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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F27B78 it is the complementary color #0D8487. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F27B78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F27B78: #F77B73, #FF8D86, #FF9F99, #FFB1AC and #FFC3BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F27B78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F27B78: #F27B78, #E16965, #D05752, #BF453F and #AE332C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 50 / 5

HEX #F27B78

RGB 242 123 120

HSL 1.48, 0.82%, 0.71%

LAB 65.28, 45.31, 22.91

 

Complementary color

CMYK 90 / 2 / 0 / 47

HEX #0D8487

RGB 13 132 135

HSL 181.48, 0.82%, 0.29%

LAB 49.9, -27.84, -10.11

 

CMYK 0 / 50 / 53 / 3

HEX #F77B73

RGB 247 123 115

HSL 3.64, 0.89%, 0.71%

LAB 65.89, 46.69, 26.65

 

CMYK 0 / 45 / 47 / 0

HEX #FF8D86

RGB 255 141 134

HSL 3.47, 1%, 0.76%

LAB 70.89, 42.29, 22.99

 

CMYK 0 / 38 / 40 / 0

HEX #FF9F99

RGB 255 159 153

HSL 3.53, 1%, 0.8%

LAB 75.05, 35, 18.25

 

CMYK 0 / 31 / 33 / 0

HEX #FFB1AC

RGB 255 177 172

HSL 3.61, 1%, 0.84%

LAB 79.43, 27.83, 14.05

 

CMYK 0 / 24 / 25 / 0

HEX #FFC3BF

RGB 255 195 191

HSL 3.75, 1%, 0.87%

LAB 83.99, 20.87, 10.32

 

CMYK 0 / 49 / 50 / 5

HEX #F27B78

RGB 242 123 120

HSL 1.48, 0.82%, 0.71%

LAB 65.28, 45.31, 22.91

 

CMYK 0 / 53 / 55 / 12

HEX #E16965

RGB 225 105 101

HSL 1.94, 0.67%, 0.64%

LAB 59.02, 46.43, 24.9

 

CMYK 0 / 58 / 61 / 18

HEX #D05752

RGB 208 87 82

HSL 2.38, 0.57%, 0.57%

LAB 52.77, 47.55, 27.22

 

CMYK 0 / 64 / 67 / 25

HEX #BF453F

RGB 191 69 63

HSL 2.81, 0.5%, 0.5%

LAB 46.57, 48.57, 29.95

 

CMYK 0 / 71 / 75 / 32

HEX #AE332C

RGB 174 51 44

HSL 3.23, 0.6%, 0.43%

LAB 40.49, 49.35, 33.17

 

CMYK 0 / 49 / 50 / 5

HEX #F27B78

RGB 242 123 120

HSL 1.48, 0.82%, 0.71%

LAB 65.28, 45.31, 22.91

 

CMYK 0 / 41 / 50 / 5

HEX #F18E78

RGB 241 142 120

HSL 10.91, 0.81%, 0.71%

LAB 69.04, 35.28, 27.9

 

CMYK 0 / 33 / 50 / 5

HEX #F1A278

RGB 241 162 120

HSL 20.83, 0.81%, 0.71%

LAB 73.48, 24.78, 33.7

 

CMYK 0 / 24 / 50 / 5

HEX #F1B778

RGB 241 183 120

HSL 31.24, 0.81%, 0.71%

LAB 78.42, 13.69, 40

 

CMYK 0 / 16 / 50 / 5

HEX #F1CB78

RGB 241 203 120

HSL 41.16, 0.81%, 0.71%

LAB 83.32, 3.23, 46.11

 

CMYK 0 / 49 / 50 / 5

HEX #F27B78

RGB 242 123 120

HSL 1.48, 0.82%, 0.71%

LAB 65.28, 45.31, 22.91

 

CMYK 0 / 50 / 50 / 85

HEX #261313

RGB 38 19 19

HSL 0, 0.33%, 0.11%

LAB 8.35, 9.83, 3.9

 

CMYK 0 / 49 / 51 / 65

HEX #592D2C

RGB 89 45 44

HSL 1.33, 0.34%, 0.26%

LAB 24.27, 19.99, 9.7

 

CMYK 0 / 49 / 51 / 45

HEX #8C4745

RGB 140 71 69

HSL 1.69, 0.34%, 0.41%

LAB 38.75, 28.98, 14.6

 

CMYK 0 / 49 / 50 / 25

HEX #BF615F

RGB 191 97 95

HSL 1.25, 0.43%, 0.56%

LAB 52.34, 37.41, 18.58

 

CMYK 0 / 49 / 50 / 5

HEX #F27B78

RGB 242 123 120

HSL 1.48, 0.82%, 0.71%

LAB 65.28, 45.31, 22.91

 

CMYK 11 / 0 / 50 / 5

HEX #D7F178

RGB 215 241 120

HSL 72.89, 0.81%, 0.71%

LAB 91.1, -26.01, 55.03

 

CMYK 50 / 31 / 0 / 5

HEX #78A6F1

RGB 120 166 241

HSL 217.19, 0.81%, 0.71%

LAB 67.74, 5, -42.29

 

CMYK 0 / 49 / 50 / 5

HEX #F27B78

RGB 242 123 120

HSL 1.48, 0.82%, 0.71%

LAB 65.28, 45.31, 22.91

 

CMYK 50 / 0 / 49 / 5

HEX #78F17A

RGB 120 241 122

HSL 120.99, 0.81%, 0.71%

LAB 86.16, -57.36, 46.95

 

CMYK 49 / 50 / 0 / 5

HEX #7A78F1

RGB 122 120 241

HSL 240.99, 0.81%, 0.71%

LAB 56.01, 32.38, -60.88

 

CMYK 0 / 49 / 50 / 5

HEX #F27B78

RGB 242 123 120

HSL 1.48, 0.82%, 0.71%

LAB 65.28, 45.31, 22.91

 

CMYK 11 / 0 / 50 / 5

HEX #D7F178

RGB 215 241 120

HSL 72.89, 0.81%, 0.71%

LAB 91.1, -26.01, 55.03

 

CMYK 50 / 1 / 0 / 5

HEX #78EFF1

RGB 120 239 241

HSL 180.99, 0.81%, 0.71%

LAB 88.01, -32.94, -11.29

 

CMYK 39 / 50 / 0 / 5

HEX #9278F1

RGB 146 120 241

HSL 252.89, 0.81%, 0.71%

LAB 57.94, 37.79, -57.68

 

CMYK 0 / 49 / 50 / 5

HEX #F27B78

RGB 242 123 120

HSL 1.48, 0.82%, 0.71%

LAB 65.28, 45.31, 22.91

 

CMYK 26 / 0 / 50 / 5

HEX #B3F178

RGB 179 241 120

HSL 90.74, 0.81%, 0.71%

LAB 88.85, -39.28, 51.79

 

CMYK 50 / 1 / 0 / 5

HEX #78EFF1

RGB 120 239 241

HSL 180.99, 0.81%, 0.71%

LAB 88.01, -32.94, -11.29

 

CMYK 24 / 50 / 0 / 5

HEX #B778F1

RGB 183 120 241

HSL 271.24, 0.81%, 0.71%

LAB 61.53, 47.04, -51.75

 

Description

Color code: HEX #F27B78 | qconv.com Color code: HEX #F27B78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 123 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 123 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 50 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 50% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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