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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F295944C it is the complementary color #0D6A6B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F295944C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F295944C shade: #F7958F4C, #FFA7A24C, #FFB9B54C, #FFCBC84C and #FFDDDB4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F295944C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F295944C shade: #F295944C, #E183814C, #D0716E4C, #BF5F5B4C and #AE4D484C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F295944C shade: #F29392 and #F29292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F295944C shade: #F29392, #F2AD92, #F2C792, #F2E092 and #E9F292

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F295944C shade matches the following richer shades: #F29392 and #FB8988

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F295944C shade: #F29392, #E89D9C, #DEA6A6, #D4B0B0 and #CABABA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F295944C shade: #F292C5, #F292AC, #F29292, #F2AC92 and #F2C592

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F295944C shade: #E84A49, #ED6F6D, #F29392, #F6B7B7 and #FBDCDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F295944C shade: #F29594, #DEF292 and #92B8F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F295944C shade: #F29594, #92F292 and #9292F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F295944C shade: #F29594, #DEF292, #92F2F2 and #A592F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F295944C shade: #F29594, #C2F292, #92F2F2 and #C292F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 12 / 2

HEX #F295944C

RGBA 242 149 148 0.3

HSLA 0.64, 0.78%, 0.76%, 0.3

LABA 71.22, 34.84, 15.44, 0.3

 

Complementary color

CMYK 26 / 0 / 0 / 17

HEX #0D6A6B4C

RGBA 13 106 107 0.3

HSLA 180.64, 0.78%, 0.24%, 0.3

LABA 40.34, -23.95, -7.75, 0.3

 

CMYK 0 / 12 / 13 / 1

HEX #F7958F4C

RGBA 247 149 143 0.3

HSLA 3.46, 0.87%, 0.76%, 0.3

LABA 71.73, 36.15, 19, 0.3

 

CMYK 0 / 10 / 11 / 0

HEX #FFA7A24C

RGBA 255 167 162 0.3

HSLA 3.23, 1%, 0.82%, 0.3

LABA 76.98, 31.86, 16.04, 0.3

 

CMYK 0 / 8 / 9 / 0

HEX #FFB9B54C

RGBA 255 185 181 0.3

HSLA 3.24, 1%, 0.85%, 0.3

LABA 81.45, 24.78, 12.06, 0.3

 

CMYK 0 / 6 / 6 / 0

HEX #FFCBC84C

RGBA 255 203 200 0.3

HSLA 3.27, 1%, 0.89%, 0.3

LABA 86.08, 17.95, 8.51, 0.3

 

CMYK 0 / 4 / 4 / 0

HEX #FFDDDB4C

RGBA 255 221 219 0.3

HSLA 3.33, 1%, 0.93%, 0.3

LABA 90.82, 11.42, 5.31, 0.3

 

CMYK 0 / 12 / 12 / 2

HEX #F295944C

RGBA 242 149 148 0.3

HSLA 0.64, 0.78%, 0.76%, 0.3

LABA 71.22, 34.84, 15.44, 0.3

 

CMYK 0 / 13 / 13 / 4

HEX #E183814C

RGBA 225 131 129 0.3

HSLA 1.25, 0.62%, 0.69%, 0.3

LABA 64.82, 35.85, 16.84, 0.3

 

CMYK 0 / 14 / 14 / 6

HEX #D0716E4C

RGBA 208 113 110 0.3

HSLA 1.84, 0.51%, 0.62%, 0.3

LABA 58.36, 36.93, 18.43, 0.3

 

CMYK 0 / 15 / 16 / 8

HEX #BF5F5B4C

RGBA 191 95 91 0.3

HSLA 2.4, 0.44%, 0.55%, 0.3

LABA 51.86, 38.09, 20.28, 0.3

 

CMYK 0 / 17 / 18 / 10

HEX #AE4D484C

RGBA 174 77 72 0.3

HSLA 2.94, 0.41%, 0.48%, 0.3

LABA 45.32, 39.28, 22.45, 0.3

 

CMYK 0 / 39 / 40 / 5

HEX #F29392

RGB 242 147 146

HSL 0.62, 0.79%, 0.76%

LAB 70.75, 35.66, 15.88

 

CMYK 0 / 40 / 40 / 5

HEX #F29292

RGB 242 146 146

HSL 0, 0.79%, 0.76%

LAB 70.53, 36.18, 15.59

 

CMYK 0 / 39 / 40 / 5

HEX #F29392

RGB 242 147 146

HSL 0.62, 0.79%, 0.76%

LAB 70.75, 35.66, 15.88

 

CMYK 0 / 29 / 40 / 5

HEX #F2AD92

RGB 242 173 146

HSL 16.88, 0.79%, 0.76%

LAB 76.58, 21.97, 23.92

 

CMYK 0 / 18 / 40 / 5

HEX #F2C792

RGB 242 199 146

HSL 33.13, 0.79%, 0.76%

LAB 82.81, 8.28, 32.26

 

CMYK 0 / 7 / 40 / 5

HEX #F2E092

RGB 242 224 146

HSL 48.75, 0.79%, 0.76%

LAB 89.05, -4.59, 40.4

 

CMYK 4 / 0 / 40 / 5

HEX #E9F292

RGB 233 242 146

HSL 65.63, 0.79%, 0.76%

LAB 92.97, -17.01, 45.27

 

CMYK 0 / 39 / 40 / 5

HEX #F29392

RGB 242 147 146

HSL 0.62, 0.79%, 0.76%

LAB 70.75, 35.66, 15.88

 

CMYK 0 / 45 / 46 / 2

HEX #FB8988

RGB 251 137 136

HSL 0.52, 0.93%, 0.76%

LAB 69.6, 43.04, 20.03

 

CMYK 0 / 39 / 40 / 5

HEX #F29392

RGB 242 147 146

HSL 0.62, 0.79%, 0.76%

LAB 70.75, 35.66, 15.88

 

CMYK 0 / 32 / 33 / 9

HEX #E89D9C

RGB 232 157 156

HSL 0.79, 0.62%, 0.76%

LAB 72.01, 27.85, 11.95

 

CMYK 0 / 25 / 25 / 13

HEX #DEA6A6

RGB 222 166 166

HSL 0, 0.46%, 0.76%

LAB 73.26, 20.63, 8.07

 

CMYK 0 / 17 / 17 / 17

HEX #D4B0B0

RGB 212 176 176

HSL 0, 0.3%, 0.76%

LAB 74.94, 13.02, 4.88

 

CMYK 0 / 8 / 8 / 21

HEX #CABABA

RGB 202 186 186

HSL 0, 0.13%, 0.76%

LAB 76.81, 5.66, 2.04

 

CMYK 0 / 40 / 19 / 5

HEX #F292C5

RGB 242 146 197

HSL 328.13, 0.79%, 0.76%

LAB 71.87, 42.83, -10.82

 

CMYK 0 / 40 / 29 / 5

HEX #F292AC

RGB 242 146 172

HSL 343.75, 0.79%, 0.76%

LAB 71.16, 39.32, 2.01

 

CMYK 0 / 40 / 40 / 5

HEX #F29292

RGB 242 146 146

HSL 0, 0.79%, 0.76%

LAB 70.53, 36.18, 15.59

 

CMYK 0 / 29 / 40 / 5

HEX #F2AC92

RGB 242 172 146

HSL 16.25, 0.79%, 0.76%

LAB 76.35, 22.5, 23.6

 

CMYK 0 / 19 / 40 / 5

HEX #F2C592

RGB 242 197 146

HSL 31.88, 0.79%, 0.76%

LAB 82.32, 9.32, 31.61

 

CMYK 0 / 68 / 69 / 9

HEX #E84A49

RGB 232 74 73

HSL 0.38, 0.78%, 0.6%

LAB 54.59, 60.59, 35.54

 

CMYK 0 / 53 / 54 / 7

HEX #ED6F6D

RGB 237 111 109

HSL 0.94, 0.78%, 0.68%

LAB 62.06, 48.45, 24.7

 

CMYK 0 / 39 / 40 / 5

HEX #F29392

RGB 242 147 146

HSL 0.62, 0.79%, 0.76%

LAB 70.75, 35.66, 15.88

 

CMYK 0 / 26 / 26 / 4

HEX #F6B7B7

RGB 246 183 183

HSL 0, 0.78%, 0.84%

LAB 80.11, 22.8, 8.95

 

CMYK 0 / 12 / 12 / 2

HEX #FBDCDC

RGB 251 220 220

HSL 0, 0.79%, 0.92%

LAB 90.26, 10.7, 3.93

 

CMYK 0 / 38 / 39 / 5

HEX #F29594

RGB 242 149 148

HSL 0.64, 0.78%, 0.76%

LAB 71.22, 34.84, 15.44

 

CMYK 8 / 0 / 40 / 5

HEX #DEF292

RGB 222 242 146

HSL 72.5, 0.79%, 0.76%

LAB 92.18, -21.16, 44.1

 

CMYK 40 / 24 / 0 / 5

HEX #92B8F2

RGB 146 184 242

HSL 216.25, 0.79%, 0.76%

LAB 74.06, 1.56, -32.88

 

CMYK 0 / 38 / 39 / 5

HEX #F29594

RGB 242 149 148

HSL 0.64, 0.78%, 0.76%

LAB 71.22, 34.84, 15.44

 

CMYK 40 / 0 / 40 / 5

HEX #92F292

RGB 146 242 146

HSL 120, 0.79%, 0.76%

LAB 87.82, -47.14, 37.62

 

CMYK 40 / 40 / 0 / 5

HEX #9292F2

RGB 146 146 242

HSL 240, 0.79%, 0.76%

LAB 64.23, 23.06, -48.24

 

CMYK 0 / 38 / 39 / 5

HEX #F29594

RGB 242 149 148

HSL 0.64, 0.78%, 0.76%

LAB 71.22, 34.84, 15.44

 

CMYK 8 / 0 / 40 / 5

HEX #DEF292

RGB 222 242 146

HSL 72.5, 0.79%, 0.76%

LAB 92.18, -21.16, 44.1

 

CMYK 40 / 0 / 0 / 5

HEX #92F2F2

RGB 146 242 242

HSL 180, 0.79%, 0.76%

LAB 89.87, -28.3, -8.93

 

CMYK 32 / 40 / 0 / 5

HEX #A592F2

RGB 165 146 242

HSL 251.88, 0.79%, 0.76%

LAB 65.72, 28.04, -45.78

 

CMYK 0 / 38 / 39 / 5

HEX #F29594

RGB 242 149 148

HSL 0.64, 0.78%, 0.76%

LAB 71.22, 34.84, 15.44

 

CMYK 20 / 0 / 40 / 5

HEX #C2F292

RGB 194 242 146

HSL 90, 0.79%, 0.76%

LAB 90.34, -31.4, 41.38

 

CMYK 40 / 0 / 0 / 5

HEX #92F2F2

RGB 146 242 242

HSL 180, 0.79%, 0.76%

LAB 89.87, -28.3, -8.93

 

CMYK 20 / 40 / 0 / 5

HEX #C292F2

RGB 194 146 242

HSL 270, 0.79%, 0.76%

LAB 68.34, 36.15, -41.49

 

Description

Color code: HEX #F295944C | qconv.com Color code: HEX #F295944C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 149 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 149 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 12 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 12% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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