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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F39B64 it is the complementary color #0C649B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F39B64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F39B64: #F89B5F, #FFAD72, #FFBF85, #FFD198 and #FFE3AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F39B64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F39B64: #F39B64, #E28951, #D1773E, #C0652B and #AF5318

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 59 / 5

HEX #F39B64

RGB 243 155 100

HSL 23.08, 0.86%, 0.67%

LAB 71.84, 27.65, 42.19

 

Complementary color

CMYK 92 / 35 / 0 / 39

HEX #0C649B

RGB 12 100 155

HSL 203.08, 0.86%, 0.33%

LAB 40.51, -2.7, -36.48

 

CMYK 0 / 38 / 62 / 3

HEX #F89B5F

RGB 248 155 95

HSL 23.53, 0.92%, 0.67%

LAB 72.38, 29.3, 45.54

 

CMYK 0 / 32 / 55 / 0

HEX #FFAD72

RGB 255 173 114

HSL 25.11, 1%, 0.72%

LAB 77.5, 24.05, 42.25

 

CMYK 0 / 25 / 48 / 0

HEX #FFBF85

RGB 255 191 133

HSL 28.52, 1%, 0.76%

LAB 81.95, 16.26, 38.12

 

CMYK 0 / 18 / 40 / 0

HEX #FFD198

RGB 255 209 152

HSL 33.2, 1%, 0.8%

LAB 86.57, 8.8, 34.35

 

CMYK 0 / 11 / 33 / 0

HEX #FFE3AB

RGB 255 227 171

HSL 40, 1%, 0.84%

LAB 91.3, 1.72, 30.91

 

CMYK 0 / 36 / 59 / 5

HEX #F39B64

RGB 243 155 100

HSL 23.08, 0.86%, 0.67%

LAB 71.84, 27.65, 42.19

 

CMYK 0 / 39 / 64 / 11

HEX #E28951

RGB 226 137 81

HSL 23.17, 0.71%, 0.6%

LAB 65.48, 29.02, 43.88

 

CMYK 0 / 43 / 70 / 18

HEX #D1773E

RGB 209 119 62

HSL 23.27, 0.62%, 0.53%

LAB 59.06, 30.55, 45.62

 

CMYK 0 / 47 / 78 / 25

HEX #C0652B

RGB 192 101 43

HSL 23.36, 0.63%, 0.46%

LAB 52.61, 32.27, 47.32

 

CMYK 0 / 53 / 86 / 31

HEX #AF5318

RGB 175 83 24

HSL 23.44, 0.76%, 0.39%

LAB 46.13, 34.16, 48.61

 

CMYK 0 / 36 / 59 / 5

HEX #F39B64

RGB 243 155 100

HSL 23.08, 0.86%, 0.67%

LAB 71.84, 27.65, 42.19

 

CMYK 0 / 27 / 60 / 5

HEX #F3B262

RGB 243 178 98

HSL 33.1, 0.86%, 0.67%

LAB 77.15, 15.38, 49.54

 

CMYK 0 / 17 / 60 / 5

HEX #F3CA62

RGB 243 202 98

HSL 43.03, 0.86%, 0.67%

LAB 83.01, 2.84, 56.3

 

CMYK 0 / 7 / 60 / 5

HEX #F3E262

RGB 243 226 98

HSL 52.97, 0.86%, 0.67%

LAB 89.08, -9.35, 63.09

 

CMYK 3 / 0 / 60 / 5

HEX #EBF362

RGB 235 243 98

HSL 63.31, 0.86%, 0.67%

LAB 92.86, -20.9, 67.05

 

CMYK 0 / 36 / 59 / 5

HEX #F39B64

RGB 243 155 100

HSL 23.08, 0.86%, 0.67%

LAB 71.84, 27.65, 42.19

 

CMYK 0 / 36 / 59 / 85

HEX #271910

RGB 39 25 16

HSL 23.48, 0.42%, 0.11%

LAB 10.29, 5.58, 8.48

 

CMYK 0 / 37 / 59 / 65

HEX #5A3925

RGB 90 57 37

HSL 22.64, 0.42%, 0.25%

LAB 27.39, 12.21, 18.4

 

CMYK 0 / 36 / 59 / 45

HEX #8D5A3A

RGB 141 90 58

HSL 23.13, 0.42%, 0.39%

LAB 43.18, 17.51, 26.98

 

CMYK 0 / 36 / 59 / 25

HEX #C07A4F

RGB 192 122 79

HSL 22.83, 0.47%, 0.53%

LAB 57.74, 22.99, 34.65

 

CMYK 0 / 36 / 59 / 5

HEX #F39B64

RGB 243 155 100

HSL 23.08, 0.86%, 0.67%

LAB 71.84, 27.65, 42.19

 

CMYK 35 / 0 / 60 / 5

HEX #9EF362

RGB 158 243 98

HSL 95.17, 0.86%, 0.67%

LAB 88.09, -49.51, 60.44

 

CMYK 60 / 59 / 0 / 5

HEX #6264F3

RGB 98 100 243

HSL 239.17, 0.86%, 0.67%

LAB 49.72, 40.36, -72.25

 

CMYK 0 / 36 / 59 / 5

HEX #F39B64

RGB 243 155 100

HSL 23.08, 0.86%, 0.67%

LAB 71.84, 27.65, 42.19

 

CMYK 60 / 0 / 37 / 5

HEX #62F399

RGB 98 243 153

HSL 142.76, 0.86%, 0.67%

LAB 86.5, -58.47, 32.07

 

CMYK 37 / 60 / 0 / 5

HEX #9962F3

RGB 153 98 243

HSL 262.76, 0.86%, 0.67%

LAB 54, 52.08, -65.08

 

CMYK 0 / 36 / 59 / 5

HEX #F39B64

RGB 243 155 100

HSL 23.08, 0.86%, 0.67%

LAB 71.84, 27.65, 42.19

 

CMYK 35 / 0 / 60 / 5

HEX #9EF362

RGB 158 243 98

HSL 95.17, 0.86%, 0.67%

LAB 88.09, -49.51, 60.44

 

CMYK 60 / 23 / 0 / 5

HEX #62BBF3

RGB 98 187 243

HSL 203.17, 0.86%, 0.67%

LAB 72.63, -10.54, -35.81

 

CMYK 25 / 60 / 0 / 5

HEX #B662F3

RGB 182 98 243

HSL 274.76, 0.86%, 0.67%

LAB 57.22, 58.57, -59.73

 

CMYK 0 / 36 / 59 / 5

HEX #F39B64

RGB 243 155 100

HSL 23.08, 0.86%, 0.67%

LAB 71.84, 27.65, 42.19

 

CMYK 53 / 0 / 60 / 5

HEX #73F362

RGB 115 243 98

HSL 112.97, 0.86%, 0.67%

LAB 86.32, -62.24, 57.95

 

CMYK 60 / 23 / 0 / 5

HEX #62BBF3

RGB 98 187 243

HSL 203.17, 0.86%, 0.67%

LAB 72.63, -10.54, -35.81

 

CMYK 7 / 60 / 0 / 5

HEX #E262F3

RGB 226 98 243

HSL 292.97, 0.86%, 0.67%

LAB 62.82, 68.95, -50.47

 

Description

Color code: HEX #F39B64 | qconv.com Color code: HEX #F39B64 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 155 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 155 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 59 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 59% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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