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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2F503 it is the complementary color #0D0AFC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2F503. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F2F503: #F7F500, #FFFF11, #FFFF24, #FFFF37 and #FFFF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2F503. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F2F503: #F2F503, #E1E300, #D0D100, #BFBF00 and #AEAD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 99 / 4

HEX #F2F503

RGB 242 245 3

HSL 60.74, 0.98%, 0.49%

LAB 93.53, -22.13, 91.17

 

Complementary color

CMYK 95 / 96 / 0 / 1

HEX #0D0AFC

RGB 13 10 252

HSL 240.74, 0.98%, 0.51%

LAB 32.55, 77.04, -105.76

 

CMYK 0 / 1 / 100 / 3

HEX #F7F500

RGB 247 245 0

HSL 59.51, 1%, 0.48%

LAB 93.92, -20.09, 91.85

 

CMYK 0 / 0 / 93 / 0

HEX #FFFF11

RGB 255 255 17

HSL 60, 1%, 0.53%

LAB 97.15, -21.42, 93.24

 

CMYK 0 / 0 / 86 / 0

HEX #FFFF24

RGB 255 255 36

HSL 60, 1%, 0.57%

LAB 97.19, -21.14, 90.67

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF37

RGB 255 255 55

HSL 60, 1%, 0.61%

LAB 97.25, -20.65, 86.56

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4A

RGB 255 255 74

HSL 60, 1%, 0.65%

LAB 97.34, -19.94, 81.05

 

CMYK 1 / 0 / 99 / 4

HEX #F2F503

RGB 242 245 3

HSL 60.74, 0.98%, 0.49%

LAB 93.53, -22.13, 91.17

 

CMYK 1 / 0 / 100 / 11

HEX #E1E300

RGB 225 227 0

HSL 60.53, 1%, 0.45%

LAB 87.46, -20.58, 86.34

 

CMYK 0 / 0 / 100 / 18

HEX #D0D100

RGB 208 209 0

HSL 60.29, 1%, 0.41%

LAB 81.3, -18.98, 81.23

 

CMYK 0 / 0 / 100 / 25

HEX #BFBF00

RGB 191 191 0

HSL 60, 1%, 0.37%

LAB 75.04, -17.35, 76.03

 

CMYK 0 / 1 / 100 / 32

HEX #AEAD00

RGB 174 173 0

HSL 59.66, 1%, 0.34%

LAB 68.67, -15.67, 70.74

 

CMYK 1 / 0 / 99 / 4

HEX #F2F503

RGB 242 245 3

HSL 60.74, 0.98%, 0.49%

LAB 93.53, -22.13, 91.17

 

CMYK 17 / 0 / 99 / 3

HEX #CEF702

RGB 206 247 2

HSL 70.04, 0.98%, 0.49%

LAB 91.53, -37.62, 88.61

 

CMYK 33 / 0 / 99 / 3

HEX #A5F702

RGB 165 247 2

HSL 80.08, 0.98%, 0.49%

LAB 89.17, -52.98, 85.78

 

CMYK 50 / 0 / 99 / 3

HEX #7CF702

RGB 124 247 2

HSL 90.12, 0.98%, 0.49%

LAB 87.39, -66.08, 83.63

 

CMYK 66 / 0 / 99 / 3

HEX #54F702

RGB 84 247 2

HSL 99.92, 0.98%, 0.49%

LAB 86.21, -75.72, 82.2

 

CMYK 1 / 0 / 99 / 4

HEX #F2F503

RGB 242 245 3

HSL 60.74, 0.98%, 0.49%

LAB 93.53, -22.13, 91.17

 

CMYK 2 / 0 / 98 / 84

HEX #282901

RGB 40 41 1

HSL 61.5, 0.95%, 0.08%

LAB 15.69, -6.53, 22.28

 

CMYK 1 / 0 / 99 / 64

HEX #5B5C01

RGB 91 92 1

HSL 60.66, 0.98%, 0.18%

LAB 37.63, -10.7, 44.45

 

CMYK 1 / 0 / 99 / 44

HEX #8D8F02

RGB 141 143 2

HSL 60.85, 0.97%, 0.28%

LAB 57.38, -14.89, 60.89

 

CMYK 1 / 0 / 99 / 24

HEX #C0C202

RGB 192 194 2

HSL 60.63, 0.98%, 0.38%

LAB 75.94, -18.39, 76.52

 

CMYK 1 / 0 / 99 / 4

HEX #F2F503

RGB 242 245 3

HSL 60.74, 0.98%, 0.49%

LAB 93.53, -22.13, 91.17

 

CMYK 99 / 0 / 79 / 3

HEX #02F733

RGB 2 247 51

HSL 132, 0.98%, 0.49%

LAB 85.39, -82.49, 73.3

 

CMYK 40 / 99 / 0 / 3

HEX #9502F7

RGB 149 2 247

HSL 276, 0.98%, 0.49%

LAB 42.99, 83.15, -85.3

 

CMYK 1 / 0 / 99 / 4

HEX #F2F503

RGB 242 245 3

HSL 60.74, 0.98%, 0.49%

LAB 93.53, -22.13, 91.17

 

CMYK 99 / 0 / 0 / 3

HEX #02F7F7

RGB 2 247 247

HSL 180, 0.98%, 0.49%

LAB 88.57, -46.89, -13.79

 

CMYK 0 / 99 / 0 / 3

HEX #F702F7

RGB 247 2 247

HSL 300, 0.98%, 0.49%

LAB 58.54, 95.79, -59.33

 

CMYK 1 / 0 / 99 / 4

HEX #F2F503

RGB 242 245 3

HSL 60.74, 0.98%, 0.49%

LAB 93.53, -22.13, 91.17

 

CMYK 99 / 0 / 79 / 3

HEX #02F733

RGB 2 247 51

HSL 132, 0.98%, 0.49%

LAB 85.39, -82.49, 73.3

 

CMYK 99 / 99 / 0 / 3

HEX #0202F7

RGB 2 2 247

HSL 240, 0.98%, 0.49%

LAB 31.28, 77, -105.07

 

CMYK 0 / 99 / 20 / 3

HEX #F702C6

RGB 247 2 198

HSL 312, 0.98%, 0.49%

LAB 55.98, 89.48, -35.63

 

CMYK 1 / 0 / 99 / 4

HEX #F2F503

RGB 242 245 3

HSL 60.74, 0.98%, 0.49%

LAB 93.53, -22.13, 91.17

 

CMYK 99 / 0 / 50 / 3

HEX #02F77C

RGB 2 247 124

HSL 149.88, 0.98%, 0.49%

LAB 86, -74.83, 45.37

 

CMYK 99 / 99 / 0 / 3

HEX #0202F7

RGB 2 2 247

HSL 240, 0.98%, 0.49%

LAB 31.28, 77, -105.07

 

CMYK 0 / 99 / 50 / 3

HEX #F7027C

RGB 247 2 124

HSL 330.12, 0.98%, 0.49%

LAB 53.25, 82.41, 3.91

 

Description

Color code: HEX #F2F503 | qconv.com Color code: HEX #F2F503 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 245 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 245 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 99 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 99% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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