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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3C26B it is the complementary color #0C3D94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3C26B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3C26B shade: #F8C266, #FFD479, #FFE68C, #FFF89F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3C26B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3C26B shade: #F3C26B, #E2B058, #D19E45, #C08C32 and #AF7A1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3C26B shade: #F3C36D, #F39E6D, #F37A6D and #F36D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3C26B shade: #F3C36D, #F3E76D, #DBF36D, #B7F36D and #93F36D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3C26B shade matches the following richer shades: #F3C36D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3C26B shade: #F3C36D, #E6BF7A, #DABC86, #CDB893 and #C0B4A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3C26B shade: #F37A6D, #F39E6D, #F3C26D, #F3E66D and #DDF36D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3C26B shade: #EDA320, #F0B347, #F3C36D, #F6D293 and #F9E2B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3C26B shade: #F3C26B, #83F36D and #8C6DF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3C26B shade: #F3C26B, #6DF3C2 and #C26DF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3C26B shade: #F3C26B, #83F36D, #6D9EF3 and #DD6DF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3C26B shade: #F3C26B, #6DF37F, #6D9EF3 and #F36DE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 56 / 5

HEX #F3C26B

RGB 243 194 107

HSL 38.38, 0.85%, 0.69%

LAB 81.13, 7.65, 49.86

 

Complementary color

CMYK 92 / 59 / 0 / 42

HEX #0C3D94

RGB 12 61 148

HSL 218.38, 0.85%, 0.31%

LAB 28.26, 20.46, -51.94

 

CMYK 0 / 22 / 59 / 3

HEX #F8C266

RGB 248 194 102

HSL 37.81, 0.91%, 0.69%

LAB 81.57, 9.33, 52.9

 

CMYK 0 / 17 / 53 / 0

HEX #FFD479

RGB 255 212 121

HSL 40.75, 1%, 0.74%

LAB 86.86, 4.33, 50.24

 

CMYK 0 / 10 / 45 / 0

HEX #FFE68C

RGB 255 230 140

HSL 46.96, 1%, 0.77%

LAB 91.57, -3.13, 46.8

 

CMYK 0 / 3 / 38 / 0

HEX #FFF89F

RGB 255 248 159

HSL 55.63, 1%, 0.81%

LAB 96.37, -10.17, 43.59

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 20 / 56 / 5

HEX #F3C26B

RGB 243 194 107

HSL 38.38, 0.85%, 0.69%

LAB 81.13, 7.65, 49.86

 

CMYK 0 / 22 / 61 / 11

HEX #E2B058

RGB 226 176 88

HSL 38.26, 0.7%, 0.62%

LAB 74.78, 8.68, 51.15

 

CMYK 0 / 24 / 67 / 18

HEX #D19E45

RGB 209 158 69

HSL 38.14, 0.6%, 0.55%

LAB 68.34, 9.88, 52.38

 

CMYK 0 / 27 / 74 / 25

HEX #C08C32

RGB 192 140 50

HSL 38.03, 0.59%, 0.47%

LAB 61.82, 11.28, 53.39

 

CMYK 0 / 30 / 82 / 31

HEX #AF7A1F

RGB 175 122 31

HSL 37.92, 0.7%, 0.4%

LAB 55.21, 12.94, 53.88

 

CMYK 0 / 20 / 55 / 5

HEX #F3C36D

RGB 243 195 109

HSL 38.51, 0.85%, 0.69%

LAB 81.4, 7.29, 49.21

 

CMYK 0 / 35 / 55 / 5

HEX #F39E6D

RGB 243 158 109

HSL 21.94, 0.85%, 0.69%

LAB 72.64, 26.75, 38.49

 

CMYK 0 / 50 / 55 / 5

HEX #F37A6D

RGB 243 122 109

HSL 5.82, 0.85%, 0.69%

LAB 65.02, 45.25, 28.75

 

CMYK 0 / 55 / 55 / 5

HEX #F36D6D

RGB 243 109 109

HSL 0, 0.85%, 0.69%

LAB 62.59, 51.5, 25.55

 

CMYK 0 / 20 / 55 / 5

HEX #F3C36D

RGB 243 195 109

HSL 38.51, 0.85%, 0.69%

LAB 81.4, 7.29, 49.21

 

CMYK 0 / 5 / 55 / 5

HEX #F3E76D

RGB 243 231 109

HSL 54.63, 0.85%, 0.69%

LAB 90.46, -11.05, 59.81

 

CMYK 10 / 0 / 55 / 5

HEX #DBF36D

RGB 219 243 109

HSL 70.75, 0.85%, 0.69%

LAB 91.8, -26.37, 60.86

 

CMYK 25 / 0 / 55 / 5

HEX #B7F36D

RGB 183 243 109

HSL 86.87, 0.85%, 0.69%

LAB 89.52, -39.85, 57.64

 

CMYK 40 / 0 / 55 / 5

HEX #93F36D

RGB 147 243 109

HSL 102.99, 0.85%, 0.69%

LAB 87.68, -51.96, 55.03

 

CMYK 0 / 20 / 55 / 5

HEX #F3C36D

RGB 243 195 109

HSL 38.51, 0.85%, 0.69%

LAB 81.4, 7.29, 49.21

 

CMYK 0 / 20 / 55 / 5

HEX #F3C36D

RGB 243 195 109

HSL 38.51, 0.85%, 0.69%

LAB 81.4, 7.29, 49.21

 

CMYK 0 / 17 / 47 / 10

HEX #E6BF7A

RGB 230 191 122

HSL 38.33, 0.68%, 0.69%

LAB 79.32, 5.22, 39.9

 

CMYK 0 / 14 / 39 / 15

HEX #DABC86

RGB 218 188 134

HSL 38.57, 0.53%, 0.69%

LAB 77.63, 3.23, 31.29

 

CMYK 0 / 10 / 28 / 20

HEX #CDB893

RGB 205 184 147

HSL 38.28, 0.37%, 0.69%

LAB 75.68, 1.85, 21.55

 

CMYK 0 / 6 / 17 / 25

HEX #C0B4A0

RGB 192 180 160

HSL 37.5, 0.2%, 0.69%

LAB 73.8, 0.92, 11.74

 

CMYK 0 / 50 / 55 / 5

HEX #F37A6D

RGB 243 122 109

HSL 5.82, 0.85%, 0.69%

LAB 65.02, 45.25, 28.75

 

CMYK 0 / 35 / 55 / 5

HEX #F39E6D

RGB 243 158 109

HSL 21.94, 0.85%, 0.69%

LAB 72.64, 26.75, 38.49

 

CMYK 0 / 20 / 55 / 5

HEX #F3C26D

RGB 243 194 109

HSL 38.06, 0.85%, 0.69%

LAB 81.15, 7.81, 48.92

 

CMYK 0 / 5 / 55 / 5

HEX #F3E66D

RGB 243 230 109

HSL 54.18, 0.85%, 0.69%

LAB 90.21, -10.56, 59.52

 

CMYK 9 / 0 / 55 / 5

HEX #DDF36D

RGB 221 243 109

HSL 69.85, 0.85%, 0.69%

LAB 91.94, -25.6, 61.06

 

CMYK 0 / 31 / 86 / 7

HEX #EDA320

RGB 237 163 32

HSL 38.34, 0.85%, 0.53%

LAB 72.43, 17.79, 70.95

 

CMYK 0 / 25 / 70 / 6

HEX #F0B347

RGB 240 179 71

HSL 38.34, 0.85%, 0.61%

LAB 76.81, 11.99, 61.43

 

CMYK 0 / 20 / 55 / 5

HEX #F3C36D

RGB 243 195 109

HSL 38.51, 0.85%, 0.69%

LAB 81.4, 7.29, 49.21

 

CMYK 0 / 15 / 40 / 4

HEX #F6D293

RGB 246 210 147

HSL 38.18, 0.85%, 0.77%

LAB 85.9, 4.24, 35.89

 

CMYK 0 / 9 / 26 / 2

HEX #F9E2B9

RGB 249 226 185

HSL 38.44, 0.84%, 0.85%

LAB 90.8, 1.75, 22.94

 

CMYK 0 / 20 / 56 / 5

HEX #F3C26B

RGB 243 194 107

HSL 38.38, 0.85%, 0.69%

LAB 81.13, 7.65, 49.86

 

CMYK 46 / 0 / 55 / 5

HEX #83F36D

RGB 131 243 109

HSL 110.15, 0.85%, 0.69%

LAB 87.01, -56.73, 54.07

 

CMYK 42 / 55 / 0 / 5

HEX #8C6DF3

RGB 140 109 243

HSL 253.88, 0.85%, 0.69%

LAB 55.06, 43.23, -63.45

 

CMYK 0 / 20 / 56 / 5

HEX #F3C26B

RGB 243 194 107

HSL 38.38, 0.85%, 0.69%

LAB 81.13, 7.65, 49.86

 

CMYK 55 / 0 / 20 / 5

HEX #6DF3C2

RGB 109 243 194

HSL 158.06, 0.85%, 0.69%

LAB 87.61, -48.14, 12.63

 

CMYK 20 / 55 / 0 / 5

HEX #C26DF3

RGB 194 109 243

HSL 278.06, 0.85%, 0.69%

LAB 60.67, 55.99, -54.14

 

CMYK 0 / 20 / 56 / 5

HEX #F3C26B

RGB 243 194 107

HSL 38.38, 0.85%, 0.69%

LAB 81.13, 7.65, 49.86

 

CMYK 46 / 0 / 55 / 5

HEX #83F36D

RGB 131 243 109

HSL 110.15, 0.85%, 0.69%

LAB 87.01, -56.73, 54.07

 

CMYK 55 / 35 / 0 / 5

HEX #6D9EF3

RGB 109 158 243

HSL 218.06, 0.85%, 0.69%

LAB 65.1, 7.82, -47.56

 

CMYK 9 / 55 / 0 / 5

HEX #DD6DF3

RGB 221 109 243

HSL 290.15, 0.85%, 0.69%

LAB 63.98, 62.78, -48.68

 

CMYK 0 / 20 / 56 / 5

HEX #F3C26B

RGB 243 194 107

HSL 38.38, 0.85%, 0.69%

LAB 81.13, 7.65, 49.86

 

CMYK 55 / 0 / 48 / 5

HEX #6DF37F

RGB 109 243 127

HSL 128.06, 0.85%, 0.69%

LAB 86.45, -60.18, 44.85

 

CMYK 55 / 35 / 0 / 5

HEX #6D9EF3

RGB 109 158 243

HSL 218.06, 0.85%, 0.69%

LAB 65.1, 7.82, -47.56

 

CMYK 0 / 55 / 7 / 5

HEX #F36DE1

RGB 243 109 225

HSL 308.06, 0.85%, 0.69%

LAB 66.08, 65.42, -35.21

 

Description

Color code: HEX #F3C26B | qconv.com Color code: HEX #F3C26B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 194 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 194 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 56% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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