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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F19F05 it is the complementary color #0E60FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F19F05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F19F05 shade: #F69F00, #FFB113, #FFC326, #FFD539 and #FFE74C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F19F05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F19F05 shade: #F19F05, #E08D00, #CF7B00, #BE6900 and #AD5700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F19F05 shade: #F09E05, #F05F05, #F01F05 and #F00505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F19F05 shade: #F09E05, #F0DE05, #C3F005, #83F005 and #44F005

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F19F05 shade matches the following richer shades: #F09E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F19F05 shade: #F09E05, #DC9819, #C8922D, #B48C40 and #A18654

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F19F05 shade: #F02005, #F05F05, #F09E05, #F0DC05 and #C5F005

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F19F05 shade: #9F6903, #C78404, #F09E05, #FBB024 and #FBBE4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F19F05 shade: #F19F05, #28F005 and #4005F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F19F05 shade: #F19F05, #05F09E and #9E05F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F19F05 shade: #F19F05, #28F005, #0557F0 and #CD05F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F19F05 shade: #F19F05, #05F028, #0557F0 and #F005CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 98 / 5

HEX #F19F05

RGB 241 159 5

HSL 39.15, 0.96%, 0.48%

LAB 71.9, 21.23, 75.55

 

Complementary color

CMYK 94 / 62 / 0 / 2

HEX #0E60FA

RGB 14 96 250

HSL 219.15, 0.96%, 0.52%

LAB 46.13, 37.43, -82.15

 

CMYK 0 / 35 / 100 / 4

HEX #F69F00

RGB 246 159 0

HSL 38.78, 1%, 0.48%

LAB 72.49, 23.3, 76.83

 

CMYK 0 / 31 / 93 / 0

HEX #FFB113

RGB 255 177 19

HSL 40.17, 1%, 0.54%

LAB 77.73, 17.84, 78.57

 

CMYK 0 / 24 / 85 / 0

HEX #FFC326

RGB 255 195 38

HSL 43.41, 1%, 0.57%

LAB 82.07, 8.81, 78.03

 

CMYK 0 / 16 / 78 / 0

HEX #FFD539

RGB 255 213 57

HSL 47.27, 1%, 0.61%

LAB 86.58, 0.12, 76.51

 

CMYK 0 / 9 / 70 / 0

HEX #FFE74C

RGB 255 231 76

HSL 51.96, 1%, 0.65%

LAB 91.2, -8.16, 74.41

 

CMYK 0 / 34 / 98 / 5

HEX #F19F05

RGB 241 159 5

HSL 39.15, 0.96%, 0.48%

LAB 71.9, 21.23, 75.55

 

CMYK 0 / 37 / 100 / 12

HEX #E08D00

RGB 224 141 0

HSL 37.77, 1%, 0.44%

LAB 65.67, 23.5, 71.08

 

CMYK 0 / 41 / 100 / 19

HEX #CF7B00

RGB 207 123 0

HSL 35.65, 1%, 0.41%

LAB 59.37, 25.89, 65.97

 

CMYK 0 / 45 / 100 / 25

HEX #BE6900

RGB 190 105 0

HSL 33.16, 1%, 0.37%

LAB 53, 28.33, 60.81

 

CMYK 0 / 50 / 100 / 32

HEX #AD5700

RGB 173 87 0

HSL 30.17, 1%, 0.34%

LAB 46.58, 30.8, 55.64

 

CMYK 0 / 34 / 98 / 6

HEX #F09E05

RGB 240 158 5

HSL 39.06, 0.96%, 0.48%

LAB 71.55, 21.33, 75.26

 

CMYK 0 / 60 / 98 / 6

HEX #F05F05

RGB 240 95 5

HSL 22.98, 0.96%, 0.48%

LAB 58.71, 52.82, 67.16

 

CMYK 0 / 87 / 98 / 6

HEX #F01F05

RGB 240 31 5

HSL 6.64, 0.96%, 0.48%

LAB 51.29, 73.25, 63.33

 

CMYK 0 / 98 / 98 / 6

HEX #F00505

RGB 240 5 5

HSL 0, 0.96%, 0.48%

LAB 50.27, 76.18, 62.9

 

CMYK 0 / 34 / 98 / 6

HEX #F09E05

RGB 240 158 5

HSL 39.06, 0.96%, 0.48%

LAB 71.55, 21.33, 75.26

 

CMYK 0 / 8 / 98 / 6

HEX #F0DE05

RGB 240 222 5

HSL 55.4, 0.96%, 0.48%

LAB 87.38, -11.77, 86.43

 

CMYK 19 / 0 / 98 / 6

HEX #C3F005

RGB 195 240 5

HSL 71.49, 0.96%, 0.48%

LAB 88.89, -38.79, 86.08

 

CMYK 45 / 0 / 98 / 6

HEX #83F005

RGB 131 240 5

HSL 87.83, 0.96%, 0.48%

LAB 85.58, -61.46, 82.08

 

CMYK 72 / 0 / 98 / 6

HEX #44F005

RGB 68 240 5

HSL 103.91, 0.96%, 0.48%

LAB 83.74, -76.46, 79.83

 

CMYK 0 / 34 / 98 / 6

HEX #F09E05

RGB 240 158 5

HSL 39.06, 0.96%, 0.48%

LAB 71.55, 21.33, 75.26

 

CMYK 0 / 34 / 98 / 6

HEX #F09E05

RGB 240 158 5

HSL 39.06, 0.96%, 0.48%

LAB 71.55, 21.33, 75.26

 

CMYK 0 / 31 / 89 / 14

HEX #DC9819

RGB 220 152 25

HSL 39.08, 0.8%, 0.48%

LAB 67.83, 16.2, 68.22

 

CMYK 0 / 27 / 78 / 22

HEX #C8922D

RGB 200 146 45

HSL 39.1, 0.63%, 0.48%

LAB 64.18, 11.3, 57.99

 

CMYK 0 / 22 / 64 / 29

HEX #B48C40

RGB 180 140 64

HSL 39.31, 0.48%, 0.48%

LAB 60.63, 6.79, 45.39

 

CMYK 0 / 17 / 48 / 37

HEX #A18654

RGB 161 134 84

HSL 38.96, 0.31%, 0.48%

LAB 57.33, 3.5, 30.67

 

CMYK 0 / 87 / 98 / 6

HEX #F02005

RGB 240 32 5

HSL 6.89, 0.96%, 0.48%

LAB 51.35, 73.07, 63.36

 

CMYK 0 / 60 / 98 / 6

HEX #F05F05

RGB 240 95 5

HSL 22.98, 0.96%, 0.48%

LAB 58.71, 52.82, 67.16

 

CMYK 0 / 34 / 98 / 6

HEX #F09E05

RGB 240 158 5

HSL 39.06, 0.96%, 0.48%

LAB 71.55, 21.33, 75.26

 

CMYK 0 / 8 / 98 / 6

HEX #F0DC05

RGB 240 220 5

HSL 54.89, 0.96%, 0.48%

LAB 86.86, -10.77, 86.05

 

CMYK 18 / 0 / 98 / 6

HEX #C5F005

RGB 197 240 5

HSL 70.98, 0.96%, 0.48%

LAB 89.02, -38, 86.23

 

CMYK 0 / 34 / 98 / 38

HEX #9F6903

RGB 159 105 3

HSL 39.23, 0.96%, 0.32%

LAB 48.86, 14.65, 55.44

 

CMYK 0 / 34 / 98 / 22

HEX #C78404

RGB 199 132 4

HSL 39.38, 0.96%, 0.4%

LAB 60.47, 17.57, 65.54

 

CMYK 0 / 34 / 98 / 6

HEX #F09E05

RGB 240 158 5

HSL 39.06, 0.96%, 0.48%

LAB 71.55, 21.33, 75.26

 

CMYK 0 / 30 / 86 / 2

HEX #FBB024

RGB 251 176 36

HSL 39.07, 0.96%, 0.56%

LAB 77.09, 16.97, 74.32

 

CMYK 0 / 24 / 70 / 2

HEX #FBBE4C

RGB 251 190 76

HSL 39.09, 0.96%, 0.64%

LAB 80.66, 11.09, 63.66

 

CMYK 0 / 34 / 98 / 5

HEX #F19F05

RGB 241 159 5

HSL 39.15, 0.96%, 0.48%

LAB 71.9, 21.23, 75.55

 

CMYK 83 / 0 / 98 / 6

HEX #28F005

RGB 40 240 5

HSL 111.06, 0.96%, 0.48%

LAB 83.33, -80.07, 79.33

 

CMYK 73 / 98 / 0 / 6

HEX #4005F0

RGB 64 5 240

HSL 255.06, 0.96%, 0.48%

LAB 32.9, 75.82, -98.35

 

CMYK 0 / 34 / 98 / 5

HEX #F19F05

RGB 241 159 5

HSL 39.15, 0.96%, 0.48%

LAB 71.9, 21.23, 75.55

 

CMYK 98 / 0 / 34 / 6

HEX #05F09E

RGB 5 240 158

HSL 159.06, 0.96%, 0.48%

LAB 84.39, -66.35, 26.48

 

CMYK 34 / 98 / 0 / 6

HEX #9E05F0

RGB 158 5 240

HSL 279.06, 0.96%, 0.48%

LAB 43.75, 82.43, -80.04

 

CMYK 0 / 34 / 98 / 5

HEX #F19F05

RGB 241 159 5

HSL 39.15, 0.96%, 0.48%

LAB 71.9, 21.23, 75.55

 

CMYK 83 / 0 / 98 / 6

HEX #28F005

RGB 40 240 5

HSL 111.06, 0.96%, 0.48%

LAB 83.33, -80.07, 79.33

 

CMYK 98 / 64 / 0 / 6

HEX #0557F0

RGB 5 87 240

HSL 219.06, 0.96%, 0.48%

LAB 42.97, 39.18, -81.72

 

CMYK 15 / 98 / 0 / 6

HEX #CD05F0

RGB 205 5 240

HSL 291.06, 0.96%, 0.48%

LAB 51.13, 88.32, -67.71

 

CMYK 0 / 34 / 98 / 5

HEX #F19F05

RGB 241 159 5

HSL 39.15, 0.96%, 0.48%

LAB 71.9, 21.23, 75.55

 

CMYK 98 / 0 / 83 / 6

HEX #05F028

RGB 5 240 40

HSL 128.94, 0.96%, 0.48%

LAB 83.18, -81.11, 74.04

 

CMYK 98 / 64 / 0 / 6

HEX #0557F0

RGB 5 87 240

HSL 219.06, 0.96%, 0.48%

LAB 42.97, 39.18, -81.72

 

CMYK 0 / 98 / 15 / 6

HEX #F005CD

RGB 240 5 205

HSL 308.94, 0.96%, 0.48%

LAB 55.12, 88.88, -41.11

 

Description

Color code: HEX #F19F05 | qconv.com Color code: HEX #F19F05 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 159 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 159 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 98 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 98% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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