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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F16813 it is the complementary color #0E97EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F16813. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F16813 shade: #F6680E, #FF7A21, #FF8C34, #FF9E47 and #FFB05A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F16813. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F16813 shade: #F16813, #E05600, #CF4400, #BE3200 and #AD2000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F16813 shade: #F16813, #F12C13 and #F11313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F16813 shade: #F16813, #F1A413, #F1E013, #C7F113 and #8BF113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F16813 shade matches the following richer shades: #F16813

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F16813 shade: #F16813, #DD6D27, #C9713B, #B5764F and #A07B64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F16813 shade: #F11338, #F12913, #F16413, #F1A013 and #F1DB13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F16813 shade: #A8460A, #CF570C, #F16813, #F4813A and #F69A61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F16813 shade: #F16813, #73F113 and #131AF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F16813 shade: #F16813, #13F164 and #6413F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F16813 shade: #F16813, #73F113, #13A0F1 and #9113F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F16813 shade: #F16813, #30F113, #13A0F1 and #D413F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 92 / 5

HEX #F16813

RGB 241 104 19

HSL 22.97, 0.89%, 0.51%

LAB 60.47, 49.23, 65.54

 

Complementary color

CMYK 94 / 36 / 0 / 7

HEX #0E97EC

RGB 14 151 236

HSL 202.97, 0.89%, 0.49%

LAB 60.14, -2.02, -51.73

 

CMYK 0 / 58 / 94 / 4

HEX #F6680E

RGB 246 104 14

HSL 23.28, 0.93%, 0.51%

LAB 61.24, 51, 67.55

 

CMYK 0 / 52 / 87 / 0

HEX #FF7A21

RGB 255 122 33

HSL 24.05, 1%, 0.56%

LAB 65.97, 46.15, 66.54

 

CMYK 0 / 45 / 80 / 0

HEX #FF8C34

RGB 255 140 52

HSL 26.01, 1%, 0.6%

LAB 69.66, 37.72, 62.82

 

CMYK 0 / 38 / 72 / 0

HEX #FF9E47

RGB 255 158 71

HSL 28.37, 1%, 0.64%

LAB 73.65, 29.21, 58.7

 

CMYK 0 / 31 / 65 / 0

HEX #FFB05A

RGB 255 176 90

HSL 31.27, 1%, 0.68%

LAB 77.9, 20.82, 54.58

 

CMYK 0 / 57 / 92 / 5

HEX #F16813

RGB 241 104 19

HSL 22.97, 0.89%, 0.51%

LAB 60.47, 49.23, 65.54

 

CMYK 0 / 62 / 100 / 12

HEX #E05600

RGB 224 86 0

HSL 23.04, 1%, 0.44%

LAB 54.56, 51.05, 64.44

 

CMYK 0 / 67 / 100 / 19

HEX #CF4400

RGB 207 68 0

HSL 19.71, 1%, 0.41%

LAB 48.76, 52.76, 59.84

 

CMYK 0 / 74 / 100 / 25

HEX #BE3200

RGB 190 50 0

HSL 15.79, 1%, 0.37%

LAB 43.11, 53.97, 55.34

 

CMYK 0 / 82 / 100 / 32

HEX #AD2000

RGB 173 32 0

HSL 11.1, 1%, 0.34%

LAB 37.69, 54.36, 50.99

 

CMYK 0 / 57 / 92 / 5

HEX #F16813

RGB 241 104 19

HSL 22.97, 0.89%, 0.51%

LAB 60.47, 49.23, 65.54

 

CMYK 0 / 82 / 92 / 5

HEX #F12C13

RGB 241 44 19

HSL 6.76, 0.89%, 0.51%

LAB 52.45, 70.99, 60.3

 

CMYK 0 / 92 / 92 / 5

HEX #F11313

RGB 241 19 19

HSL 0, 0.89%, 0.51%

LAB 50.94, 75.33, 59.38

 

CMYK 0 / 57 / 92 / 5

HEX #F16813

RGB 241 104 19

HSL 22.97, 0.89%, 0.51%

LAB 60.47, 49.23, 65.54

 

CMYK 0 / 32 / 92 / 5

HEX #F1A413

RGB 241 164 19

HSL 39.19, 0.89%, 0.51%

LAB 73.09, 18.73, 74.48

 

CMYK 0 / 7 / 92 / 5

HEX #F1E013

RGB 241 224 19

HSL 55.41, 0.89%, 0.51%

LAB 88, -12.2, 85.59

 

CMYK 17 / 0 / 92 / 5

HEX #C7F113

RGB 199 241 19

HSL 71.35, 0.89%, 0.51%

LAB 89.44, -37.51, 85.36

 

CMYK 42 / 0 / 92 / 5

HEX #8BF113

RGB 139 241 19

HSL 87.57, 0.89%, 0.51%

LAB 86.23, -59.14, 81.44

 

CMYK 0 / 57 / 92 / 5

HEX #F16813

RGB 241 104 19

HSL 22.97, 0.89%, 0.51%

LAB 60.47, 49.23, 65.54

 

CMYK 0 / 57 / 92 / 5

HEX #F16813

RGB 241 104 19

HSL 22.97, 0.89%, 0.51%

LAB 60.47, 49.23, 65.54

 

CMYK 0 / 51 / 82 / 13

HEX #DD6D27

RGB 221 109 39

HSL 23.08, 0.73%, 0.51%

LAB 58.47, 39.62, 56.08

 

CMYK 0 / 44 / 71 / 21

HEX #C9713B

RGB 201 113 59

HSL 22.82, 0.57%, 0.51%

LAB 56.63, 30.31, 44.15

 

CMYK 0 / 35 / 56 / 29

HEX #B5764F

RGB 181 118 79

HSL 22.94, 0.41%, 0.51%

LAB 55.43, 20.59, 31.48

 

CMYK 0 / 23 / 38 / 37

HEX #A07B64

RGB 160 123 100

HSL 23, 0.24%, 0.51%

LAB 54.62, 11.13, 18.11

 

CMYK 0 / 92 / 77 / 5

HEX #F11338

RGB 241 19 56

HSL 350, 0.89%, 0.51%

LAB 51.21, 76.11, 41.8

 

CMYK 0 / 83 / 92 / 5

HEX #F12913

RGB 241 41 19

HSL 5.95, 0.89%, 0.51%

LAB 52.21, 71.67, 60.16

 

CMYK 0 / 59 / 92 / 5

HEX #F16413

RGB 241 100 19

HSL 21.89, 0.89%, 0.51%

LAB 59.76, 51.07, 65.06

 

CMYK 0 / 34 / 92 / 5

HEX #F1A013

RGB 241 160 19

HSL 38.11, 0.89%, 0.51%

LAB 72.15, 20.84, 73.8

 

CMYK 0 / 9 / 92 / 5

HEX #F1DB13

RGB 241 219 19

HSL 54.05, 0.89%, 0.51%

LAB 86.71, -9.71, 84.61

 

CMYK 0 / 58 / 94 / 34

HEX #A8460A

RGB 168 70 10

HSL 22.78, 0.89%, 0.35%

LAB 42.35, 37.7, 49.9

 

CMYK 0 / 58 / 94 / 19

HEX #CF570C

RGB 207 87 12

HSL 23.08, 0.89%, 0.43%

LAB 51.96, 44.48, 58.92

 

CMYK 0 / 57 / 92 / 5

HEX #F16813

RGB 241 104 19

HSL 22.97, 0.89%, 0.51%

LAB 60.47, 49.23, 65.54

 

CMYK 0 / 47 / 76 / 4

HEX #F4813A

RGB 244 129 58

HSL 22.9, 0.89%, 0.59%

LAB 65.93, 39.18, 56.18

 

CMYK 0 / 37 / 61 / 4

HEX #F69A61

RGB 246 154 97

HSL 22.95, 0.89%, 0.67%

LAB 71.94, 29.16, 43.94

 

CMYK 0 / 57 / 92 / 5

HEX #F16813

RGB 241 104 19

HSL 22.97, 0.89%, 0.51%

LAB 60.47, 49.23, 65.54

 

CMYK 52 / 0 / 92 / 5

HEX #73F113

RGB 115 241 19

HSL 94.05, 0.89%, 0.51%

LAB 85.3, -66.24, 80.3

 

CMYK 92 / 89 / 0 / 5

HEX #131AF1

RGB 19 26 241

HSL 238.11, 0.89%, 0.51%

LAB 32.32, 70.73, -99.93

 

CMYK 0 / 57 / 92 / 5

HEX #F16813

RGB 241 104 19

HSL 22.97, 0.89%, 0.51%

LAB 60.47, 49.23, 65.54

 

CMYK 92 / 0 / 59 / 5

HEX #13F164

RGB 19 241 100

HSL 141.89, 0.89%, 0.51%

LAB 83.95, -75.8, 53.89

 

CMYK 59 / 92 / 0 / 5

HEX #6413F1

RGB 100 19 241

HSL 261.89, 0.89%, 0.51%

LAB 36.98, 75.66, -92.04

 

CMYK 0 / 57 / 92 / 5

HEX #F16813

RGB 241 104 19

HSL 22.97, 0.89%, 0.51%

LAB 60.47, 49.23, 65.54

 

CMYK 52 / 0 / 92 / 5

HEX #73F113

RGB 115 241 19

HSL 94.05, 0.89%, 0.51%

LAB 85.3, -66.24, 80.3

 

CMYK 92 / 34 / 0 / 5

HEX #13A0F1

RGB 19 160 241

HSL 201.89, 0.89%, 0.51%

LAB 63.04, -5.17, -49.89

 

CMYK 40 / 92 / 0 / 5

HEX #9113F1

RGB 145 19 241

HSL 274.05, 0.89%, 0.51%

LAB 42.52, 79.62, -82.71

 

CMYK 0 / 57 / 92 / 5

HEX #F16813

RGB 241 104 19

HSL 22.97, 0.89%, 0.51%

LAB 60.47, 49.23, 65.54

 

CMYK 80 / 0 / 92 / 5

HEX #30F113

RGB 48 241 19

HSL 112.16, 0.89%, 0.51%

LAB 83.75, -79.27, 78.38

 

CMYK 92 / 34 / 0 / 5

HEX #13A0F1

RGB 19 160 241

HSL 201.89, 0.89%, 0.51%

LAB 63.04, -5.17, -49.89

 

CMYK 12 / 92 / 0 / 5

HEX #D413F1

RGB 212 19 241

HSL 292.16, 0.89%, 0.51%

LAB 52.74, 88.3, -65.6

 

Description

Color code: HEX #F16813 | qconv.com Color code: HEX #F16813 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 104 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 104 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 92 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 92% 5% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - 平安银行官方网站_信用卡_网上银行登录转...
Link: http://bank.pingan.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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