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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4109F it is the complementary color #0BEF60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4109F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4109F shade: #F9109A, #FF22AD, #FF34C0, #FF46D3 and #FF58E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4109F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4109F shade: #F4109F, #E3008C, #D20079, #C10066 and #B00053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4109F shade: #F4109F, #F41062, #F41024 and #F41010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4109F shade: #F4109F, #F410DC, #CE10F4, #9110F4 and #5310F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4109F shade matches the following richer shades: #F4109F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4109F shade: #F4109F, #E0259A, #CB3995, #B74D90 and #A3618A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4109F shade: #CE10F4, #F410DD, #F410A0, #F41064 and #F41027

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4109F shade: #AA086D, #D10A87, #F4109F, #F638AF and #F75FBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4109F shade: #F4109F, #F49110 and #10F4EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4109F shade: #F4109F, #A0F410 and #10A0F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4109F shade: #F4109F, #F49110, #10F464 and #1073F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4109F shade: #F4109F, #F4D510, #10F464 and #102FF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 35 / 4

HEX #F4109F

RGB 244 16 159

HSL 322.37, 0.91%, 0.51%

LAB 54.14, 83.73, -15.76

 

Complementary color

CMYK 95 / 0 / 60 / 6

HEX #0BEF60

RGB 11 239 96

HSL 142.37, 0.91%, 0.49%

LAB 83.26, -76, 54.83

 

CMYK 0 / 94 / 38 / 2

HEX #F9109A

RGB 249 16 154

HSL 324.46, 0.95%, 0.52%

LAB 54.91, 84.29, -11.54

 

CMYK 0 / 87 / 32 / 0

HEX #FF22AD

RGB 255 34 173

HSL 322.26, 1%, 0.57%

LAB 57.48, 85.14, -18.71

 

CMYK 0 / 80 / 25 / 0

HEX #FF34C0

RGB 255 52 192

HSL 318.62, 1%, 0.6%

LAB 59.45, 83.66, -26.68

 

CMYK 0 / 73 / 17 / 0

HEX #FF46D3

RGB 255 70 211

HSL 314.27, 1%, 0.64%

LAB 61.95, 81.14, -33.64

 

CMYK 0 / 65 / 10 / 0

HEX #FF58E6

RGB 255 88 230

HSL 308.98, 1%, 0.67%

LAB 64.92, 77.74, -39.66

 

CMYK 0 / 93 / 35 / 4

HEX #F4109F

RGB 244 16 159

HSL 322.37, 0.91%, 0.51%

LAB 54.14, 83.73, -15.76

 

CMYK 0 / 100 / 38 / 11

HEX #E3008C

RGB 227 0 140

HSL 323, 1%, 0.45%

LAB 49.77, 79.66, -11.34

 

CMYK 0 / 100 / 42 / 18

HEX #D20079

RGB 210 0 121

HSL 325.43, 1%, 0.41%

LAB 45.75, 74.4, -6.12

 

CMYK 0 / 100 / 47 / 24

HEX #C10066

RGB 193 0 102

HSL 328.29, 1%, 0.38%

LAB 41.68, 69.1, -0.66

 

CMYK 0 / 100 / 53 / 31

HEX #B00053

RGB 176 0 83

HSL 331.7, 1%, 0.35%

LAB 37.58, 63.77, 5.07

 

CMYK 0 / 93 / 35 / 4

HEX #F4109F

RGB 244 16 159

HSL 322.37, 0.91%, 0.51%

LAB 54.14, 83.73, -15.76

 

CMYK 0 / 93 / 60 / 4

HEX #F41062

RGB 244 16 98

HSL 338.42, 0.91%, 0.51%

LAB 52.38, 79, 18.38

 

CMYK 0 / 93 / 85 / 4

HEX #F41024

RGB 244 16 36

HSL 354.74, 0.91%, 0.51%

LAB 51.53, 76.65, 52.94

 

CMYK 0 / 93 / 93 / 4

HEX #F41010

RGB 244 16 16

HSL 0, 0.91%, 0.51%

LAB 51.43, 76.36, 60.97

 

CMYK 0 / 93 / 35 / 4

HEX #F4109F

RGB 244 16 159

HSL 322.37, 0.91%, 0.51%

LAB 54.14, 83.73, -15.76

 

CMYK 0 / 93 / 10 / 4

HEX #F410DC

RGB 244 16 220

HSL 306.32, 0.91%, 0.51%

LAB 56.85, 90.72, -46.87

 

CMYK 16 / 93 / 0 / 4

HEX #CE10F4

RGB 206 16 244

HSL 290, 0.91%, 0.51%

LAB 51.86, 88.22, -68.75

 

CMYK 41 / 93 / 0 / 4

HEX #9110F4

RGB 145 16 244

HSL 273.95, 0.91%, 0.51%

LAB 42.65, 80.67, -84.19

 

CMYK 66 / 93 / 0 / 4

HEX #5310F4

RGB 83 16 244

HSL 257.63, 0.91%, 0.51%

LAB 35.48, 75.9, -96.27

 

CMYK 0 / 93 / 35 / 4

HEX #F4109F

RGB 244 16 159

HSL 322.37, 0.91%, 0.51%

LAB 54.14, 83.73, -15.76

 

CMYK 0 / 93 / 35 / 4

HEX #F4109F

RGB 244 16 159

HSL 322.37, 0.91%, 0.51%

LAB 54.14, 83.73, -15.76

 

CMYK 0 / 83 / 31 / 12

HEX #E0259A

RGB 224 37 154

HSL 322.46, 0.75%, 0.51%

LAB 51.27, 75.89, -17.5

 

CMYK 0 / 72 / 27 / 20

HEX #CB3995

RGB 203 57 149

HSL 322.19, 0.58%, 0.51%

LAB 49.24, 64.85, -17.95

 

CMYK 0 / 58 / 21 / 28

HEX #B74D90

RGB 183 77 144

HSL 322.08, 0.42%, 0.51%

LAB 48.75, 50.48, -16.02

 

CMYK 0 / 40 / 15 / 36

HEX #A3618A

RGB 163 97 138

HSL 322.73, 0.26%, 0.51%

LAB 49.7, 32.68, -11.26

 

CMYK 16 / 93 / 0 / 4

HEX #CE10F4

RGB 206 16 244

HSL 290, 0.91%, 0.51%

LAB 51.86, 88.22, -68.75

 

CMYK 0 / 93 / 9 / 4

HEX #F410DD

RGB 244 16 221

HSL 306.05, 0.91%, 0.51%

LAB 56.9, 90.85, -47.36

 

CMYK 0 / 93 / 34 / 4

HEX #F410A0

RGB 244 16 160

HSL 322.11, 0.91%, 0.51%

LAB 54.18, 83.83, -16.3

 

CMYK 0 / 93 / 59 / 4

HEX #F41064

RGB 244 16 100

HSL 337.89, 0.91%, 0.51%

LAB 52.42, 79.12, 17.22

 

CMYK 0 / 93 / 84 / 4

HEX #F41027

RGB 244 16 39

HSL 353.95, 0.91%, 0.51%

LAB 51.55, 76.71, 51.48

 

CMYK 0 / 95 / 36 / 33

HEX #AA086D

RGB 170 8 109

HSL 322.59, 0.91%, 0.35%

LAB 37.52, 63.81, -11.79

 

CMYK 0 / 95 / 35 / 18

HEX #D10A87

RGB 209 10 135

HSL 322.31, 0.91%, 0.43%

LAB 46.34, 74.63, -13.82

 

CMYK 0 / 93 / 35 / 4

HEX #F4109F

RGB 244 16 159

HSL 322.37, 0.91%, 0.51%

LAB 54.14, 83.73, -15.76

 

CMYK 0 / 77 / 29 / 4

HEX #F638AF

RGB 246 56 175

HSL 322.42, 0.91%, 0.59%

LAB 57.58, 78.7, -19.88

 

CMYK 0 / 62 / 23 / 3

HEX #F75FBF

RGB 247 95 191

HSL 322.11, 0.9%, 0.67%

LAB 63.11, 67.56, -20.61

 

CMYK 0 / 93 / 35 / 4

HEX #F4109F

RGB 244 16 159

HSL 322.37, 0.91%, 0.51%

LAB 54.14, 83.73, -15.76

 

CMYK 0 / 41 / 93 / 4

HEX #F49110

RGB 244 145 16

HSL 33.95, 0.91%, 0.51%

LAB 69.13, 29.93, 72.33

 

CMYK 93 / 0 / 3 / 4

HEX #10F4EC

RGB 16 244 236

HSL 177.89, 0.91%, 0.51%

LAB 87.42, -48.42, -9.75

 

CMYK 0 / 93 / 35 / 4

HEX #F4109F

RGB 244 16 159

HSL 322.37, 0.91%, 0.51%

LAB 54.14, 83.73, -15.76

 

CMYK 34 / 0 / 93 / 4

HEX #A0F410

RGB 160 244 16

HSL 82.11, 0.91%, 0.51%

LAB 88.07, -53.36, 83.66

 

CMYK 93 / 34 / 0 / 4

HEX #10A0F4

RGB 16 160 244

HSL 202.11, 0.91%, 0.51%

LAB 63.16, -4.18, -51.34

 

CMYK 0 / 93 / 35 / 4

HEX #F4109F

RGB 244 16 159

HSL 322.37, 0.91%, 0.51%

LAB 54.14, 83.73, -15.76

 

CMYK 0 / 41 / 93 / 4

HEX #F49110

RGB 244 145 16

HSL 33.95, 0.91%, 0.51%

LAB 69.13, 29.93, 72.33

 

CMYK 93 / 0 / 59 / 4

HEX #10F464

RGB 16 244 100

HSL 142.11, 0.91%, 0.51%

LAB 84.86, -76.82, 54.95

 

CMYK 93 / 53 / 0 / 4

HEX #1073F4

RGB 16 115 244

HSL 213.95, 0.91%, 0.51%

LAB 50.57, 23.14, -71.54

 

CMYK 0 / 93 / 35 / 4

HEX #F4109F

RGB 244 16 159

HSL 322.37, 0.91%, 0.51%

LAB 54.14, 83.73, -15.76

 

CMYK 0 / 13 / 93 / 4

HEX #F4D510

RGB 244 213 16

HSL 51.84, 0.91%, 0.51%

LAB 85.43, -5.46, 84.14

 

CMYK 93 / 0 / 59 / 4

HEX #10F464

RGB 16 244 100

HSL 142.11, 0.91%, 0.51%

LAB 84.86, -76.82, 54.95

 

CMYK 93 / 81 / 0 / 4

HEX #102FF4

RGB 16 47 244

HSL 231.84, 0.91%, 0.51%

LAB 35.35, 63.43, -96.58

 

Description

Color code: HEX #F4109F | qconv.com Color code: HEX #F4109F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 16 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 16 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 35 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 35% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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