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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44F005 it is the complementary color #BB0FFA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44F005. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44F005 shade: #49F000, #5AFF13, #6BFF26, #7CFF39 and #8DFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44F005. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44F005 shade: #44F005, #33DE00, #22CC00, #11BA00 and #00A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44F005 shade: #44F005, #83F005, #C3F005, #F0DE05 and #F09E05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44F005 shade: #44F005, #05F005, #05F045, #05F084 and #05F0C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44F005 shade matches the following richer shades: #44F005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44F005 shade: #44F005, #4DDC19, #56C82D, #5FB440 and #69A154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44F005 shade: #C5F005, #86F005, #47F005, #09F005 and #05F040

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44F005 shade: #2D9F03, #38C704, #44F005, #5DFB24 and #7BFB4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44F005 shade: #44F005, #05F0DC and #F005A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44F005 shade: #44F005, #0547F0 and #F00547

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44F005 shade: #44F005, #05F0DC, #AD05F0 and #F00518

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44F005 shade: #44F005, #05BDF0, #AD05F0 and #F03805

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 98 / 6

HEX #44F005

RGB 68 240 5

HSL 103.91, 0.96%, 0.48%

LAB 83.74, -76.46, 79.83

 

Complementary color

CMYK 25 / 94 / 0 / 2

HEX #BB0FFA

RGB 187 15 250

HSL 283.91, 0.96%, 0.52%

LAB 49.26, 86.78, -76.47

 

CMYK 70 / 0 / 100 / 6

HEX #49F000

RGB 73 240 0

HSL 101.75, 1%, 0.47%

LAB 83.83, -75.68, 80.36

 

CMYK 65 / 0 / 93 / 0

HEX #5AFF13

RGB 90 255 19

HSL 101.95, 1%, 0.54%

LAB 88.8, -76.74, 82.88

 

CMYK 58 / 0 / 85 / 0

HEX #6BFF26

RGB 107 255 38

HSL 100.92, 1%, 0.57%

LAB 89.29, -72.49, 80.48

 

CMYK 51 / 0 / 78 / 0

HEX #7CFF39

RGB 124 255 57

HSL 99.7, 1%, 0.61%

LAB 89.91, -67.34, 76.62

 

CMYK 45 / 0 / 70 / 0

HEX #8DFF4C

RGB 141 255 76

HSL 98.21, 1%, 0.65%

LAB 90.64, -61.37, 71.52

 

CMYK 72 / 0 / 98 / 6

HEX #44F005

RGB 68 240 5

HSL 103.91, 0.96%, 0.48%

LAB 83.74, -76.46, 79.83

 

CMYK 77 / 0 / 100 / 13

HEX #33DE00

RGB 51 222 0

HSL 106.22, 1%, 0.44%

LAB 77.84, -73.85, 75.42

 

CMYK 83 / 0 / 100 / 20

HEX #22CC00

RGB 34 204 0

HSL 110, 1%, 0.4%

LAB 71.91, -70.76, 70.59

 

CMYK 91 / 0 / 100 / 27

HEX #11BA00

RGB 17 186 0

HSL 114.52, 1%, 0.36%

LAB 65.93, -67.15, 65.74

 

CMYK 100 / 0 / 100 / 34

HEX #00A800

RGB 0 168 0

HSL 120, 1%, 0.33%

LAB 59.89, -63.05, 60.85

 

CMYK 72 / 0 / 98 / 6

HEX #44F005

RGB 68 240 5

HSL 103.91, 0.96%, 0.48%

LAB 83.74, -76.46, 79.83

 

CMYK 45 / 0 / 98 / 6

HEX #83F005

RGB 131 240 5

HSL 87.83, 0.96%, 0.48%

LAB 85.58, -61.46, 82.08

 

CMYK 19 / 0 / 98 / 6

HEX #C3F005

RGB 195 240 5

HSL 71.49, 0.96%, 0.48%

LAB 88.89, -38.79, 86.08

 

CMYK 0 / 8 / 98 / 6

HEX #F0DE05

RGB 240 222 5

HSL 55.4, 0.96%, 0.48%

LAB 87.38, -11.77, 86.43

 

CMYK 0 / 34 / 98 / 6

HEX #F09E05

RGB 240 158 5

HSL 39.06, 0.96%, 0.48%

LAB 71.55, 21.33, 75.26

 

CMYK 72 / 0 / 98 / 6

HEX #44F005

RGB 68 240 5

HSL 103.91, 0.96%, 0.48%

LAB 83.74, -76.46, 79.83

 

CMYK 98 / 0 / 98 / 6

HEX #05F005

RGB 5 240 5

HSL 120, 0.96%, 0.48%

LAB 83.11, -82.09, 79.06

 

CMYK 98 / 0 / 71 / 6

HEX #05F045

RGB 5 240 69

HSL 136.34, 0.96%, 0.48%

LAB 83.33, -79.23, 65.61

 

CMYK 98 / 0 / 45 / 6

HEX #05F084

RGB 5 240 132

HSL 152.43, 0.96%, 0.48%

LAB 83.98, -71.23, 38.96

 

CMYK 98 / 0 / 19 / 6

HEX #05F0C3

RGB 5 240 195

HSL 168.51, 0.96%, 0.48%

LAB 85.15, -57.96, 8.39

 

CMYK 72 / 0 / 98 / 6

HEX #44F005

RGB 68 240 5

HSL 103.91, 0.96%, 0.48%

LAB 83.74, -76.46, 79.83

 

CMYK 72 / 0 / 98 / 6

HEX #44F005

RGB 68 240 5

HSL 103.91, 0.96%, 0.48%

LAB 83.74, -76.46, 79.83

 

CMYK 65 / 0 / 89 / 14

HEX #4DDC19

RGB 77 220 25

HSL 104, 0.8%, 0.48%

LAB 77.78, -68.27, 72.67

 

CMYK 57 / 0 / 78 / 22

HEX #56C82D

RGB 86 200 45

HSL 104.13, 0.63%, 0.48%

LAB 71.88, -58.57, 62.62

 

CMYK 47 / 0 / 64 / 29

HEX #5FB440

RGB 95 180 64

HSL 103.97, 0.48%, 0.48%

LAB 66.09, -47.02, 49.73

 

CMYK 35 / 0 / 48 / 37

HEX #69A154

RGB 105 161 84

HSL 103.64, 0.31%, 0.48%

LAB 60.9, -33.22, 34.23

 

CMYK 18 / 0 / 98 / 6

HEX #C5F005

RGB 197 240 5

HSL 70.98, 0.96%, 0.48%

LAB 89.02, -38, 86.23

 

CMYK 44 / 0 / 98 / 6

HEX #86F005

RGB 134 240 5

HSL 87.06, 0.96%, 0.48%

LAB 85.71, -60.54, 82.23

 

CMYK 70 / 0 / 98 / 6

HEX #47F005

RGB 71 240 5

HSL 103.15, 0.96%, 0.48%

LAB 83.79, -75.96, 79.9

 

CMYK 96 / 0 / 98 / 6

HEX #09F005

RGB 9 240 5

HSL 118.98, 0.96%, 0.48%

LAB 83.12, -81.96, 79.08

 

CMYK 98 / 0 / 73 / 6

HEX #05F040

RGB 5 240 64

HSL 135.06, 0.96%, 0.48%

LAB 83.3, -79.63, 67.31

 

CMYK 72 / 0 / 98 / 38

HEX #2D9F03

RGB 45 159 3

HSL 103.85, 0.96%, 0.32%

LAB 57.43, -55.63, 58.65

 

CMYK 72 / 0 / 98 / 22

HEX #38C704

RGB 56 199 4

HSL 104, 0.96%, 0.4%

LAB 70.66, -66.19, 69.3

 

CMYK 72 / 0 / 98 / 6

HEX #44F005

RGB 68 240 5

HSL 103.91, 0.96%, 0.48%

LAB 83.74, -76.46, 79.83

 

CMYK 63 / 0 / 86 / 2

HEX #5DFB24

RGB 93 251 36

HSL 104.09, 0.96%, 0.56%

LAB 87.7, -74.4, 79.35

 

CMYK 51 / 0 / 70 / 2

HEX #7BFB4C

RGB 123 251 76

HSL 103.89, 0.96%, 0.64%

LAB 88.79, -64.99, 69.41

 

CMYK 72 / 0 / 98 / 6

HEX #44F005

RGB 68 240 5

HSL 103.91, 0.96%, 0.48%

LAB 83.74, -76.46, 79.83

 

CMYK 98 / 0 / 8 / 6

HEX #05F0DC

RGB 5 240 220

HSL 174.89, 0.96%, 0.48%

LAB 85.77, -51.44, -3.81

 

CMYK 0 / 98 / 31 / 6

HEX #F005A5

RGB 240 5 165

HSL 319.15, 0.96%, 0.48%

LAB 53.33, 84.34, -20.61

 

CMYK 72 / 0 / 98 / 6

HEX #44F005

RGB 68 240 5

HSL 103.91, 0.96%, 0.48%

LAB 83.74, -76.46, 79.83

 

CMYK 98 / 70 / 0 / 6

HEX #0547F0

RGB 5 71 240

HSL 223.15, 0.96%, 0.48%

LAB 39.29, 49.04, -87.79

 

CMYK 0 / 98 / 70 / 6

HEX #F00547

RGB 240 5 71

HSL 343.15, 0.96%, 0.48%

LAB 50.79, 77.61, 32.49

 

CMYK 72 / 0 / 98 / 6

HEX #44F005

RGB 68 240 5

HSL 103.91, 0.96%, 0.48%

LAB 83.74, -76.46, 79.83

 

CMYK 98 / 0 / 8 / 6

HEX #05F0DC

RGB 5 240 220

HSL 174.89, 0.96%, 0.48%

LAB 85.77, -51.44, -3.81

 

CMYK 28 / 98 / 0 / 6

HEX #AD05F0

RGB 173 5 240

HSL 282.89, 0.96%, 0.48%

LAB 46.02, 84.15, -76.24

 

CMYK 0 / 98 / 90 / 6

HEX #F00518

RGB 240 5 24

HSL 355.15, 0.96%, 0.48%

LAB 50.33, 76.36, 57.01

 

CMYK 72 / 0 / 98 / 6

HEX #44F005

RGB 68 240 5

HSL 103.91, 0.96%, 0.48%

LAB 83.74, -76.46, 79.83

 

CMYK 98 / 21 / 0 / 6

HEX #05BDF0

RGB 5 189 240

HSL 193.02, 0.96%, 0.48%

LAB 71.36, -21.67, -36.3

 

CMYK 28 / 98 / 0 / 6

HEX #AD05F0

RGB 173 5 240

HSL 282.89, 0.96%, 0.48%

LAB 46.02, 84.15, -76.24

 

CMYK 0 / 77 / 98 / 6

HEX #F03805

RGB 240 56 5

HSL 13.02, 0.96%, 0.48%

LAB 53.35, 67.41, 64.3

 

Description

Color code: HEX #44F005 | qconv.com Color code: HEX #44F005 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 240 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 240 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 98 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 98% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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