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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F40A12 it is the complementary color #0BF5ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F40A12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F40A12: #F90A0D, #FF1C20, #FF2E33, #FF4046 and #FF5259

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F40A12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F40A12: #F40A12, #E30000, #D20000, #C10000 and #B00000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 93 / 4

HEX #F40A12

RGB 244 10 18

HSL 357.95, 0.92%, 0.5%

LAB 51.26, 76.89, 60.23

 

Complementary color

CMYK 96 / 0 / 3 / 4

HEX #0BF5ED

RGB 11 245 237

HSL 177.95, 0.92%, 0.5%

LAB 87.72, -48.7, -9.82

 

CMYK 0 / 96 / 95 / 2

HEX #F90A0D

RGB 249 10 13

HSL 359.25, 0.95%, 0.51%

LAB 52.27, 78.06, 62.85

 

CMYK 0 / 89 / 87 / 0

HEX #FF1C20

RGB 255 28 32

HSL 358.94, 1%, 0.55%

LAB 54.23, 77.86, 57.86

 

CMYK 0 / 82 / 80 / 0

HEX #FF2E33

RGB 255 46 51

HSL 358.56, 1%, 0.59%

LAB 55.54, 74.94, 49.85

 

CMYK 0 / 75 / 73 / 0

HEX #FF4046

RGB 255 64 70

HSL 358.12, 1%, 0.63%

LAB 57.43, 70.79, 41.6

 

CMYK 0 / 68 / 65 / 0

HEX #FF5259

RGB 255 82 89

HSL 357.57, 1%, 0.66%

LAB 59.9, 65.57, 33.84

 

CMYK 0 / 96 / 93 / 4

HEX #F40A12

RGB 244 10 18

HSL 357.95, 0.92%, 0.5%

LAB 51.26, 76.89, 60.23

 

CMYK 0 / 100 / 100 / 11

HEX #E30000

RGB 227 0 0

HSL 0, 1%, 0.45%

LAB 47.41, 73.37, 61.56

 

CMYK 0 / 100 / 100 / 18

HEX #D20000

RGB 210 0 0

HSL 0, 1%, 0.41%

LAB 43.8, 69.2, 58.06

 

CMYK 0 / 100 / 100 / 24

HEX #C10000

RGB 193 0 0

HSL 0, 1%, 0.38%

LAB 40.14, 64.96, 54.51

 

CMYK 0 / 100 / 100 / 31

HEX #B00000

RGB 176 0 0

HSL 0, 1%, 0.35%

LAB 36.42, 60.66, 50.81

 

CMYK 0 / 96 / 93 / 4

HEX #F40A12

RGB 244 10 18

HSL 357.95, 0.92%, 0.5%

LAB 51.26, 76.89, 60.23

 

CMYK 0 / 85 / 96 / 4

HEX #F4250A

RGB 244 37 10

HSL 6.92, 0.92%, 0.5%

LAB 52.48, 73.23, 63.15

 

CMYK 0 / 69 / 96 / 4

HEX #F44C0A

RGB 244 76 10

HSL 16.92, 0.92%, 0.5%

LAB 56.51, 61.99, 65.32

 

CMYK 0 / 53 / 96 / 4

HEX #F4730A

RGB 244 115 10

HSL 26.92, 0.92%, 0.5%

LAB 62.94, 45.04, 69.19

 

CMYK 0 / 37 / 96 / 4

HEX #F49A0A

RGB 244 154 10

HSL 36.92, 0.92%, 0.5%

LAB 71.12, 25.17, 74.59

 

CMYK 0 / 96 / 93 / 4

HEX #F40A12

RGB 244 10 18

HSL 357.95, 0.92%, 0.5%

LAB 51.26, 76.89, 60.23

 

CMYK 0 / 95 / 93 / 84

HEX #280203

RGB 40 2 3

HSL 358.42, 0.9%, 0.08%

LAB 4.53, 17.82, 5.88

 

CMYK 0 / 96 / 92 / 64

HEX #5B0407

RGB 91 4 7

HSL 357.93, 0.92%, 0.19%

LAB 17.11, 36.75, 23.52

 

CMYK 0 / 96 / 93 / 44

HEX #8E060A

RGB 142 6 10

HSL 358.24, 0.92%, 0.29%

LAB 29.17, 51, 38.38

 

CMYK 0 / 96 / 93 / 24

HEX #C1080E

RGB 193 8 14

HSL 358.05, 0.92%, 0.39%

LAB 40.48, 64.28, 49.7

 

CMYK 0 / 96 / 93 / 4

HEX #F40A12

RGB 244 10 18

HSL 357.95, 0.92%, 0.5%

LAB 51.26, 76.89, 60.23

 

CMYK 14 / 0 / 96 / 4

HEX #D1F40A

RGB 209 244 10

HSL 68.97, 0.92%, 0.5%

LAB 90.91, -35.01, 87.63

 

CMYK 96 / 53 / 0 / 4

HEX #0A73F4

RGB 10 115 244

HSL 213.08, 0.92%, 0.5%

LAB 50.52, 22.97, -71.63

 

CMYK 0 / 96 / 93 / 4

HEX #F40A12

RGB 244 10 18

HSL 357.95, 0.92%, 0.5%

LAB 51.26, 76.89, 60.23

 

CMYK 91 / 0 / 96 / 4

HEX #15F40A

RGB 21 244 10

HSL 117.18, 0.92%, 0.5%

LAB 84.42, -82.45, 79.75

 

CMYK 96 / 91 / 0 / 4

HEX #0A15F4

RGB 10 21 244

HSL 237.18, 0.92%, 0.5%

LAB 32.11, 72.82, -101.99

 

CMYK 0 / 96 / 93 / 4

HEX #F40A12

RGB 244 10 18

HSL 357.95, 0.92%, 0.5%

LAB 51.26, 76.89, 60.23

 

CMYK 14 / 0 / 96 / 4

HEX #D1F40A

RGB 209 244 10

HSL 68.97, 0.92%, 0.5%

LAB 90.91, -35.01, 87.63

 

CMYK 96 / 0 / 5 / 4

HEX #0AF4E9

RGB 10 244 233

HSL 177.18, 0.92%, 0.5%

LAB 87.31, -49.42, -8.34

 

CMYK 82 / 96 / 0 / 4

HEX #2D0AF4

RGB 45 10 244

HSL 248.97, 0.92%, 0.5%

LAB 32.49, 75.53, -101.32

 

CMYK 0 / 96 / 93 / 4

HEX #F40A12

RGB 244 10 18

HSL 357.95, 0.92%, 0.5%

LAB 51.26, 76.89, 60.23

 

CMYK 43 / 0 / 96 / 4

HEX #8BF40A

RGB 139 244 10

HSL 86.92, 0.92%, 0.5%

LAB 87.1, -60.41, 83.03

 

CMYK 96 / 0 / 5 / 4

HEX #0AF4E9

RGB 10 244 233

HSL 177.18, 0.92%, 0.5%

LAB 87.31, -49.42, -8.34

 

CMYK 53 / 96 / 0 / 4

HEX #730AF4

RGB 115 10 244

HSL 266.92, 0.92%, 0.5%

LAB 38.54, 78.77, -91.09

 

Description

Color code: HEX #F40A12 | qconv.com Color code: HEX #F40A12 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 10 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 10 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 93 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 93% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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