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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1AF7A it is the complementary color #0E5085. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1AF7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F1AF7A: #F6AF75, #FFC188, #FFD39B, #FFE5AE and #FFF7C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1AF7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F1AF7A: #F1AF7A, #E09D67, #CF8B54, #BE7941 and #AD672E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 49 / 5

HEX #F1AF7A

RGB 241 175 122

HSL 26.72, 0.81%, 0.71%

LAB 76.54, 18.09, 36.58

 

Complementary color

CMYK 89 / 40 / 0 / 48

HEX #0E5085

RGB 14 80 133

HSL 206.72, 0.81%, 0.29%

LAB 32.97, 1.29, -35.12

 

CMYK 0 / 29 / 52 / 4

HEX #F6AF75

RGB 246 175 117

HSL 26.98, 0.88%, 0.71%

LAB 77, 19.65, 39.88

 

CMYK 0 / 24 / 47 / 0

HEX #FFC188

RGB 255 193 136

HSL 28.74, 1%, 0.77%

LAB 82.47, 15.5, 37.24

 

CMYK 0 / 17 / 39 / 0

HEX #FFD39B

RGB 255 211 155

HSL 33.6, 1%, 0.8%

LAB 87.1, 8.09, 33.52

 

CMYK 0 / 10 / 32 / 0

HEX #FFE5AE

RGB 255 229 174

HSL 40.74, 1%, 0.84%

LAB 91.84, 1.06, 30.11

 

CMYK 0 / 3 / 24 / 0

HEX #FFF7C1

RGB 255 247 193

HSL 52.26, 1%, 0.88%

LAB 96.67, -5.58, 26.98

 

CMYK 0 / 27 / 49 / 5

HEX #F1AF7A

RGB 241 175 122

HSL 26.72, 0.81%, 0.71%

LAB 76.54, 18.09, 36.58

 

CMYK 0 / 30 / 54 / 12

HEX #E09D67

RGB 224 157 103

HSL 26.78, 0.66%, 0.64%

LAB 70.13, 19.14, 38.04

 

CMYK 0 / 33 / 59 / 19

HEX #CF8B54

RGB 207 139 84

HSL 26.83, 0.56%, 0.57%

LAB 63.65, 20.34, 39.58

 

CMYK 0 / 36 / 66 / 25

HEX #BE7941

RGB 190 121 65

HSL 26.88, 0.49%, 0.5%

LAB 57.08, 21.72, 41.21

 

CMYK 0 / 40 / 73 / 32

HEX #AD672E

RGB 173 103 46

HSL 26.93, 0.58%, 0.43%

LAB 50.43, 23.31, 42.82

 

CMYK 0 / 27 / 49 / 5

HEX #F1AF7A

RGB 241 175 122

HSL 26.72, 0.81%, 0.71%

LAB 76.54, 18.09, 36.58

 

CMYK 0 / 20 / 50 / 6

HEX #F0C179

RGB 240 193 121

HSL 36.3, 0.8%, 0.71%

LAB 80.76, 8.12, 42.42

 

CMYK 0 / 12 / 50 / 6

HEX #F0D479

RGB 240 212 121

HSL 45.88, 0.8%, 0.71%

LAB 85.5, -1.71, 48.27

 

CMYK 0 / 3 / 50 / 6

HEX #F0E879

RGB 240 232 121

HSL 55.97, 0.8%, 0.71%

LAB 90.61, -11.78, 54.43

 

CMYK 5 / 0 / 50 / 6

HEX #E4F079

RGB 228 240 121

HSL 66.05, 0.8%, 0.71%

LAB 91.77, -20.42, 55.59

 

CMYK 0 / 27 / 49 / 5

HEX #F1AF7A

RGB 241 175 122

HSL 26.72, 0.81%, 0.71%

LAB 76.54, 18.09, 36.58

 

CMYK 0 / 27 / 49 / 85

HEX #251B13

RGB 37 27 19

HSL 26.67, 0.32%, 0.11%

LAB 10.73, 3.49, 7.28

 

CMYK 0 / 27 / 49 / 65

HEX #58402D

RGB 88 64 45

HSL 26.51, 0.32%, 0.26%

LAB 29.24, 7.7, 15.68

 

CMYK 0 / 27 / 50 / 45

HEX #8B6546

RGB 139 101 70

HSL 26.96, 0.33%, 0.41%

LAB 45.96, 11.33, 23.51

 

CMYK 0 / 27 / 49 / 25

HEX #BE8A60

RGB 190 138 96

HSL 26.81, 0.42%, 0.56%

LAB 61.63, 14.8, 30.22

 

CMYK 0 / 27 / 49 / 5

HEX #F1AF7A

RGB 241 175 122

HSL 26.72, 0.81%, 0.71%

LAB 76.54, 18.09, 36.58

 

CMYK 31 / 0 / 50 / 6

HEX #A5F079

RGB 165 240 121

HSL 97.82, 0.8%, 0.71%

LAB 87.82, -43.54, 49.9

 

CMYK 48 / 50 / 0 / 6

HEX #7D79F0

RGB 125 121 240

HSL 242.02, 0.8%, 0.71%

LAB 56.41, 32.14, -59.66

 

CMYK 0 / 27 / 49 / 5

HEX #F1AF7A

RGB 241 175 122

HSL 26.72, 0.81%, 0.71%

LAB 76.54, 18.09, 36.58

 

CMYK 50 / 0 / 28 / 6

HEX #79F0AD

RGB 121 240 173

HSL 146.22, 0.8%, 0.71%

LAB 86.7, -48.46, 22.29

 

CMYK 28 / 50 / 0 / 6

HEX #AD79F0

RGB 173 121 240

HSL 266.22, 0.8%, 0.71%

LAB 60.65, 43.68, -52.66

 

CMYK 0 / 27 / 49 / 5

HEX #F1AF7A

RGB 241 175 122

HSL 26.72, 0.81%, 0.71%

LAB 76.54, 18.09, 36.58

 

CMYK 31 / 0 / 50 / 6

HEX #A5F079

RGB 165 240 121

HSL 97.82, 0.8%, 0.71%

LAB 87.82, -43.54, 49.9

 

CMYK 50 / 21 / 0 / 6

HEX #79BDF0

RGB 121 189 240

HSL 205.71, 0.8%, 0.71%

LAB 74.03, -7.8, -31.96

 

CMYK 18 / 50 / 0 / 6

HEX #C579F0

RGB 197 121 240

HSL 278.32, 0.8%, 0.71%

LAB 63.21, 49.99, -48.44

 

CMYK 0 / 27 / 49 / 5

HEX #F1AF7A

RGB 241 175 122

HSL 26.72, 0.81%, 0.71%

LAB 76.54, 18.09, 36.58

 

CMYK 46 / 0 / 50 / 6

HEX #81F079

RGB 129 240 121

HSL 115.97, 0.8%, 0.71%

LAB 86.19, -54.67, 47.53

 

CMYK 50 / 21 / 0 / 6

HEX #79BDF0

RGB 121 189 240

HSL 205.71, 0.8%, 0.71%

LAB 74.03, -7.8, -31.96

 

CMYK 3 / 50 / 0 / 6

HEX #E879F0

RGB 232 121 240

HSL 295.97, 0.8%, 0.71%

LAB 67.37, 59.43, -41.61

 

Description

Color code: HEX #F1AF7A | qconv.com Color code: HEX #F1AF7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 175 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 175 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 49 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 49% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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