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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F35FA2 it is the complementary color #0CA05D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F35FA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F35FA2: #F85F9D, #FF71B0, #FF83C3, #FF95D6 and #FFA7E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F35FA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F35FA2: #F35FA2, #E24D8F, #D13B7C, #C02969 and #AF1756

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 33 / 5

HEX #F35FA2

RGB 243 95 162

HSL 332.84, 0.86%, 0.66%

LAB 61.52, 62.85, -6.45

 

Complementary color

CMYK 93 / 0 / 42 / 37

HEX #0CA05D

RGB 12 160 93

HSL 152.84, 0.86%, 0.34%

LAB 58.05, -50.79, 25.3

 

CMYK 0 / 62 / 37 / 3

HEX #F85F9D

RGB 248 95 157

HSL 335.69, 0.92%, 0.67%

LAB 62.15, 63.77, -2.56

 

CMYK 0 / 56 / 31 / 0

HEX #FF71B0

RGB 255 113 176

HSL 333.38, 1%, 0.72%

LAB 66.68, 60.25, -6.61

 

CMYK 0 / 49 / 24 / 0

HEX #FF83C3

RGB 255 131 195

HSL 329.03, 1%, 0.76%

LAB 70.48, 54.27, -11.62

 

CMYK 0 / 42 / 16 / 0

HEX #FF95D6

RGB 255 149 214

HSL 323.21, 1%, 0.79%

LAB 74.58, 48.11, -15.97

 

CMYK 0 / 35 / 9 / 0

HEX #FFA7E9

RGB 255 167 233

HSL 315, 1%, 0.83%

LAB 78.91, 41.92, -19.77

 

CMYK 0 / 61 / 33 / 5

HEX #F35FA2

RGB 243 95 162

HSL 332.84, 0.86%, 0.66%

LAB 61.52, 62.85, -6.45

 

CMYK 0 / 66 / 37 / 11

HEX #E24D8F

RGB 226 77 143

HSL 333.42, 0.72%, 0.59%

LAB 55.54, 63.1, -4.53

 

CMYK 0 / 72 / 41 / 18

HEX #D13B7C

RGB 209 59 124

HSL 334, 0.62%, 0.53%

LAB 49.66, 62.97, -2.17

 

CMYK 0 / 79 / 45 / 25

HEX #C02969

RGB 192 41 105

HSL 334.57, 0.65%, 0.46%

LAB 43.96, 62.25, 0.76

 

CMYK 0 / 87 / 51 / 31

HEX #AF1756

RGB 175 23 86

HSL 335.13, 0.77%, 0.39%

LAB 38.55, 60.6, 4.5

 

CMYK 0 / 61 / 33 / 5

HEX #F35FA2

RGB 243 95 162

HSL 332.84, 0.86%, 0.66%

LAB 61.52, 62.85, -6.45

 

CMYK 0 / 62 / 43 / 5

HEX #F25D8A

RGB 242 93 138

HSL 341.88, 0.85%, 0.66%

LAB 60.37, 60.84, 5.76

 

CMYK 0 / 62 / 53 / 5

HEX #F25D71

RGB 242 93 113

HSL 351.95, 0.85%, 0.66%

LAB 59.8, 58.65, 19.48

 

CMYK 0 / 60 / 62 / 5

HEX #F2625D

RGB 242 98 93

HSL 2.01, 0.85%, 0.66%

LAB 60.25, 55.05, 31.56

 

CMYK 0 / 49 / 62 / 5

HEX #F27B5D

RGB 242 123 93

HSL 12.08, 0.85%, 0.66%

LAB 64.83, 43.24, 37.28

 

CMYK 0 / 61 / 33 / 5

HEX #F35FA2

RGB 243 95 162

HSL 332.84, 0.86%, 0.66%

LAB 61.52, 62.85, -6.45

 

CMYK 0 / 62 / 33 / 85

HEX #270F1A

RGB 39 15 26

HSL 332.5, 0.44%, 0.11%

LAB 7.66, 14.27, -2.16

 

CMYK 0 / 61 / 33 / 65

HEX #5A233C

RGB 90 35 60

HSL 332.73, 0.44%, 0.25%

LAB 22.66, 28.3, -3.46

 

CMYK 0 / 61 / 33 / 45

HEX #8D375E

RGB 141 55 94

HSL 332.79, 0.44%, 0.38%

LAB 36.37, 40.63, -4.54

 

CMYK 0 / 61 / 33 / 25

HEX #C04B80

RGB 192 75 128

HSL 332.82, 0.48%, 0.52%

LAB 49.25, 52.04, -5.52

 

CMYK 0 / 61 / 33 / 5

HEX #F35FA2

RGB 243 95 162

HSL 332.84, 0.86%, 0.66%

LAB 61.52, 62.85, -6.45

 

CMYK 0 / 16 / 62 / 5

HEX #F2CB5D

RGB 242 203 93

HSL 44.3, 0.85%, 0.66%

LAB 83.11, 1.58, 58.66

 

CMYK 62 / 8 / 0 / 5

HEX #5DDEF2

RGB 93 222 242

HSL 188.05, 0.85%, 0.66%

LAB 82.37, -29.56, -20.37

 

CMYK 0 / 61 / 33 / 5

HEX #F35FA2

RGB 243 95 162

HSL 332.84, 0.86%, 0.66%

LAB 61.52, 62.85, -6.45

 

CMYK 33 / 0 / 62 / 5

HEX #A3F25D

RGB 163 242 93

HSL 91.81, 0.85%, 0.66%

LAB 88.01, -47.85, 62.51

 

CMYK 62 / 33 / 0 / 5

HEX #5DA3F2

RGB 93 163 242

HSL 211.81, 0.85%, 0.66%

LAB 65.7, 1.54, -46.13

 

CMYK 0 / 61 / 33 / 5

HEX #F35FA2

RGB 243 95 162

HSL 332.84, 0.86%, 0.66%

LAB 61.52, 62.85, -6.45

 

CMYK 0 / 16 / 62 / 5

HEX #F2CB5D

RGB 242 203 93

HSL 44.3, 0.85%, 0.66%

LAB 83.11, 1.58, 58.66

 

CMYK 62 / 0 / 29 / 5

HEX #5DF2AD

RGB 93 242 173

HSL 152.21, 0.85%, 0.66%

LAB 86.43, -55.27, 21.77

 

CMYK 62 / 45 / 0 / 5

HEX #5D85F2

RGB 93 133 242

HSL 223.89, 0.85%, 0.66%

LAB 57.57, 19.21, -59.03

 

CMYK 0 / 61 / 33 / 5

HEX #F35FA2

RGB 243 95 162

HSL 332.84, 0.86%, 0.66%

LAB 61.52, 62.85, -6.45

 

CMYK 2 / 0 / 62 / 5

HEX #EDF25D

RGB 237 242 93

HSL 62.01, 0.85%, 0.66%

LAB 92.71, -19.95, 68.97

 

CMYK 62 / 0 / 29 / 5

HEX #5DF2AD

RGB 93 242 173

HSL 152.21, 0.85%, 0.66%

LAB 86.43, -55.27, 21.77

 

CMYK 60 / 62 / 0 / 5

HEX #625DF2

RGB 98 93 242

HSL 242.01, 0.85%, 0.66%

LAB 48.05, 44.18, -74.39

 

Description

Color code: HEX #F35FA2 | qconv.com Color code: HEX #F35FA2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 95 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 95 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 33 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 33% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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