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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F282BB it is the complementary color #0D7D44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F282BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F282BB: #F782B6, #FF94C9, #FFA6DC, #FFB8EF and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F282BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F282BB: #F282BB, #E170A8, #D05E95, #BF4C82 and #AE3A6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 23 / 5

HEX #F282BB

RGB 242 130 187

HSL 329.46, 0.81%, 0.73%

LAB 68.34, 49.49, -10.53

 

Complementary color

CMYK 90 / 0 / 46 / 51

HEX #0D7D44

RGB 13 125 68

HSL 149.46, 0.81%, 0.27%

LAB 45.87, -42.69, 23.09

 

CMYK 0 / 47 / 26 / 3

HEX #F782B6

RGB 247 130 182

HSL 333.33, 0.88%, 0.74%

LAB 68.84, 50.44, -6.91

 

CMYK 0 / 42 / 21 / 0

HEX #FF94C9

RGB 255 148 201

HSL 330.28, 1%, 0.79%

LAB 73.97, 46.7, -9.73

 

CMYK 0 / 35 / 14 / 0

HEX #FFA6DC

RGB 255 166 220

HSL 323.6, 1%, 0.83%

LAB 78.29, 40.33, -13.68

 

CMYK 0 / 28 / 6 / 0

HEX #FFB8EF

RGB 255 184 239

HSL 313.52, 1%, 0.86%

LAB 82.79, 34.06, -17.15

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 46 / 23 / 5

HEX #F282BB

RGB 242 130 187

HSL 329.46, 0.81%, 0.73%

LAB 68.34, 49.49, -10.53

 

CMYK 0 / 50 / 25 / 12

HEX #E170A8

RGB 225 112 168

HSL 330.27, 0.65%, 0.66%

LAB 62.02, 50.25, -9.44

 

CMYK 0 / 55 / 28 / 18

HEX #D05E95

RGB 208 94 149

HSL 331.05, 0.55%, 0.59%

LAB 55.67, 50.95, -8.17

 

CMYK 0 / 60 / 32 / 25

HEX #BF4C82

RGB 191 76 130

HSL 331.83, 0.47%, 0.52%

LAB 49.32, 51.53, -6.63

 

CMYK 0 / 67 / 36 / 32

HEX #AE3A6F

RGB 174 58 111

HSL 332.59, 0.5%, 0.45%

LAB 43.02, 51.83, -4.72

 

CMYK 0 / 46 / 23 / 5

HEX #F282BB

RGB 242 130 187

HSL 329.46, 0.81%, 0.73%

LAB 68.34, 49.49, -10.53

 

CMYK 0 / 46 / 30 / 5

HEX #F182A9

RGB 241 130 169

HSL 338.92, 0.8%, 0.73%

LAB 67.67, 46.75, -1.41

 

CMYK 0 / 46 / 38 / 5

HEX #F18296

RGB 241 130 150

HSL 349.19, 0.8%, 0.73%

LAB 67.18, 44.46, 8.6

 

CMYK 0 / 46 / 45 / 5

HEX #F18284

RGB 241 130 132

HSL 358.92, 0.8%, 0.73%

LAB 66.77, 42.56, 18.17

 

CMYK 0 / 39 / 46 / 5

HEX #F19382

RGB 241 147 130

HSL 9.19, 0.8%, 0.73%

LAB 70.3, 33.61, 24.09

 

CMYK 0 / 46 / 23 / 5

HEX #F282BB

RGB 242 130 187

HSL 329.46, 0.81%, 0.73%

LAB 68.34, 49.49, -10.53

 

CMYK 0 / 47 / 24 / 85

HEX #26141D

RGB 38 20 29

HSL 330, 0.31%, 0.11%

LAB 9, 10.93, -2.47

 

CMYK 0 / 46 / 22 / 65

HEX #593045

RGB 89 48 69

HSL 329.27, 0.3%, 0.27%

LAB 25.77, 21.8, -4.94

 

CMYK 0 / 46 / 23 / 45

HEX #8C4B6C

RGB 140 75 108

HSL 329.54, 0.3%, 0.42%

LAB 40.72, 31.81, -6.86

 

CMYK 0 / 46 / 23 / 25

HEX #BF6794

RGB 191 103 148

HSL 329.32, 0.41%, 0.58%

LAB 54.98, 40.71, -8.86

 

CMYK 0 / 46 / 23 / 5

HEX #F282BB

RGB 242 130 187

HSL 329.46, 0.81%, 0.73%

LAB 68.34, 49.49, -10.53

 

CMYK 0 / 15 / 46 / 5

HEX #F1CE82

RGB 241 206 130

HSL 41.08, 0.8%, 0.73%

LAB 84.2, 2.6, 42.23

 

CMYK 46 / 4 / 0 / 5

HEX #82E8F1

RGB 130 232 241

HSL 184.86, 0.8%, 0.73%

LAB 86.41, -27.46, -13.64

 

CMYK 0 / 46 / 23 / 5

HEX #F282BB

RGB 242 130 187

HSL 329.46, 0.81%, 0.73%

LAB 68.34, 49.49, -10.53

 

CMYK 22 / 0 / 46 / 5

HEX #BCF182

RGB 188 241 130

HSL 88.65, 0.8%, 0.73%

LAB 89.49, -34.99, 47.99

 

CMYK 46 / 22 / 0 / 5

HEX #82BCF1

RGB 130 188 241

HSL 208.65, 0.8%, 0.73%

LAB 74.23, -4.89, -32.15

 

CMYK 0 / 46 / 23 / 5

HEX #F282BB

RGB 242 130 187

HSL 329.46, 0.81%, 0.73%

LAB 68.34, 49.49, -10.53

 

CMYK 0 / 15 / 46 / 5

HEX #F1CE82

RGB 241 206 130

HSL 41.08, 0.8%, 0.73%

LAB 84.2, 2.6, 42.23

 

CMYK 46 / 0 / 24 / 5

HEX #82F1B8

RGB 130 241 184

HSL 149.19, 0.8%, 0.73%

LAB 87.54, -44.53, 17.83

 

CMYK 46 / 32 / 0 / 5

HEX #82A5F1

RGB 130 165 241

HSL 221.08, 0.8%, 0.73%

LAB 68.03, 7.89, -41.79

 

CMYK 0 / 46 / 23 / 5

HEX #F282BB

RGB 242 130 187

HSL 329.46, 0.81%, 0.73%

LAB 68.34, 49.49, -10.53

 

CMYK 0 / 0 / 46 / 5

HEX #F1F082

RGB 241 240 130

HSL 59.46, 0.8%, 0.73%

LAB 92.85, -14.53, 52.93

 

CMYK 46 / 0 / 24 / 5

HEX #82F1B8

RGB 130 241 184

HSL 149.19, 0.8%, 0.73%

LAB 87.54, -44.53, 17.83

 

CMYK 46 / 45 / 0 / 5

HEX #8284F1

RGB 130 132 241

HSL 238.92, 0.8%, 0.73%

LAB 59.52, 27.07, -55.22

 

Description

Color code: HEX #F282BB | qconv.com Color code: HEX #F282BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 130 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 130 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 23 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 23% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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