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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3E778 it is the complementary color #0C1887. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3E778. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F3E778: #F8E773, #FFF986, #FFFF99, #FFFFAC and #FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3E778. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F3E778: #F3E778, #E2D565, #D1C352, #C0B13F and #AF9F2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 51 / 5

HEX #F3E778

RGB 243 231 120

HSL 54.15, 0.84%, 0.71%

LAB 90.58, -10.18, 54.92

 

Complementary color

CMYK 91 / 82 / 0 / 47

HEX #0C1887

RGB 12 24 135

HSL 234.15, 0.84%, 0.29%

LAB 17.83, 39.65, -61.03

 

CMYK 0 / 7 / 54 / 3

HEX #F8E773

RGB 248 231 115

HSL 52.33, 0.9%, 0.71%

LAB 90.94, -8.59, 57.75

 

CMYK 0 / 2 / 47 / 0

HEX #FFF986

RGB 255 249 134

HSL 57.02, 1%, 0.76%

LAB 96.3, -13.11, 55.48

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 5 / 51 / 5

HEX #F3E778

RGB 243 231 120

HSL 54.15, 0.84%, 0.71%

LAB 90.58, -10.18, 54.92

 

CMYK 0 / 6 / 55 / 11

HEX #E2D565

RGB 226 213 101

HSL 53.76, 0.68%, 0.64%

LAB 84.33, -9.55, 56.03

 

CMYK 0 / 7 / 61 / 18

HEX #D1C352

RGB 209 195 82

HSL 53.39, 0.58%, 0.57%

LAB 77.99, -8.81, 57.05

 

CMYK 0 / 8 / 67 / 25

HEX #C0B13F

RGB 192 177 63

HSL 53.02, 0.51%, 0.5%

LAB 71.56, -7.93, 57.87

 

CMYK 0 / 9 / 75 / 31

HEX #AF9F2C

RGB 175 159 44

HSL 52.67, 0.6%, 0.43%

LAB 65.04, -6.86, 58.27

 

CMYK 0 / 5 / 51 / 5

HEX #F3E778

RGB 243 231 120

HSL 54.15, 0.84%, 0.71%

LAB 90.58, -10.18, 54.92

 

CMYK 4 / 0 / 51 / 5

HEX #EAF376

RGB 234 243 118

HSL 64.32, 0.84%, 0.71%

LAB 92.97, -19.78, 58.48

 

CMYK 12 / 0 / 51 / 5

HEX #D6F376

RGB 214 243 118

HSL 73.92, 0.84%, 0.71%

LAB 91.55, -27.52, 56.46

 

CMYK 21 / 0 / 51 / 5

HEX #C1F376

RGB 193 243 118

HSL 84, 0.84%, 0.71%

LAB 90.2, -35.36, 54.53

 

CMYK 29 / 0 / 51 / 5

HEX #ACF376

RGB 172 243 118

HSL 94.08, 0.84%, 0.71%

LAB 89.01, -42.81, 52.81

 

CMYK 0 / 5 / 51 / 5

HEX #F3E778

RGB 243 231 120

HSL 54.15, 0.84%, 0.71%

LAB 90.58, -10.18, 54.92

 

CMYK 0 / 5 / 51 / 85

HEX #272513

RGB 39 37 19

HSL 54, 0.34%, 0.11%

LAB 14.41, -2.51, 12.28

 

CMYK 0 / 4 / 51 / 65

HEX #5A562C

RGB 90 86 44

HSL 54.78, 0.34%, 0.26%

LAB 36.01, -5.05, 24.88

 

CMYK 0 / 5 / 50 / 45

HEX #8D8646

RGB 141 134 70

HSL 54.08, 0.34%, 0.41%

LAB 55.23, -6.62, 35.12

 

CMYK 0 / 5 / 51 / 25

HEX #C0B75F

RGB 192 183 95

HSL 54.43, 0.43%, 0.56%

LAB 73.48, -8.71, 45.46

 

CMYK 0 / 5 / 51 / 5

HEX #F3E778

RGB 243 231 120

HSL 54.15, 0.84%, 0.71%

LAB 90.58, -10.18, 54.92

 

CMYK 51 / 0 / 46 / 5

HEX #76F383

RGB 118 243 131

HSL 126.24, 0.84%, 0.71%

LAB 86.8, -57.42, 43.43

 

CMYK 26 / 51 / 0 / 5

HEX #B576F3

RGB 181 118 243

HSL 270.24, 0.84%, 0.71%

LAB 61, 48.06, -53.7

 

CMYK 0 / 5 / 51 / 5

HEX #F3E778

RGB 243 231 120

HSL 54.15, 0.84%, 0.71%

LAB 90.58, -10.18, 54.92

 

CMYK 51 / 0 / 5 / 5

HEX #76F3E6

RGB 118 243 230

HSL 173.76, 0.84%, 0.71%

LAB 88.76, -37.95, -4.42

 

CMYK 5 / 51 / 0 / 5

HEX #E676F3

RGB 230 118 243

HSL 293.76, 0.84%, 0.71%

LAB 66.71, 60.87, -44.31

 

CMYK 0 / 5 / 51 / 5

HEX #F3E778

RGB 243 231 120

HSL 54.15, 0.84%, 0.71%

LAB 90.58, -10.18, 54.92

 

CMYK 51 / 0 / 46 / 5

HEX #76F383

RGB 118 243 131

HSL 126.24, 0.84%, 0.71%

LAB 86.8, -57.42, 43.43

 

CMYK 51 / 46 / 0 / 5

HEX #7683F3

RGB 118 131 243

HSL 233.76, 0.84%, 0.71%

LAB 58.56, 25.6, -57.92

 

CMYK 0 / 51 / 5 / 5

HEX #F376E6

RGB 243 118 230

HSL 306.24, 0.84%, 0.71%

LAB 67.82, 62.14, -35.28

 

CMYK 0 / 5 / 51 / 5

HEX #F3E778

RGB 243 231 120

HSL 54.15, 0.84%, 0.71%

LAB 90.58, -10.18, 54.92

 

CMYK 51 / 0 / 31 / 5

HEX #76F3A8

RGB 118 243 168

HSL 144, 0.84%, 0.71%

LAB 87.38, -51.36, 25.76

 

CMYK 51 / 46 / 0 / 5

HEX #7683F3

RGB 118 131 243

HSL 233.76, 0.84%, 0.71%

LAB 58.56, 25.6, -57.92

 

CMYK 0 / 51 / 21 / 5

HEX #F376C1

RGB 243 118 193

HSL 324, 0.84%, 0.71%

LAB 66.41, 56.48, -16.78

 

Description

Color code: HEX #F3E778 | qconv.com Color code: HEX #F3E778 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 231 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 231 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 51 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 51% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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