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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 21 / 30 / 21 it is the complementary color CMYK 53 / 16 / 0 / 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 21 / 30 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 21 / 30 / 21: CMYK 0 / 23 / 34 / 19, CMYK 0 / 21 / 30 / 13, CMYK 0 / 19 / 28 / 6, CMYK 0 / 16 / 24 / 0 and CMYK 0 / 9 / 17 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 21 / 30 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 21 / 30 / 21: CMYK 0 / 21 / 30 / 21, CMYK 0 / 23 / 34 / 28, CMYK 0 / 26 / 38 / 35, CMYK 0 / 30 / 44 / 41 and CMYK 0 / 35 / 51 / 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 30 / 21

HEX #C99F8D

RGB 201 159 141

HSL 18, 0.36%, 0.67%

LAB 68.85, 12.96, 15.32

 

Complementary color

CMYK 53 / 16 / 0 / 55

HEX #366072

RGB 54 96 114

HSL 198, 0.36%, 0.33%

LAB 38.49, -9.18, -14.71

 

CMYK 0 / 23 / 34 / 19

HEX #CE9F88

RGB 206 159 136

HSL 19.71, 0.42%, 0.67%

LAB 69.25, 14.26, 18.71

 

CMYK 0 / 21 / 30 / 13

HEX #DFB19B

RGB 223 177 155

HSL 19.41, 0.52%, 0.74%

LAB 75.76, 13.6, 17.62

 

CMYK 0 / 19 / 28 / 6

HEX #F0C3AE

RGB 240 195 174

HSL 19.09, 0.69%, 0.81%

LAB 82.17, 13.01, 16.6

 

CMYK 0 / 16 / 24 / 0

HEX #FFD5C1

RGB 255 213 193

HSL 19.35, 1%, 0.88%

LAB 88.3, 11.75, 15.37

 

CMYK 0 / 9 / 17 / 0

HEX #FFE7D4

RGB 255 231 212

HSL 26.51, 1%, 0.92%

LAB 93.09, 5.2, 12.21

 

CMYK 0 / 21 / 30 / 21

HEX #C99F8D

RGB 201 159 141

HSL 18, 0.36%, 0.67%

LAB 68.85, 12.96, 15.32

 

CMYK 0 / 23 / 34 / 28

HEX #B88D7A

RGB 184 141 122

HSL 18.39, 0.3%, 0.6%

LAB 62.21, 13.63, 16.43

 

CMYK 0 / 26 / 38 / 35

HEX #A77B67

RGB 167 123 103

HSL 18.75, 0.27%, 0.53%

LAB 55.44, 14.4, 17.64

 

CMYK 0 / 30 / 44 / 41

HEX #966954

RGB 150 105 84

HSL 19.09, 0.28%, 0.46%

LAB 48.55, 15.31, 18.99

 

CMYK 0 / 35 / 51 / 48

HEX #855741

RGB 133 87 65

HSL 19.41, 0.34%, 0.39%

LAB 41.51, 16.4, 20.54

 

CMYK 0 / 21 / 30 / 21

HEX #C99F8D

RGB 201 159 141

HSL 18, 0.36%, 0.67%

LAB 68.85, 12.96, 15.32

 

CMYK 0 / 16 / 30 / 21

HEX #C9A88C

RGB 201 168 140

HSL 27.54, 0.36%, 0.67%

LAB 71.09, 7.93, 18.98

 

CMYK 0 / 11 / 30 / 21

HEX #C9B28C

RGB 201 178 140

HSL 37.38, 0.36%, 0.67%

LAB 73.64, 2.55, 22.48

 

CMYK 0 / 6 / 30 / 21

HEX #C9BD8C

RGB 201 189 140

HSL 48.2, 0.36%, 0.67%

LAB 76.5, -3.27, 26.35

 

CMYK 0 / 1 / 30 / 21

HEX #C9C78C

RGB 201 199 140

HSL 58.03, 0.36%, 0.67%

LAB 79.13, -8.47, 29.87

 

CMYK 0 / 21 / 30 / 21

HEX #C99F8D

RGB 201 159 141

HSL 18, 0.36%, 0.67%

LAB 68.85, 12.96, 15.32

 

CMYK 0 / 21 / 30 / 1

HEX #FCC7B1

RGB 252 199 177

HSL 17.6, 0.93%, 0.84%

LAB 84.34, 15.8, 18.21

 

CMYK 0 / 21 / 29 / 81

HEX #302622

RGB 48 38 34

HSL 17.14, 0.17%, 0.16%

LAB 16.16, 3.91, 4.41

 

CMYK 0 / 21 / 30 / 61

HEX #634E45

RGB 99 78 69

HSL 18, 0.18%, 0.33%

LAB 35.07, 7.32, 8.67

 

CMYK 0 / 21 / 30 / 41

HEX #967769

RGB 150 119 105

HSL 18.67, 0.18%, 0.5%

LAB 52.62, 9.94, 12.3

 

CMYK 0 / 21 / 30 / 21

HEX #C99F8D

RGB 201 159 141

HSL 18, 0.36%, 0.67%

LAB 68.85, 12.96, 15.32

 

CMYK 15 / 0 / 30 / 21

HEX #AAC98C

RGB 170 201 140

HSL 90.49, 0.36%, 0.67%

LAB 77.41, -21.19, 27.16

 

CMYK 30 / 27 / 0 / 21

HEX #8C92C9

RGB 140 146 201

HSL 234.1, 0.36%, 0.67%

LAB 61.96, 10.5, -29.06

 

CMYK 0 / 21 / 30 / 21

HEX #C99F8D

RGB 201 159 141

HSL 18, 0.36%, 0.67%

LAB 68.85, 12.96, 15.32

 

CMYK 30 / 0 / 21 / 21

HEX #8CC99E

RGB 140 201 158

HSL 137.7, 0.36%, 0.67%

LAB 75.96, -28.43, 15.35

 

CMYK 21 / 30 / 0 / 21

HEX #9E8CC9

RGB 158 140 201

HSL 257.7, 0.36%, 0.67%

LAB 61.86, 19.39, -29.08

 

CMYK 0 / 21 / 30 / 21

HEX #C99F8D

RGB 201 159 141

HSL 18, 0.36%, 0.67%

LAB 68.85, 12.96, 15.32

 

CMYK 15 / 0 / 30 / 21

HEX #AAC98C

RGB 170 201 140

HSL 90.49, 0.36%, 0.67%

LAB 77.41, -21.19, 27.16

 

CMYK 30 / 9 / 0 / 21

HEX #8CB6C9

RGB 140 182 201

HSL 198.69, 0.36%, 0.67%

LAB 71.72, -9.5, -14.17

 

CMYK 15 / 30 / 0 / 21

HEX #AA8CC9

RGB 170 140 201

HSL 269.51, 0.36%, 0.67%

LAB 62.94, 23.15, -27.33

 

CMYK 0 / 21 / 30 / 21

HEX #C99F8D

RGB 201 159 141

HSL 18, 0.36%, 0.67%

LAB 68.85, 12.96, 15.32

 

CMYK 24 / 0 / 30 / 21

HEX #98C98C

RGB 152 201 140

HSL 108.2, 0.36%, 0.67%

LAB 76.28, -27.58, 25.45

 

CMYK 30 / 9 / 0 / 21

HEX #8CB6C9

RGB 140 182 201

HSL 198.69, 0.36%, 0.67%

LAB 71.72, -9.5, -14.17

 

CMYK 6 / 30 / 0 / 21

HEX #BD8CC9

RGB 189 140 201

HSL 288.2, 0.36%, 0.67%

LAB 64.8, 29.24, -24.32

 

Description

Color code: CMYK 0 / 21 / 30 / 21 | qconv.com Color code: CMYK 0 / 21 / 30 / 21 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 159 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 159 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 30 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 30% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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