333.9, 0.89%, 0.61%

LAB 57.33, 71.74, -2.14

 

CMYK 0 / 73 / 60 / 4

HEX #F44361

RGB 244 67 97

HSL 349.83, 0.89%, 0.61%

LAB 56.2, 68.04, 24.07

 

CMYK 0 / 65 / 73 / 4

HEX #F45543

RGB 244 85 67

HSL 6.1, 0.89%, 0.61%

LAB 58.17, 59.86, 43.54

 

CMYK 0 / 94 / 54 / 15

HEX #D80D63

RGB 216 13 99

HSL 334.58, 0.89%, 0.45%

LAB 46.69, 72.88, 9.03

 

CMYK 0 / 88 / 51 / 5

HEX #F21C76

RGB 242 28 118

HSL 334.77, 0.89%, 0.53%

LAB 52.97, 78.37, 7.01

 

CMYK 0 / 73 / 42 / 4

HEX #F4438E

RGB 244 67 142

HSL 334.58, 0.89%, 0.61%

LAB 57.27, 71.55, -1.05

 

CMYK 0 / 57 / 33 / 4

HEX #F66AA5

RGB 246 106 165

HSL 334.71, 0.89%, 0.69%

LAB 63.85, 59.32, -4.68

 

CMYK 0 / 42 / 24 / 2

HEX #F991BD

RGB 249 145 189

HSL 334.62, 0.9%, 0.77%

LAB 72.27, 44.54, -5.7

 

CMYK 0 / 72 / 41 / 4

HEX #F4458F

RGB 244 69 143

HSL 334.63, 0.89%, 0.61%

LAB 57.53, 70.99, -1.25

 

CMYK 0 / 17 / 73 / 4

HEX #F4CB43

RGB 244 203 67

HSL 46.1, 0.89%, 0.61%

LAB 83.1, 1, 69.44

 

CMYK 73 / 12 / 0 / 4

HEX #43D7F4

RGB 67 215 244

HSL 189.83, 0.89%, 0.61%

LAB 79.8, -29.26, -25.4

 

CMYK 0 / 72 / 41 / 4

HEX #F4458F

RGB 244 69 143

HSL 334.63, 0.89%, 0.61%

LAB 57.53, 70.99, -1.25

 

CMYK 41 / 0 / 73 / 4

HEX #90F443

RGB 144 244 67

HSL 93.9, 0.89%, 0.61%

LAB 87.5, -56.82, 71.49

 

CMYK 73 / 41 / 0 / 4

HEX #4390F4

RGB 67 144 244

HSL 213.9, 0.89%, 0.61%

LAB 59.59, 9.3, -56.96

 

CMYK 0 / 72 / 41 / 4

HEX #F4458F

RGB 244 69 143

HSL 334.63, 0.89%, 0.61%

LAB 57.53, 70.99, -1.25

 

CMYK 0 / 17 / 73 / 4

HEX #F4CB43

RGB 244 203 67

HSL 46.1, 0.89%, 0.61%

LAB 83.1, 1, 69.44

 

CMYK 73 / 0 / 32 / 4

HEX #43F4A7

RGB 67 244 167

HSL 153.9, 0.89%, 0.61%

LAB 86.35, -61.41, 24.65

 

CMYK 73 / 56 / 0 / 4

HEX #436CF4

RGB 67 108 244

HSL 226.1, 0.89%, 0.61%

LAB 50.04, 31.41, -72.36

 

CMYK 0 / 72 / 41 / 4

HEX #F4458F

RGB 244 69 143

HSL 334.63, 0.89%, 0.61%

LAB 57.53, 70.99, -1.25

 

CMYK 5 / 0 / 73 / 4

HEX #E8F443

RGB 232 244 67

HSL 64.07, 0.89%, 0.61%

LAB 92.69, -24.3, 78.29

 

CMYK 73 / 0 / 32 / 4

HEX #43F4A7

RGB 67 244 167

HSL 153.9, 0.89%, 0.61%

LAB 86.35, -61.41, 24.65

 

CMYK 68 / 73 / 0 / 4

HEX #4F43F4

RGB 79 67 244

HSL 244.07, 0.89%, 0.61%

LAB 41.55, 56.9, -86.24

 

Description

Color code: HEX #F4458F | qconv.com Color code: HEX #F4458F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 69 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 69 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 41 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 41% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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