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Color name
HEX #F1A613

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1A613 it is the complementary color #0E59EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1A613. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1A613 shade: #F6A60E, #FFB821, #FFCA34, #FFDC47 and #FFEE5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1A613. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1A613 shade: #F1A613, #E09400, #CF8200, #BE7000 and #AD5E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1A613 shade: #F1A613, #F16A13, #F12E13 and #F11313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1A613 shade: #F1A613, #F1E213, #C4F113, #88F113 and #4CF113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1A613 shade matches the following richer shades: #F1A613

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1A613 shade: #F1A613, #DDA027, #C9993B, #B5924F and #A08C64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1A613 shade: #F12D13, #F16813, #F1A313, #F1DF13 and #C8F113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1A613 shade: #A8720A, #CF8D0C, #F1A613, #F4B53A and #F6C361

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1A613 shade: #F1A613, #34F113 and #4A13F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1A613 shade: #F1A613, #13F1A3 and #A313F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1A613 shade: #F1A613, #34F113, #1361F1 and #D013F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1A613 shade: #F1A613, #13F134, #1361F1 and #F113D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 92 / 5

HEX #F1A613

RGB 241 166 19

HSL 39.73, 0.89%, 0.51%

LAB 73.56, 17.68, 74.82

 

Complementary color

CMYK 94 / 62 / 0 / 7

HEX #0E59EC

RGB 14 89 236

HSL 219.73, 0.89%, 0.49%

LAB 43.2, 36.62, -79.09

 

CMYK 0 / 33 / 94 / 4

HEX #F6A60E

RGB 246 166 14

HSL 39.31, 0.93%, 0.51%

LAB 74.12, 19.74, 76.26

 

CMYK 0 / 28 / 87 / 0

HEX #FFB821

RGB 255 184 33

HSL 40.81, 1%, 0.56%

LAB 79.41, 14.42, 77.1

 

CMYK 0 / 21 / 80 / 0

HEX #FFCA34

RGB 255 202 52

HSL 44.33, 1%, 0.6%

LAB 83.83, 5.58, 75.62

 

CMYK 0 / 14 / 72 / 0

HEX #FFDC47

RGB 255 220 71

HSL 48.59, 1%, 0.64%

LAB 88.4, -2.88, 73.48

 

CMYK 0 / 7 / 65 / 0

HEX #FFEE5A

RGB 255 238 90

HSL 53.82, 1%, 0.68%

LAB 93.08, -10.9, 70.99

 

CMYK 0 / 31 / 92 / 5

HEX #F1A613

RGB 241 166 19

HSL 39.73, 0.89%, 0.51%

LAB 73.56, 17.68, 74.82

 

CMYK 0 / 34 / 100 / 12

HEX #E09400

RGB 224 148 0

HSL 39.64, 1%, 0.44%

LAB 67.3, 19.76, 72.15

 

CMYK 0 / 37 / 100 / 19

HEX #CF8200

RGB 207 130 0

HSL 37.68, 1%, 0.41%

LAB 60.98, 22.11, 67

 

CMYK 0 / 41 / 100 / 25

HEX #BE7000

RGB 190 112 0

HSL 35.37, 1%, 0.37%

LAB 54.59, 24.53, 61.81

 

CMYK 0 / 46 / 100 / 32

HEX #AD5E00

RGB 173 94 0

HSL 32.6, 1%, 0.34%

LAB 48.12, 27.02, 56.57

 

CMYK 0 / 31 / 92 / 5

HEX #F1A613

RGB 241 166 19

HSL 39.73, 0.89%, 0.51%

LAB 73.56, 17.68, 74.82

 

CMYK 0 / 56 / 92 / 5

HEX #F16A13

RGB 241 106 19

HSL 23.51, 0.89%, 0.51%

LAB 60.83, 48.3, 65.79

 

CMYK 0 / 81 / 92 / 5

HEX #F12E13

RGB 241 46 19

HSL 7.3, 0.89%, 0.51%

LAB 52.62, 70.51, 60.41

 

CMYK 0 / 92 / 92 / 5

HEX #F11313

RGB 241 19 19

HSL 0, 0.89%, 0.51%

LAB 50.94, 75.33, 59.38

 

CMYK 0 / 31 / 92 / 5

HEX #F1A613

RGB 241 166 19

HSL 39.73, 0.89%, 0.51%

LAB 73.56, 17.68, 74.82

 

CMYK 0 / 6 / 92 / 5

HEX #F1E213

RGB 241 226 19

HSL 55.95, 0.89%, 0.51%

LAB 88.51, -13.19, 85.98

 

CMYK 19 / 0 / 92 / 5

HEX #C4F113

RGB 196 241 19

HSL 72.16, 0.89%, 0.51%

LAB 89.25, -38.68, 85.13

 

CMYK 44 / 0 / 92 / 5

HEX #88F113

RGB 136 241 19

HSL 88.38, 0.89%, 0.51%

LAB 86.1, -60.09, 81.28

 

CMYK 68 / 0 / 92 / 5

HEX #4CF113

RGB 76 241 19

HSL 104.59, 0.89%, 0.51%

LAB 84.22, -75.14, 78.97

 

CMYK 0 / 31 / 92 / 5

HEX #F1A613

RGB 241 166 19

HSL 39.73, 0.89%, 0.51%

LAB 73.56, 17.68, 74.82

 

CMYK 0 / 31 / 92 / 5

HEX #F1A613

RGB 241 166 19

HSL 39.73, 0.89%, 0.51%

LAB 73.56, 17.68, 74.82

 

CMYK 0 / 28 / 82 / 13

HEX #DDA027

RGB 221 160 39

HSL 39.89, 0.73%, 0.51%

LAB 69.94, 12.69, 66.13

 

CMYK 0 / 24 / 71 / 21

HEX #C9993B

RGB 201 153 59

HSL 39.72, 0.57%, 0.51%

LAB 66.15, 8.57, 54.25

 

CMYK 0 / 19 / 56 / 29

HEX #B5924F

RGB 181 146 79

HSL 39.41, 0.41%, 0.51%

LAB 62.46, 5.03, 40.06

 

CMYK 0 / 13 / 38 / 37

HEX #A08C64

RGB 160 140 100

HSL 40, 0.24%, 0.51%

LAB 59.11, 1.54, 24.15

 

CMYK 0 / 81 / 92 / 5

HEX #F12D13

RGB 241 45 19

HSL 7.03, 0.89%, 0.51%

LAB 52.54, 70.76, 60.36

 

CMYK 0 / 57 / 92 / 5

HEX #F16813

RGB 241 104 19

HSL 22.97, 0.89%, 0.51%

LAB 60.47, 49.23, 65.54

 

CMYK 0 / 32 / 92 / 5

HEX #F1A313

RGB 241 163 19

HSL 38.92, 0.89%, 0.51%

LAB 72.85, 19.26, 74.31

 

CMYK 0 / 7 / 92 / 5

HEX #F1DF13

RGB 241 223 19

HSL 55.14, 0.89%, 0.51%

LAB 87.74, -11.7, 85.39

 

CMYK 17 / 0 / 92 / 5

HEX #C8F113

RGB 200 241 19

HSL 71.08, 0.89%, 0.51%

LAB 89.5, -37.11, 85.43

 

CMYK 0 / 32 / 94 / 34

HEX #A8720A

RGB 168 114 10

HSL 39.49, 0.89%, 0.35%

LAB 52.27, 13.77, 56.96

 

CMYK 0 / 32 / 94 / 19

HEX #CF8D0C

RGB 207 141 12

HSL 39.69, 0.89%, 0.43%

LAB 63.62, 16.27, 66.98

 

CMYK 0 / 31 / 92 / 5

HEX #F1A613

RGB 241 166 19

HSL 39.73, 0.89%, 0.51%

LAB 73.56, 17.68, 74.82

 

CMYK 0 / 26 / 76 / 4

HEX #F4B53A

RGB 244 181 58

HSL 39.68, 0.89%, 0.59%

LAB 77.63, 12.06, 67.51

 

CMYK 0 / 21 / 61 / 4

HEX #F6C361

RGB 246 195 97

HSL 39.46, 0.89%, 0.67%

LAB 81.56, 7.64, 55.19

 

CMYK 0 / 31 / 92 / 5

HEX #F1A613

RGB 241 166 19

HSL 39.73, 0.89%, 0.51%

LAB 73.56, 17.68, 74.82

 

CMYK 78 / 0 / 92 / 5

HEX #34F113

RGB 52 241 19

HSL 111.08, 0.89%, 0.51%

LAB 83.8, -78.8, 78.45

 

CMYK 69 / 92 / 0 / 5

HEX #4A13F1

RGB 74 19 241

HSL 254.86, 0.89%, 0.51%

LAB 34.54, 74.15, -96.15

 

CMYK 0 / 31 / 92 / 5

HEX #F1A613

RGB 241 166 19

HSL 39.73, 0.89%, 0.51%

LAB 73.56, 17.68, 74.82

 

CMYK 92 / 0 / 32 / 5

HEX #13F1A3

RGB 19 241 163

HSL 158.92, 0.89%, 0.51%

LAB 84.84, -65.23, 24.55

 

CMYK 32 / 92 / 0 / 5

HEX #A313F1

RGB 163 19 241

HSL 278.92, 0.89%, 0.51%

LAB 45.09, 81.66, -78.39

 

CMYK 0 / 31 / 92 / 5

HEX #F1A613

RGB 241 166 19

HSL 39.73, 0.89%, 0.51%

LAB 73.56, 17.68, 74.82

 

CMYK 78 / 0 / 92 / 5

HEX #34F113

RGB 52 241 19

HSL 111.08, 0.89%, 0.51%

LAB 83.8, -78.8, 78.45

 

CMYK 92 / 60 / 0 / 5

HEX #1361F1

RGB 19 97 241

HSL 218.92, 0.89%, 0.51%

LAB 45.69, 33.57, -77.83

 

CMYK 14 / 92 / 0 / 5

HEX #D013F1

RGB 208 19 241

HSL 291.08, 0.89%, 0.51%

LAB 52.09, 87.71, -66.68

 

CMYK 0 / 31 / 92 / 5

HEX #F1A613

RGB 241 166 19

HSL 39.73, 0.89%, 0.51%

LAB 73.56, 17.68, 74.82

 

CMYK 92 / 0 / 78 / 5

HEX #13F134

RGB 19 241 52

HSL 128.92, 0.89%, 0.51%

LAB 83.6, -80.23, 71.35

 

CMYK 92 / 60 / 0 / 5

HEX #1361F1

RGB 19 97 241

HSL 218.92, 0.89%, 0.51%

LAB 45.69, 33.57, -77.83

 

CMYK 0 / 92 / 14 / 5

HEX #F113D0

RGB 241 19 208

HSL 308.92, 0.89%, 0.51%

LAB 55.81, 88.37, -41.72

 

Description

Color code: HEX #F1A613 | qconv.com Color code: HEX #F1A613 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 166 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 166 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 92 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 92% 5% C M Y K

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Provide designers and agencies with accurate color values.

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