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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1F10E it is the complementary color #0E0EF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1F10E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F1F10E: #F6F109, #FFFF1C, #FFFF2F, #FFFF42 and #FFFF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1F10E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F1F10E: #F1F10E, #E0DF00, #CFCD00, #BEBB00 and #ADA900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 94 / 5

HEX #F1F10E

RGB 241 241 14

HSL 60, 0.89%, 0.5%

LAB 92.42, -20.54, 89.46

 

Complementary color

CMYK 94 / 94 / 0 / 5

HEX #0E0EF1

RGB 14 14 241

HSL 240, 0.89%, 0.5%

LAB 31.25, 73.65, -101.72

 

CMYK 0 / 2 / 96 / 4

HEX #F6F109

RGB 246 241 9

HSL 58.73, 0.93%, 0.5%

LAB 92.81, -18.51, 90.33

 

CMYK 0 / 0 / 89 / 0

HEX #FFFF1C

RGB 255 255 28

HSL 60, 1%, 0.55%

LAB 97.17, -21.28, 91.94

 

CMYK 0 / 0 / 82 / 0

HEX #FFFF2F

RGB 255 255 47

HSL 60, 1%, 0.59%

LAB 97.22, -20.88, 88.47

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF42

RGB 255 255 66

HSL 60, 1%, 0.63%

LAB 97.3, -20.27, 83.52

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 0 / 0 / 94 / 5

HEX #F1F10E

RGB 241 241 14

HSL 60, 0.89%, 0.5%

LAB 92.42, -20.54, 89.46

 

CMYK 0 / 0 / 100 / 12

HEX #E0DF00

RGB 224 223 0

HSL 59.73, 1%, 0.44%

LAB 86.32, -19.06, 85.47

 

CMYK 0 / 1 / 100 / 19

HEX #CFCD00

RGB 207 205 0

HSL 59.42, 1%, 0.41%

LAB 80.14, -17.43, 80.34

 

CMYK 0 / 2 / 100 / 25

HEX #BEBB00

RGB 190 187 0

HSL 59.05, 1%, 0.37%

LAB 73.86, -15.77, 75.13

 

CMYK 0 / 2 / 100 / 32

HEX #ADA900

RGB 173 169 0

HSL 58.61, 1%, 0.34%

LAB 67.47, -14.07, 69.82

 

CMYK 0 / 0 / 94 / 5

HEX #F1F10E

RGB 241 241 14

HSL 60, 0.89%, 0.5%

LAB 92.42, -20.54, 89.46

 

CMYK 15 / 0 / 94 / 6

HEX #CBF00E

RGB 203 240 14

HSL 69.82, 0.89%, 0.5%

LAB 89.42, -35.54, 85.98

 

CMYK 31 / 0 / 94 / 6

HEX #A5F00E

RGB 165 240 14

HSL 79.91, 0.89%, 0.5%

LAB 87.17, -49.99, 83.26

 

CMYK 47 / 0 / 94 / 6

HEX #7FF00E

RGB 127 240 14

HSL 90, 0.89%, 0.5%

LAB 85.44, -62.55, 81.14

 

CMYK 63 / 0 / 94 / 6

HEX #59F00E

RGB 89 240 14

HSL 100.09, 0.89%, 0.5%

LAB 84.21, -72.35, 79.64

 

CMYK 0 / 0 / 94 / 5

HEX #F1F10E

RGB 241 241 14

HSL 60, 0.89%, 0.5%

LAB 92.42, -20.54, 89.46

 

CMYK 0 / 0 / 95 / 85

HEX #252502

RGB 37 37 2

HSL 60, 0.9%, 0.08%

LAB 13.95, -5.5, 19.56

 

CMYK 0 / 0 / 94 / 65

HEX #585805

RGB 88 88 5

HSL 60, 0.89%, 0.18%

LAB 36.11, -9.75, 41.94

 

CMYK 0 / 0 / 94 / 45

HEX #8B8B08

RGB 139 139 8

HSL 60, 0.89%, 0.29%

LAB 56.06, -13.58, 58.84

 

CMYK 0 / 0 / 94 / 25

HEX #BEBE0B

RGB 190 190 11

HSL 60, 0.89%, 0.39%

LAB 74.7, -17.15, 74.57

 

CMYK 0 / 0 / 94 / 5

HEX #F1F10E

RGB 241 241 14

HSL 60, 0.89%, 0.5%

LAB 92.42, -20.54, 89.46

 

CMYK 94 / 0 / 75 / 6

HEX #0EF03B

RGB 14 240 59

HSL 131.95, 0.89%, 0.5%

LAB 83.3, -79.71, 68.95

 

CMYK 38 / 94 / 0 / 6

HEX #960EF0

RGB 150 14 240

HSL 276.11, 0.89%, 0.5%

LAB 42.9, 80.65, -81.49

 

CMYK 0 / 0 / 94 / 5

HEX #F1F10E

RGB 241 241 14

HSL 60, 0.89%, 0.5%

LAB 92.42, -20.54, 89.46

 

CMYK 94 / 0 / 0 / 6

HEX #0EF0F0

RGB 14 240 240

HSL 180, 0.89%, 0.5%

LAB 86.36, -45.61, -13.43

 

CMYK 0 / 94 / 0 / 6

HEX #F00EF0

RGB 240 14 240

HSL 300, 0.89%, 0.5%

LAB 57.2, 92.94, -57.62

 

CMYK 0 / 0 / 94 / 5

HEX #F1F10E

RGB 241 241 14

HSL 60, 0.89%, 0.5%

LAB 92.42, -20.54, 89.46

 

CMYK 94 / 0 / 75 / 6

HEX #0EF03B

RGB 14 240 59

HSL 131.95, 0.89%, 0.5%

LAB 83.3, -79.71, 68.95

 

CMYK 94 / 94 / 0 / 6

HEX #0E0EF0

RGB 14 14 240

HSL 240, 0.89%, 0.5%

LAB 31.11, 73.39, -101.39

 

CMYK 0 / 94 / 19 / 6

HEX #F00EC3

RGB 240 14 195

HSL 311.95, 0.89%, 0.5%

LAB 54.84, 87.04, -35.78

 

CMYK 0 / 0 / 94 / 5

HEX #F1F10E

RGB 241 241 14

HSL 60, 0.89%, 0.5%

LAB 92.42, -20.54, 89.46

 

CMYK 94 / 0 / 47 / 6

HEX #0EF07F

RGB 14 240 127

HSL 150, 0.89%, 0.5%

LAB 83.94, -71.8, 41.35

 

CMYK 94 / 94 / 0 / 6

HEX #0E0EF0

RGB 14 14 240

HSL 240, 0.89%, 0.5%

LAB 31.11, 73.39, -101.39

 

CMYK 0 / 94 / 47 / 6

HEX #F00E7F

RGB 240 14 127

HSL 330, 0.89%, 0.5%

LAB 52.25, 80.25, 0.49

 

Description

Color code: HEX #F1F10E | qconv.com Color code: HEX #F1F10E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 241 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 241 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 94 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 94% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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