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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F228AF it is the complementary color #0DD750. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F228AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F228AF: #F728AA, #FF3ABD, #FF4CD0, #FF5EE3 and #FF70F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F228AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F228AF: #F228AF, #E1169C, #D00489, #BF0076 and #AE0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 28 / 5

HEX #F228AF

RGB 242 40 175

HSL 319.9, 0.89%, 0.55%

LAB 55.57, 81.52, -23.01

 

Complementary color

CMYK 94 / 0 / 63 / 16

HEX #0DD750

RGB 13 215 80

HSL 139.9, 0.89%, 0.45%

LAB 75.62, -70.68, 53.01

 

CMYK 0 / 84 / 31 / 3

HEX #F728AA

RGB 247 40 170

HSL 322.32, 0.93%, 0.56%

LAB 56.28, 82.06, -18.92

 

CMYK 0 / 77 / 26 / 0

HEX #FF3ABD

RGB 255 58 189

HSL 320.1, 1%, 0.61%

LAB 59.85, 81.83, -24.34

 

CMYK 0 / 70 / 18 / 0

HEX #FF4CD0

RGB 255 76 208

HSL 315.75, 1%, 0.65%

LAB 62.49, 78.85, -31.1

 

CMYK 0 / 63 / 11 / 0

HEX #FF5EE3

RGB 255 94 227

HSL 310.43, 1%, 0.68%

LAB 65.6, 75.05, -36.93

 

CMYK 0 / 56 / 4 / 0

HEX #FF70F6

RGB 255 112 246

HSL 303.78, 1%, 0.72%

LAB 69.11, 70.62, -41.96

 

CMYK 0 / 83 / 28 / 5

HEX #F228AF

RGB 242 40 175

HSL 319.9, 0.89%, 0.55%

LAB 55.57, 81.52, -23.01

 

CMYK 0 / 90 / 31 / 12

HEX #E1169C

RGB 225 22 156

HSL 320.39, 0.82%, 0.48%

LAB 50.67, 78.84, -19.6

 

CMYK 0 / 98 / 34 / 18

HEX #D00489

RGB 208 4 137

HSL 320.88, 0.96%, 0.42%

LAB 46.05, 75.14, -15.51

 

CMYK 0 / 100 / 38 / 25

HEX #BF0076

RGB 191 0 118

HSL 322.93, 1%, 0.37%

LAB 41.82, 70.09, -10.53

 

CMYK 0 / 100 / 43 / 32

HEX #AE0063

RGB 174 0 99

HSL 325.86, 1%, 0.34%

LAB 37.66, 64.64, -5.14

 

CMYK 0 / 83 / 28 / 5

HEX #F228AF

RGB 242 40 175

HSL 319.9, 0.89%, 0.55%

LAB 55.57, 81.52, -23.01

 

CMYK 0 / 84 / 41 / 5

HEX #F2268F

RGB 242 38 143

HSL 329.12, 0.89%, 0.55%

LAB 54.29, 78.68, -6.08

 

CMYK 0 / 84 / 55 / 5

HEX #F2266D

RGB 242 38 109

HSL 339.12, 0.89%, 0.55%

LAB 53.35, 76, 12.98

 

CMYK 0 / 84 / 69 / 5

HEX #F2264B

RGB 242 38 75

HSL 349.12, 0.89%, 0.55%

LAB 52.7, 74.1, 32.53

 

CMYK 0 / 84 / 83 / 5

HEX #F22629

RGB 242 38 41

HSL 359.12, 0.89%, 0.55%

LAB 52.31, 72.96, 51.01

 

CMYK 0 / 83 / 28 / 5

HEX #F228AF

RGB 242 40 175

HSL 319.9, 0.89%, 0.55%

LAB 55.57, 81.52, -23.01

 

CMYK 0 / 84 / 29 / 85

HEX #26061B

RGB 38 6 27

HSL 320.63, 0.73%, 0.09%

LAB 5.61, 18.63, -5.98

 

CMYK 0 / 83 / 28 / 65

HEX #590F40

RGB 89 15 64

HSL 320.27, 0.71%, 0.2%

LAB 19.37, 37.54, -11.21

 

CMYK 0 / 84 / 28 / 45

HEX #8C1765

RGB 140 23 101

HSL 320, 0.72%, 0.32%

LAB 32.1, 53.38, -15.5

 

CMYK 0 / 83 / 28 / 25

HEX #BF208A

RGB 191 32 138

HSL 320, 0.71%, 0.44%

LAB 44.15, 67.73, -19.3

 

CMYK 0 / 83 / 28 / 5

HEX #F228AF

RGB 242 40 175

HSL 319.9, 0.89%, 0.55%

LAB 55.57, 81.52, -23.01

 

CMYK 0 / 41 / 84 / 5

HEX #F28F26

RGB 242 143 38

HSL 30.88, 0.89%, 0.55%

LAB 68.51, 30.55, 66.23

 

CMYK 84 / 0 / 7 / 5

HEX #26F2E1

RGB 38 242 225

HSL 175, 0.89%, 0.55%

LAB 86.68, -49.61, -5.07

 

CMYK 0 / 83 / 28 / 5

HEX #F228AF

RGB 242 40 175

HSL 319.9, 0.89%, 0.55%

LAB 55.57, 81.52, -23.01

 

CMYK 27 / 0 / 84 / 5

HEX #B1F226

RGB 177 242 38

HSL 79.12, 0.89%, 0.55%

LAB 88.44, -45.93, 80.9

 

CMYK 84 / 27 / 0 / 5

HEX #26B1F2

RGB 38 177 242

HSL 199.12, 0.89%, 0.55%

LAB 68.22, -13.19, -42.27

 

CMYK 0 / 83 / 28 / 5

HEX #F228AF

RGB 242 40 175

HSL 319.9, 0.89%, 0.55%

LAB 55.57, 81.52, -23.01

 

CMYK 0 / 41 / 84 / 5

HEX #F28F26

RGB 242 143 38

HSL 30.88, 0.89%, 0.55%

LAB 68.51, 30.55, 66.23

 

CMYK 84 / 0 / 58 / 5

HEX #26F266

RGB 38 242 102

HSL 138.82, 0.89%, 0.55%

LAB 84.42, -74.63, 53.6

 

CMYK 84 / 44 / 0 / 5

HEX #2688F2

RGB 38 136 242

HSL 211.18, 0.89%, 0.55%

LAB 56.52, 10.46, -60.82

 

CMYK 0 / 83 / 28 / 5

HEX #F228AF

RGB 242 40 175

HSL 319.9, 0.89%, 0.55%

LAB 55.57, 81.52, -23.01

 

CMYK 0 / 16 / 84 / 5

HEX #F2CC26

RGB 242 204 38

HSL 48.82, 0.89%, 0.55%

LAB 83.02, -1.36, 78.28

 

CMYK 84 / 0 / 58 / 5

HEX #26F266

RGB 38 242 102

HSL 138.82, 0.89%, 0.55%

LAB 84.42, -74.63, 53.6

 

CMYK 84 / 69 / 0 / 5

HEX #264BF2

RGB 38 75 242

HSL 229.12, 0.89%, 0.55%

LAB 40.98, 48.48, -86.1

 

Description

Color code: HEX #F228AF | qconv.com Color code: HEX #F228AF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 40 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 40 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 28 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 28% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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