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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F18C63 it is the complementary color #0E739C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F18C63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F18C63 shade: #F68C5E, #FF9E71, #FFB084, #FFC297 and #FFD4AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F18C63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F18C63 shade: #F18C63, #E07A50, #CF683D, #BE562A and #AD4417

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F18C63 shade: #F28D64, #F26764 and #F26464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F18C63 shade: #F28D64, #F2B364, #F2D964, #E4F264 and #BEF264

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F18C63 shade matches the following richer shades: #F28D64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F18C63 shade: #F28D64, #E49372, #D6987F, #C99E8D and #BBA49B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F18C63 shade: #F26488, #F26764, #F28C64, #F2B264 and #F2D864

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F18C63 shade: #EB5518, #EE713E, #F28D64, #F5A98A and #F8C5B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F18C63 shade: #F18C63, #ADF264 and #6475F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F18C63 shade: #F18C63, #64F28C and #8C64F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F18C63 shade: #F18C63, #ADF264, #64C9F2 and #A864F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F18C63 shade: #F18C63, #83F264, #64C9F2 and #D364F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 59 / 5

HEX #F18C63

RGB 241 140 99

HSL 17.32, 0.84%, 0.67%

LAB 68.28, 34.62, 38.3

 

Complementary color

CMYK 91 / 26 / 0 / 39

HEX #0E739C

RGB 14 115 156

HSL 197.32, 0.84%, 0.33%

LAB 45.3, -11.22, -29.54

 

CMYK 0 / 43 / 62 / 4

HEX #F68C5E

RGB 246 140 94

HSL 18.16, 0.89%, 0.67%

LAB 68.86, 36.22, 41.79

 

CMYK 0 / 38 / 56 / 0

HEX #FF9E71

RGB 255 158 113

HSL 19.01, 1%, 0.72%

LAB 74.13, 31.79, 38.57

 

CMYK 0 / 31 / 48 / 0

HEX #FFB084

RGB 255 176 132

HSL 21.46, 1%, 0.76%

LAB 78.45, 24.02, 34.11

 

CMYK 0 / 24 / 41 / 0

HEX #FFC297

RGB 255 194 151

HSL 24.81, 1%, 0.8%

LAB 82.95, 16.5, 30.08

 

CMYK 0 / 17 / 33 / 0

HEX #FFD4AA

RGB 255 212 170

HSL 29.65, 1%, 0.83%

LAB 87.61, 9.3, 26.43

 

CMYK 0 / 42 / 59 / 5

HEX #F18C63

RGB 241 140 99

HSL 17.32, 0.84%, 0.67%

LAB 68.28, 34.62, 38.3

 

CMYK 0 / 46 / 64 / 12

HEX #E07A50

RGB 224 122 80

HSL 17.5, 0.7%, 0.6%

LAB 61.95, 36.02, 40.18

 

CMYK 0 / 50 / 71 / 19

HEX #CF683D

RGB 207 104 61

HSL 17.67, 0.6%, 0.53%

LAB 55.59, 37.54, 42.21

 

CMYK 0 / 55 / 78 / 25

HEX #BE562A

RGB 190 86 42

HSL 17.84, 0.64%, 0.45%

LAB 49.22, 39.17, 44.31

 

CMYK 0 / 61 / 87 / 32

HEX #AD4417

RGB 173 68 23

HSL 18, 0.77%, 0.38%

LAB 42.88, 40.86, 46.16

 

CMYK 0 / 42 / 59 / 5

HEX #F28D64

RGB 242 141 100

HSL 17.32, 0.85%, 0.67%

LAB 68.64, 34.56, 38.23

 

CMYK 0 / 57 / 59 / 5

HEX #F26764

RGB 242 103 100

HSL 1.27, 0.85%, 0.67%

LAB 61.22, 53.27, 28.83

 

CMYK 0 / 59 / 59 / 5

HEX #F26464

RGB 242 100 100

HSL 0, 0.85%, 0.67%

LAB 60.7, 54.63, 28.17

 

CMYK 0 / 42 / 59 / 5

HEX #F28D64

RGB 242 141 100

HSL 17.32, 0.85%, 0.67%

LAB 68.64, 34.56, 38.23

 

CMYK 0 / 26 / 59 / 5

HEX #F2B364

RGB 242 179 100

HSL 33.38, 0.85%, 0.67%

LAB 77.3, 14.58, 48.71

 

CMYK 0 / 10 / 59 / 5

HEX #F2D964

RGB 242 217 100

HSL 49.44, 0.85%, 0.67%

LAB 86.71, -5.1, 59.56

 

CMYK 6 / 0 / 59 / 5

HEX #E4F264

RGB 228 242 100

HSL 65.92, 0.85%, 0.67%

LAB 92.1, -23.06, 65.23

 

CMYK 21 / 0 / 59 / 5

HEX #BEF264

RGB 190 242 100

HSL 81.97, 0.85%, 0.67%

LAB 89.57, -37.65, 61.72

 

CMYK 0 / 42 / 59 / 5

HEX #F28D64

RGB 242 141 100

HSL 17.32, 0.85%, 0.67%

LAB 68.64, 34.56, 38.23

 

CMYK 0 / 42 / 59 / 5

HEX #F28D64

RGB 242 141 100

HSL 17.32, 0.85%, 0.67%

LAB 68.64, 34.56, 38.23

 

CMYK 0 / 36 / 50 / 11

HEX #E49372

RGB 228 147 114

HSL 17.37, 0.68%, 0.67%

LAB 68.44, 27.06, 30.09

 

CMYK 0 / 29 / 41 / 16

HEX #D6987F

RGB 214 152 127

HSL 17.24, 0.51%, 0.67%

LAB 68.23, 20.15, 22.41

 

CMYK 0 / 21 / 30 / 21

HEX #C99E8D

RGB 201 158 141

HSL 17, 0.36%, 0.67%

LAB 68.6, 13.5, 14.98

 

CMYK 0 / 12 / 17 / 27

HEX #BBA49B

RGB 187 164 155

HSL 16.88, 0.19%, 0.67%

LAB 69.1, 6.9, 7.74

 

CMYK 0 / 59 / 44 / 5

HEX #F26488

RGB 242 100 136

HSL 344.79, 0.85%, 0.67%

LAB 61.45, 57.62, 8.46

 

CMYK 0 / 57 / 59 / 5

HEX #F26764

RGB 242 103 100

HSL 1.27, 0.85%, 0.67%

LAB 61.22, 53.27, 28.83

 

CMYK 0 / 42 / 59 / 5

HEX #F28C64

RGB 242 140 100

HSL 16.9, 0.85%, 0.67%

LAB 68.43, 35.08, 37.97

 

CMYK 0 / 26 / 59 / 5

HEX #F2B264

RGB 242 178 100

HSL 32.96, 0.85%, 0.67%

LAB 77.06, 15.11, 48.43

 

CMYK 0 / 11 / 59 / 5

HEX #F2D864

RGB 242 216 100

HSL 49.01, 0.85%, 0.67%

LAB 86.46, -4.59, 59.27

 

CMYK 0 / 64 / 90 / 8

HEX #EB5518

RGB 235 85 24

HSL 17.35, 0.84%, 0.51%

LAB 56.31, 55.6, 60.76

 

CMYK 0 / 53 / 74 / 7

HEX #EE713E

RGB 238 113 62

HSL 17.39, 0.84%, 0.59%

LAB 61.94, 44.98, 49.93

 

CMYK 0 / 42 / 59 / 5

HEX #F28D64

RGB 242 141 100

HSL 17.32, 0.85%, 0.67%

LAB 68.64, 34.56, 38.23

 

CMYK 0 / 31 / 44 / 4

HEX #F5A98A

RGB 245 169 138

HSL 17.38, 0.84%, 0.75%

LAB 75.84, 24.39, 27.27

 

CMYK 0 / 21 / 29 / 3

HEX #F8C5B0

RGB 248 197 176

HSL 17.5, 0.84%, 0.83%

LAB 83.45, 15.23, 17.45

 

CMYK 0 / 42 / 59 / 5

HEX #F18C63

RGB 241 140 99

HSL 17.32, 0.84%, 0.67%

LAB 68.28, 34.62, 38.3

 

CMYK 29 / 0 / 59 / 5

HEX #ADF264

RGB 173 242 100

HSL 89.15, 0.85%, 0.67%

LAB 88.59, -43.78, 60.36

 

CMYK 59 / 52 / 0 / 5

HEX #6475F2

RGB 100 117 242

HSL 232.82, 0.85%, 0.67%

LAB 53.86, 30.16, -64.97

 

CMYK 0 / 42 / 59 / 5

HEX #F18C63

RGB 241 140 99

HSL 17.32, 0.84%, 0.67%

LAB 68.28, 34.62, 38.3

 

CMYK 59 / 0 / 42 / 5

HEX #64F28C

RGB 100 242 140

HSL 136.9, 0.85%, 0.67%

LAB 86.06, -59.86, 37.98

 

CMYK 42 / 59 / 0 / 5

HEX #8C64F2

RGB 140 100 242

HSL 256.9, 0.85%, 0.67%

LAB 53.06, 47.98, -66.11

 

CMYK 0 / 42 / 59 / 5

HEX #F18C63

RGB 241 140 99

HSL 17.32, 0.84%, 0.67%

LAB 68.28, 34.62, 38.3

 

CMYK 29 / 0 / 59 / 5

HEX #ADF264

RGB 173 242 100

HSL 89.15, 0.85%, 0.67%

LAB 88.59, -43.78, 60.36

 

CMYK 59 / 17 / 0 / 5

HEX #64C9F2

RGB 100 201 242

HSL 197.32, 0.85%, 0.67%

LAB 76.61, -17.85, -29.13

 

CMYK 31 / 59 / 0 / 5

HEX #A864F2

RGB 168 100 242

HSL 268.73, 0.85%, 0.67%

LAB 55.94, 54.13, -61.32

 

CMYK 0 / 42 / 59 / 5

HEX #F18C63

RGB 241 140 99

HSL 17.32, 0.84%, 0.67%

LAB 68.28, 34.62, 38.3

 

CMYK 46 / 0 / 59 / 5

HEX #83F264

RGB 131 242 100

HSL 106.9, 0.85%, 0.67%

LAB 86.63, -57.3, 57.6

 

CMYK 59 / 17 / 0 / 5

HEX #64C9F2

RGB 100 201 242

HSL 197.32, 0.85%, 0.67%

LAB 76.61, -17.85, -29.13

 

CMYK 13 / 59 / 0 / 5

HEX #D364F2

RGB 211 100 242

HSL 286.9, 0.85%, 0.67%

LAB 61.11, 64.27, -52.76

 

Description

Color code: HEX #F18C63 | qconv.com Color code: HEX #F18C63 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 140 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 140 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 59 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 59% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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