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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F37457 it is the complementary color #0C8BA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F37457. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F37457: #F87452, #FF8665, #FF9878, #FFAA8B and #FFBC9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F37457. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F37457: #F37457, #E26244, #D15031, #C03E1E and #AF2C0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 64 / 5

HEX #F37457

RGB 243 116 87

HSL 11.15, 0.87%, 0.65%

LAB 63.54, 46.66, 38.98

 

Complementary color

CMYK 93 / 17 / 0 / 34

HEX #0C8BA8

RGB 12 139 168

HSL 191.15, 0.87%, 0.35%

LAB 53.35, -20.28, -24.03

 

CMYK 0 / 53 / 67 / 3

HEX #F87452

RGB 248 116 82

HSL 12.29, 0.92%, 0.65%

LAB 64.21, 48.21, 42.63

 

CMYK 0 / 47 / 60 / 0

HEX #FF8665

RGB 255 134 101

HSL 12.86, 1%, 0.7%

LAB 68.93, 43.15, 38.44

 

CMYK 0 / 40 / 53 / 0

HEX #FF9878

RGB 255 152 120

HSL 14.22, 1%, 0.74%

LAB 72.94, 35.45, 33.33

 

CMYK 0 / 33 / 45 / 0

HEX #FFAA8B

RGB 255 170 139

HSL 16.03, 1%, 0.77%

LAB 77.21, 27.83, 28.76

 

CMYK 0 / 26 / 38 / 0

HEX #FFBC9E

RGB 255 188 158

HSL 18.56, 1%, 0.81%

LAB 81.67, 20.41, 24.66

 

CMYK 0 / 52 / 64 / 5

HEX #F37457

RGB 243 116 87

HSL 11.15, 0.87%, 0.65%

LAB 63.54, 46.66, 38.98

 

CMYK 0 / 57 / 70 / 11

HEX #E26244

RGB 226 98 68

HSL 11.39, 0.73%, 0.58%

LAB 57.39, 48.02, 41.33

 

CMYK 0 / 62 / 77 / 18

HEX #D15031

RGB 209 80 49

HSL 11.63, 0.63%, 0.51%

LAB 51.28, 49.34, 43.88

 

CMYK 0 / 68 / 84 / 25

HEX #C03E1E

RGB 192 62 30

HSL 11.85, 0.73%, 0.44%

LAB 45.28, 50.53, 46.45

 

CMYK 0 / 75 / 94 / 31

HEX #AF2C0B

RGB 175 44 11

HSL 12.07, 0.88%, 0.36%

LAB 39.48, 51.37, 48.29

 

CMYK 0 / 52 / 64 / 5

HEX #F37457

RGB 243 116 87

HSL 11.15, 0.87%, 0.65%

LAB 63.54, 46.66, 38.98

 

CMYK 0 / 42 / 64 / 5

HEX #F38E58

RGB 243 142 88

HSL 20.9, 0.87%, 0.65%

LAB 68.83, 33.63, 44.76

 

CMYK 0 / 31 / 64 / 5

HEX #F3A858

RGB 243 168 88

HSL 30.97, 0.87%, 0.65%

LAB 74.68, 19.99, 51.52

 

CMYK 0 / 20 / 64 / 5

HEX #F3C258

RGB 243 194 88

HSL 41.03, 0.87%, 0.65%

LAB 80.93, 6.34, 58.51

 

CMYK 0 / 9 / 64 / 5

HEX #F3DC58

RGB 243 220 88

HSL 51.1, 0.87%, 0.65%

LAB 87.46, -6.98, 65.57

 

CMYK 0 / 52 / 64 / 5

HEX #F37457

RGB 243 116 87

HSL 11.15, 0.87%, 0.65%

LAB 63.54, 46.66, 38.98

 

CMYK 0 / 51 / 64 / 85

HEX #27130E

RGB 39 19 14

HSL 12, 0.47%, 0.1%

LAB 8.38, 9.65, 6.81

 

CMYK 0 / 52 / 64 / 65

HEX #5A2B20

RGB 90 43 32

HSL 11.38, 0.48%, 0.24%

LAB 23.69, 20.43, 16.94

 

CMYK 0 / 52 / 65 / 45

HEX #8D4332

RGB 141 67 50

HSL 11.21, 0.48%, 0.37%

LAB 37.68, 29.95, 24.89

 

CMYK 0 / 52 / 64 / 25

HEX #C05C45

RGB 192 92 69

HSL 11.22, 0.49%, 0.51%

LAB 51.03, 38.31, 31.97

 

CMYK 0 / 52 / 64 / 5

HEX #F37457

RGB 243 116 87

HSL 11.15, 0.87%, 0.65%

LAB 63.54, 46.66, 38.98

 

CMYK 25 / 0 / 64 / 5

HEX #B7F358

RGB 183 243 88

HSL 83.23, 0.87%, 0.65%

LAB 89.33, -41.6, 66.29

 

CMYK 64 / 50 / 0 / 5

HEX #5879F3

RGB 88 121 243

HSL 227.23, 0.87%, 0.65%

LAB 54.26, 26, -64.92

 

CMYK 0 / 52 / 64 / 5

HEX #F37457

RGB 243 116 87

HSL 11.15, 0.87%, 0.65%

LAB 63.54, 46.66, 38.98

 

CMYK 64 / 0 / 52 / 5

HEX #58F374

RGB 88 243 116

HSL 130.84, 0.87%, 0.65%

LAB 85.72, -66.2, 49.01

 

CMYK 52 / 64 / 0 / 5

HEX #7458F3

RGB 116 88 243

HSL 250.84, 0.87%, 0.65%

LAB 48.47, 50.29, -74.22

 

CMYK 0 / 52 / 64 / 5

HEX #F37457

RGB 243 116 87

HSL 11.15, 0.87%, 0.65%

LAB 63.54, 46.66, 38.98

 

CMYK 25 / 0 / 64 / 5

HEX #B7F358

RGB 183 243 88

HSL 83.23, 0.87%, 0.65%

LAB 89.33, -41.6, 66.29

 

CMYK 64 / 12 / 0 / 5

HEX #58D6F3

RGB 88 214 243

HSL 191.23, 0.87%, 0.65%

LAB 79.98, -26.17, -24.55

 

CMYK 40 / 64 / 0 / 5

HEX #9358F3

RGB 147 88 243

HSL 262.84, 0.87%, 0.65%

LAB 51.44, 56.04, -69.25

 

CMYK 0 / 52 / 64 / 5

HEX #F37457

RGB 243 116 87

HSL 11.15, 0.87%, 0.65%

LAB 63.54, 46.66, 38.98

 

CMYK 44 / 0 / 64 / 5

HEX #89F358

RGB 137 243 88

HSL 101.03, 0.87%, 0.65%

LAB 87.06, -57.05, 63.16

 

CMYK 64 / 12 / 0 / 5

HEX #58D6F3

RGB 88 214 243

HSL 191.23, 0.87%, 0.65%

LAB 79.98, -26.17, -24.55

 

CMYK 20 / 64 / 0 / 5

HEX #C258F3

RGB 194 88 243

HSL 281.03, 0.87%, 0.65%

LAB 57, 65.94, -60.01

 

Description

Color code: HEX #F37457 | qconv.com Color code: HEX #F37457 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 116 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 116 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 64 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 64% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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