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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3A2A8 it is the complementary color #0C5D57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3A2A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F3A2A8: #F8A2A3, #FFB4B6, #FFC6C9, #FFD8DC and #FFEAEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3A2A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F3A2A8: #F3A2A8, #E29095, #D17E82, #C06C6F and #AF5A5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 31 / 5

HEX #F3A2A8

RGB 243 162 168

HSL 355.56, 0.77%, 0.79%

LAB 74.65, 30.79, 9.27

 

Complementary color

CMYK 87 / 0 / 6 / 64

HEX #0C5D57

RGB 12 93 87

HSL 175.56, 0.77%, 0.21%

LAB 35.19, -23.96, -3.07

 

CMYK 0 / 35 / 34 / 3

HEX #F8A2A3

RGB 248 162 163

HSL 359.3, 0.86%, 0.8%

LAB 75.1, 32.01, 12.73

 

CMYK 0 / 29 / 29 / 0

HEX #FFB4B6

RGB 255 180 182

HSL 358.4, 1%, 0.85%

LAB 80.34, 27.53, 9.93

 

CMYK 0 / 22 / 21 / 0

HEX #FFC6C9

RGB 255 198 201

HSL 356.84, 1%, 0.89%

LAB 84.93, 20.71, 6.32

 

CMYK 0 / 15 / 14 / 0

HEX #FFD8DC

RGB 255 216 220

HSL 353.85, 1%, 0.92%

LAB 89.64, 14.18, 3.08

 

CMYK 0 / 8 / 6 / 0

HEX #FFEAEF

RGB 255 234 239

HSL 345.71, 1%, 0.96%

LAB 94.46, 7.95, 0.15

 

CMYK 0 / 33 / 31 / 5

HEX #F3A2A8

RGB 243 162 168

HSL 355.56, 0.77%, 0.79%

LAB 74.65, 30.79, 9.27

 

CMYK 0 / 36 / 34 / 11

HEX #E29095

RGB 226 144 149

HSL 356.34, 0.59%, 0.73%

LAB 68.23, 31.66, 10.4

 

CMYK 0 / 40 / 38 / 18

HEX #D17E82

RGB 209 126 130

HSL 357.11, 0.47%, 0.66%

LAB 61.73, 32.6, 11.66

 

CMYK 0 / 44 / 42 / 25

HEX #C06C6F

RGB 192 108 111

HSL 357.86, 0.4%, 0.59%

LAB 55.15, 33.62, 13.09

 

CMYK 0 / 49 / 47 / 31

HEX #AF5A5C

RGB 175 90 92

HSL 358.59, 0.35%, 0.52%

LAB 48.51, 34.72, 14.76

 

CMYK 0 / 33 / 31 / 5

HEX #F3A2A8

RGB 243 162 168

HSL 355.56, 0.77%, 0.79%

LAB 74.65, 30.79, 9.27

 

CMYK 0 / 31 / 34 / 5

HEX #F2A7A0

RGB 242 167 160

HSL 5.12, 0.76%, 0.79%

LAB 75.48, 26.78, 14.81

 

CMYK 0 / 26 / 34 / 5

HEX #F2B4A0

RGB 242 180 160

HSL 14.63, 0.76%, 0.79%

LAB 78.5, 19.9, 19.01

 

CMYK 0 / 20 / 34 / 5

HEX #F2C2A0

RGB 242 194 160

HSL 24.88, 0.76%, 0.79%

LAB 81.84, 12.51, 23.61

 

CMYK 0 / 14 / 34 / 5

HEX #F2D0A0

RGB 242 208 160

HSL 35.12, 0.76%, 0.79%

LAB 85.26, 5.2, 28.26

 

CMYK 0 / 33 / 31 / 5

HEX #F3A2A8

RGB 243 162 168

HSL 355.56, 0.77%, 0.79%

LAB 74.65, 30.79, 9.27

 

CMYK 0 / 33 / 31 / 85

HEX #271A1B

RGB 39 26 27

HSL 355.38, 0.2%, 0.13%

LAB 10.92, 6.66, 1.85

 

CMYK 0 / 33 / 31 / 65

HEX #5A3C3E

RGB 90 60 62

HSL 356, 0.2%, 0.29%

LAB 28.78, 13.54, 4.12

 

CMYK 0 / 33 / 31 / 45

HEX #8D5E61

RGB 141 94 97

HSL 356.17, 0.2%, 0.46%

LAB 44.99, 19.64, 6.14

 

CMYK 0 / 33 / 31 / 25

HEX #C08085

RGB 192 128 133

HSL 355.31, 0.34%, 0.63%

LAB 60.19, 25.44, 7.47

 

CMYK 0 / 33 / 31 / 5

HEX #F3A2A8

RGB 243 162 168

HSL 355.56, 0.77%, 0.79%

LAB 74.65, 30.79, 9.27

 

CMYK 4 / 0 / 34 / 5

HEX #E9F2A0

RGB 233 242 160

HSL 66.59, 0.76%, 0.79%

LAB 93.17, -15.42, 38.63

 

CMYK 34 / 17 / 0 / 5

HEX #A0C8F2

RGB 160 200 242

HSL 210.73, 0.76%, 0.79%

LAB 79.15, -3.37, -24.99

 

CMYK 0 / 33 / 31 / 5

HEX #F3A2A8

RGB 243 162 168

HSL 355.56, 0.77%, 0.79%

LAB 74.65, 30.79, 9.27

 

CMYK 31 / 0 / 34 / 5

HEX #A7F2A0

RGB 167 242 160

HSL 114.88, 0.76%, 0.79%

LAB 89.04, -38.57, 32.42

 

CMYK 34 / 31 / 0 / 5

HEX #A0A7F2

RGB 160 167 242

HSL 234.88, 0.76%, 0.79%

LAB 70.54, 14.77, -38.27

 

CMYK 0 / 33 / 31 / 5

HEX #F3A2A8

RGB 243 162 168

HSL 355.56, 0.77%, 0.79%

LAB 74.65, 30.79, 9.27

 

CMYK 4 / 0 / 34 / 5

HEX #E9F2A0

RGB 233 242 160

HSL 66.59, 0.76%, 0.79%

LAB 93.17, -15.42, 38.63

 

CMYK 34 / 0 / 3 / 5

HEX #A0F2EB

RGB 160 242 235

HSL 174.88, 0.76%, 0.79%

LAB 90.31, -26.37, -4.56

 

CMYK 30 / 34 / 0 / 5

HEX #A9A0F2

RGB 169 160 242

HSL 246.59, 0.76%, 0.79%

LAB 69.46, 21.22, -39.9

 

CMYK 0 / 33 / 31 / 5

HEX #F3A2A8

RGB 243 162 168

HSL 355.56, 0.77%, 0.79%

LAB 74.65, 30.79, 9.27

 

CMYK 14 / 0 / 34 / 5

HEX #D0F2A0

RGB 208 242 160

HSL 84.88, 0.76%, 0.79%

LAB 91.44, -24.6, 36.03

 

CMYK 34 / 0 / 3 / 5

HEX #A0F2EB

RGB 160 242 235

HSL 174.88, 0.76%, 0.79%

LAB 90.31, -26.37, -4.56

 

CMYK 20 / 34 / 0 / 5

HEX #C2A0F2

RGB 194 160 242

HSL 264.88, 0.76%, 0.79%

LAB 71.57, 28.44, -36.46

 

Description

Color code: HEX #F3A2A8 | qconv.com Color code: HEX #F3A2A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 162 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 162 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 31 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 31% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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