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Color name
HEX #AF7A1F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7A1F it is the complementary color #5085E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7A1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7A1F shade: #B47A1A, #C58C2D, #D69E40, #E7B053 and #F8C266

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7A1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7A1F shade: #AF7A1F, #9E680C, #8D5600, #7C4400 and #6B3200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7A1F shade: #AD791F, #AD521F, #AD2C1F and #AD1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7A1F shade: #AD791F, #AD9F1F, #95AD1F, #6EAD1F and #48AD1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7A1F shade matches the following richer shades: #AD791F and #BE7D0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7A1F shade: #AD791F, #9D742F, #8C7040, #7C6C50 and #6B6761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7A1F shade: #AD2B1F, #AD511F, #AD771F, #AD9D1F and #98AD1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7A1F shade: #674812, #8A6018, #AD791F, #D09125 and #DDA441

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7A1F shade: #AF7A1F, #39AD1F and #3E1FAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7A1F shade: #AF7A1F, #1FAD77 and #771FAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7A1F shade: #AF7A1F, #39AD1F, #1F55AD and #931FAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7A1F shade: #AF7A1F, #1FAD2F, #1F55AD and #AD1F9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 82 / 31

HEX #AF7A1F

RGB 175 122 31

HSL 37.92, 0.7%, 0.4%

LAB 55.21, 12.94, 53.88

 

Complementary color

CMYK 64 / 41 / 0 / 12

HEX #5085E0

RGB 80 133 224

HSL 217.92, 0.7%, 0.6%

LAB 55.95, 10.87, -51.63

 

CMYK 0 / 32 / 86 / 29

HEX #B47A1A

RGB 180 122 26

HSL 37.4, 0.75%, 0.4%

LAB 55.78, 15.03, 56.28

 

CMYK 0 / 29 / 77 / 23

HEX #C58C2D

RGB 197 140 45

HSL 37.5, 0.63%, 0.47%

LAB 62.35, 13.26, 56.14

 

CMYK 0 / 26 / 70 / 16

HEX #D69E40

RGB 214 158 64

HSL 37.6, 0.65%, 0.55%

LAB 68.84, 11.75, 55.3

 

CMYK 0 / 24 / 64 / 9

HEX #E7B053

RGB 231 176 83

HSL 37.7, 0.76%, 0.62%

LAB 75.24, 10.46, 54.16

 

CMYK 0 / 22 / 59 / 3

HEX #F8C266

RGB 248 194 102

HSL 37.81, 0.91%, 0.69%

LAB 81.57, 9.33, 52.9

 

CMYK 0 / 30 / 82 / 31

HEX #AF7A1F

RGB 175 122 31

HSL 37.92, 0.7%, 0.4%

LAB 55.21, 12.94, 53.88

 

CMYK 0 / 34 / 92 / 38

HEX #9E680C

RGB 158 104 12

HSL 37.81, 0.86%, 0.33%

LAB 48.51, 14.91, 53.19

 

CMYK 0 / 39 / 100 / 45

HEX #8D5600

RGB 141 86 0

HSL 36.6, 1%, 0.28%

LAB 41.72, 17.22, 50.29

 

CMYK 0 / 45 / 100 / 51

HEX #7C4400

RGB 124 68 0

HSL 32.9, 1%, 0.24%

LAB 34.84, 19.85, 44.71

 

CMYK 0 / 53 / 100 / 58

HEX #6B3200

RGB 107 50 0

HSL 28.04, 1%, 0.21%

LAB 27.86, 22.53, 38.54

 

CMYK 0 / 30 / 82 / 32

HEX #AD791F

RGB 173 121 31

HSL 38.03, 0.7%, 0.4%

LAB 54.72, 12.6, 53.36

 

CMYK 0 / 53 / 82 / 32

HEX #AD521F

RGB 173 82 31

HSL 21.55, 0.7%, 0.4%

LAB 45.66, 34.07, 45.14

 

CMYK 0 / 75 / 82 / 32

HEX #AD2C1F

RGB 173 44 31

HSL 5.49, 0.7%, 0.4%

LAB 39.22, 51.15, 39.05

 

CMYK 0 / 82 / 82 / 32

HEX #AD1F1F

RGB 173 31 31

HSL 0, 0.7%, 0.4%

LAB 37.78, 55.18, 37.65

 

CMYK 0 / 30 / 82 / 32

HEX #AD791F

RGB 173 121 31

HSL 38.03, 0.7%, 0.4%

LAB 54.72, 12.6, 53.36

 

CMYK 0 / 8 / 82 / 32

HEX #AD9F1F

RGB 173 159 31

HSL 54.08, 0.7%, 0.4%

LAB 64.79, -8.25, 62.17

 

CMYK 14 / 0 / 82 / 32

HEX #95AD1F

RGB 149 173 31

HSL 70.14, 0.7%, 0.4%

LAB 66.81, -25.88, 63.17

 

CMYK 36 / 0 / 82 / 32

HEX #6EAD1F

RGB 110 173 31

HSL 86.62, 0.7%, 0.4%

LAB 64.4, -41.35, 60.12

 

CMYK 58 / 0 / 82 / 32

HEX #48AD1F

RGB 72 173 31

HSL 102.68, 0.7%, 0.4%

LAB 62.81, -53.31, 58.09

 

CMYK 0 / 30 / 82 / 32

HEX #AD791F

RGB 173 121 31

HSL 38.03, 0.7%, 0.4%

LAB 54.72, 12.6, 53.36

 

CMYK 0 / 34 / 93 / 25

HEX #BE7D0E

RGB 190 125 14

HSL 37.84, 0.86%, 0.4%

LAB 57.7, 17.57, 61.39

 

CMYK 0 / 30 / 82 / 32

HEX #AD791F

RGB 173 121 31

HSL 38.03, 0.7%, 0.4%

LAB 54.72, 12.6, 53.36

 

CMYK 0 / 26 / 70 / 38

HEX #9D742F

RGB 157 116 47

HSL 37.64, 0.54%, 0.4%

LAB 51.68, 8.91, 43.06

 

CMYK 0 / 20 / 54 / 45

HEX #8C7040

RGB 140 112 64

HSL 37.89, 0.37%, 0.4%

LAB 48.93, 4.78, 30.65

 

CMYK 0 / 13 / 35 / 51

HEX #7C6C50

RGB 124 108 80

HSL 38.18, 0.22%, 0.4%

LAB 46.43, 1.84, 18.01

 

CMYK 0 / 4 / 9 / 58

HEX #6B6761

RGB 107 103 97

HSL 36, 0.05%, 0.4%

LAB 43.78, 0.4, 3.94

 

CMYK 0 / 75 / 82 / 32

HEX #AD2B1F

RGB 173 43 31

HSL 5.07, 0.7%, 0.4%

LAB 39.09, 51.5, 38.93

 

CMYK 0 / 53 / 82 / 32

HEX #AD511F

RGB 173 81 31

HSL 21.13, 0.7%, 0.4%

LAB 45.45, 34.6, 44.95

 

CMYK 0 / 31 / 82 / 32

HEX #AD771F

RGB 173 119 31

HSL 37.18, 0.7%, 0.4%

LAB 54.21, 13.72, 52.91

 

CMYK 0 / 9 / 82 / 32

HEX #AD9D1F

RGB 173 157 31

HSL 53.24, 0.7%, 0.4%

LAB 64.24, -7.18, 61.7

 

CMYK 12 / 0 / 82 / 32

HEX #98AD1F

RGB 152 173 31

HSL 68.87, 0.7%, 0.4%

LAB 67.02, -24.61, 63.45

 

CMYK 0 / 30 / 83 / 60

HEX #674812

RGB 103 72 18

HSL 38.12, 0.7%, 0.24%

LAB 33.05, 7.87, 35.49

 

CMYK 0 / 30 / 83 / 46

HEX #8A6018

RGB 138 96 24

HSL 37.89, 0.7%, 0.32%

LAB 44, 10.57, 44.74

 

CMYK 0 / 30 / 82 / 32

HEX #AD791F

RGB 173 121 31

HSL 38.03, 0.7%, 0.4%

LAB 54.72, 12.6, 53.36

 

CMYK 0 / 30 / 82 / 18

HEX #D09125

RGB 208 145 37

HSL 37.89, 0.7%, 0.48%

LAB 64.8, 15.07, 61.75

 

CMYK 0 / 26 / 71 / 13

HEX #DDA441

RGB 221 164 65

HSL 38.08, 0.7%, 0.56%

LAB 71.08, 11.58, 57.43

 

CMYK 0 / 30 / 82 / 31

HEX #AF7A1F

RGB 175 122 31

HSL 37.92, 0.7%, 0.4%

LAB 55.21, 12.94, 53.88

 

CMYK 67 / 0 / 82 / 32

HEX #39AD1F

RGB 57 173 31

HSL 109.01, 0.7%, 0.4%

LAB 62.39, -56.83, 57.54

 

CMYK 64 / 82 / 0 / 32

HEX #3E1FAD

RGB 62 31 173

HSL 253.1, 0.7%, 0.4%

LAB 26.8, 51.73, -69.43

 

CMYK 0 / 30 / 82 / 31

HEX #AF7A1F

RGB 175 122 31

HSL 37.92, 0.7%, 0.4%

LAB 55.21, 12.94, 53.88

 

CMYK 82 / 0 / 31 / 32

HEX #1FAD77

RGB 31 173 119

HSL 157.18, 0.7%, 0.4%

LAB 62.94, -48.72, 17.78

 

CMYK 31 / 82 / 0 / 32

HEX #771FAD

RGB 119 31 173

HSL 277.18, 0.7%, 0.4%

LAB 33.81, 59.28, -57.64

 

CMYK 0 / 30 / 82 / 31

HEX #AF7A1F

RGB 175 122 31

HSL 37.92, 0.7%, 0.4%

LAB 55.21, 12.94, 53.88

 

CMYK 67 / 0 / 82 / 32

HEX #39AD1F

RGB 57 173 31

HSL 109.01, 0.7%, 0.4%

LAB 62.39, -56.83, 57.54

 

CMYK 82 / 51 / 0 / 32

HEX #1F55AD

RGB 31 85 173

HSL 217.18, 0.7%, 0.4%

LAB 37.49, 15.7, -52

 

CMYK 15 / 82 / 0 / 32

HEX #931FAD

RGB 147 31 173

HSL 289.01, 0.7%, 0.4%

LAB 38.2, 64.1, -50.32

 

CMYK 0 / 30 / 82 / 31

HEX #AF7A1F

RGB 175 122 31

HSL 37.92, 0.7%, 0.4%

LAB 55.21, 12.94, 53.88

 

CMYK 82 / 0 / 73 / 32

HEX #1FAD2F

RGB 31 173 47

HSL 126.76, 0.7%, 0.4%

LAB 61.98, -59.94, 51.71

 

CMYK 82 / 51 / 0 / 32

HEX #1F55AD

RGB 31 85 173

HSL 217.18, 0.7%, 0.4%

LAB 37.49, 15.7, -52

 

CMYK 0 / 82 / 9 / 32

HEX #AD1F9D

RGB 173 31 157

HSL 306.76, 0.7%, 0.4%

LAB 41.69, 66.54, -34.91

 

Description

Color code: HEX #AF7A1F | qconv.com Color code: HEX #AF7A1F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 122 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 122 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 82 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 82% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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