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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1827ACE it is the complementary color #0E7D85CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1827ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1827ACE shade: #F68275CE, #FF9488CE, #FFA69BCE, #FFB8AECE and #FFCAC1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1827ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1827ACE shade: #F1827ACE, #E07067CE, #CF5E54CE, #BE4C41CE and #AD3A2ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1827ACE shade: #F18179 and #F17979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1827ACE shade: #F18179, #F1A279, #F1C279, #F1E279 and #DFF179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1827ACE shade matches the following richer shades: #F18179 and #FD776D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1827ACE shade: #F18179, #E58C85, #D99691, #CDA09D and #C1ABA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1827ACE shade: #F179B1, #F17991, #F18179, #F1A179 and #F1C179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1827ACE shade: #E93B2E, #ED5E54, #F18179, #F5A49E and #F9C7C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1827ACE shade: #F1827A, #D1F179 and #79A1F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1827ACE shade: #F1827A, #79F181 and #8179F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1827ACE shade: #F1827A, #D1F179, #79E9F1 and #9979F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1827ACE shade: #F1827A, #ADF179, #79E9F1 and #BD79F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 40 / 4

HEX #F1827ACE

RGBA 241 130 122 0.81

HSLA 4.03, 0.81%, 0.71%, 0.81

LABA 66.57, 41.61, 23.51, 0.81

 

Complementary color

CMYK 72 / 5 / 0 / 39

HEX #0E7D85CE

RGBA 14 125 133 0.81

HSLA 184.03, 0.81%, 0.29%, 0.81

LABA 47.56, -24.92, -12.46, 0.81

 

CMYK 0 / 38 / 42 / 3

HEX #F68275CE

RGBA 246 130 117 0.81

HSLA 6.05, 0.88%, 0.71%, 0.81

LABA 67.16, 43.02, 27.19, 0.81

 

CMYK 0 / 34 / 38 / 0

HEX #FF9488CE

RGBA 255 148 136 0.81

HSLA 6.05, 1%, 0.77%, 0.81

LABA 72.37, 38.93, 23.89, 0.81

 

CMYK 0 / 28 / 32 / 0

HEX #FFA69BCE

RGBA 255 166 155 0.81

HSLA 6.6, 1%, 0.8%, 0.81

LABA 76.62, 31.58, 19.33, 0.81

 

CMYK 0 / 23 / 26 / 0

HEX #FFB8AECE

RGBA 255 184 174 0.81

HSLA 7.41, 1%, 0.84%, 0.81

LABA 81.07, 24.41, 15.28, 0.81

 

CMYK 0 / 17 / 20 / 0

HEX #FFCAC1CE

RGBA 255 202 193 0.81

HSLA 8.71, 1%, 0.88%, 0.81

LABA 85.68, 17.48, 11.66, 0.81

 

CMYK 0 / 37 / 40 / 4

HEX #F1827ACE

RGBA 241 130 122 0.81

HSLA 4.03, 0.81%, 0.71%, 0.81

LABA 66.57, 41.61, 23.51, 0.81

 

CMYK 0 / 41 / 44 / 10

HEX #E07067CE

RGBA 224 112 103 0.81

HSLA 4.46, 0.66%, 0.64%, 0.81

LABA 60.26, 42.78, 25.37, 0.81

 

CMYK 0 / 44 / 48 / 15

HEX #CF5E54CE

RGBA 207 94 84 0.81

HSLA 4.88, 0.56%, 0.57%, 0.81

LABA 53.93, 43.98, 27.52, 0.81

 

CMYK 0 / 49 / 53 / 21

HEX #BE4C41CE

RGBA 190 76 65 0.81

HSLA 5.28, 0.49%, 0.5%, 0.81

LABA 47.62, 45.16, 30.03, 0.81

 

CMYK 0 / 54 / 59 / 26

HEX #AD3A2ECE

RGBA 173 58 46 0.81

HSLA 5.67, 0.58%, 0.43%, 0.81

LABA 41.39, 46.22, 32.97, 0.81

 

CMYK 0 / 46 / 50 / 5

HEX #F18179

RGB 241 129 121

HSL 4, 0.81%, 0.71%

LAB 66.35, 42.03, 23.77

 

CMYK 0 / 50 / 50 / 5

HEX #F17979

RGB 241 121 121

HSL 0, 0.81%, 0.71%

LAB 64.77, 46.02, 21.63

 

CMYK 0 / 46 / 50 / 5

HEX #F18179

RGB 241 129 121

HSL 4, 0.81%, 0.71%

LAB 66.35, 42.03, 23.77

 

CMYK 0 / 33 / 50 / 5

HEX #F1A279

RGB 241 162 121

HSL 20.5, 0.81%, 0.71%

LAB 73.49, 24.87, 33.19

 

CMYK 0 / 20 / 50 / 5

HEX #F1C279

RGB 241 194 121

HSL 36.5, 0.81%, 0.71%

LAB 81.11, 8, 42.87

 

CMYK 0 / 6 / 50 / 5

HEX #F1E279

RGB 241 226 121

HSL 52.5, 0.81%, 0.71%

LAB 89.15, -8.4, 52.7

 

CMYK 7 / 0 / 50 / 5

HEX #DFF179

RGB 223 241 121

HSL 69, 0.81%, 0.71%

LAB 91.68, -22.84, 55.39

 

CMYK 0 / 46 / 50 / 5

HEX #F18179

RGB 241 129 121

HSL 4, 0.81%, 0.71%

LAB 66.35, 42.03, 23.77

 

CMYK 0 / 53 / 57 / 1

HEX #FD776D

RGB 253 119 109

HSL 4.17, 0.97%, 0.71%

LAB 65.89, 50.29, 30.16

 

CMYK 0 / 46 / 50 / 5

HEX #F18179

RGB 241 129 121

HSL 4, 0.81%, 0.71%

LAB 66.35, 42.03, 23.77

 

CMYK 0 / 39 / 42 / 10

HEX #E58C85

RGB 229 140 133

HSL 4.38, 0.65%, 0.71%

LAB 67.36, 33.05, 18.17

 

CMYK 0 / 31 / 33 / 15

HEX #D99691

RGB 217 150 145

HSL 4.17, 0.49%, 0.71%

LAB 68.47, 24.55, 12.82

 

CMYK 0 / 22 / 23 / 20

HEX #CDA09D

RGB 205 160 157

HSL 3.75, 0.32%, 0.71%

LAB 69.86, 16.2, 7.95

 

CMYK 0 / 11 / 12 / 24

HEX #C1ABA9

RGB 193 171 169

HSL 5, 0.16%, 0.71%

LAB 71.78, 7.61, 3.93

 

CMYK 0 / 50 / 27 / 5

HEX #F179B1

RGB 241 121 177

HSL 332, 0.81%, 0.71%

LAB 66.17, 52.23, -8.14

 

CMYK 0 / 50 / 40 / 5

HEX #F17991

RGB 241 121 145

HSL 348, 0.81%, 0.71%

LAB 65.29, 48.38, 8.75

 

CMYK 0 / 46 / 50 / 5

HEX #F18179

RGB 241 129 121

HSL 4, 0.81%, 0.71%

LAB 66.35, 42.03, 23.77

 

CMYK 0 / 33 / 50 / 5

HEX #F1A179

RGB 241 161 121

HSL 20, 0.81%, 0.71%

LAB 73.27, 25.4, 32.89

 

CMYK 0 / 20 / 50 / 5

HEX #F1C179

RGB 241 193 121

HSL 36, 0.81%, 0.71%

LAB 80.86, 8.52, 42.56

 

CMYK 0 / 75 / 80 / 9

HEX #E93B2E

RGB 233 59 46

HSL 4.17, 0.81%, 0.55%

LAB 52.56, 65.1, 48.1

 

CMYK 0 / 60 / 65 / 7

HEX #ED5E54

RGB 237 94 84

HSL 3.92, 0.81%, 0.63%

LAB 58.65, 54.57, 34.45

 

CMYK 0 / 46 / 50 / 5

HEX #F18179

RGB 241 129 121

HSL 4, 0.81%, 0.71%

LAB 66.35, 42.03, 23.77

 

CMYK 0 / 33 / 36 / 4

HEX #F5A49E

RGB 245 164 158

HSL 4.14, 0.81%, 0.79%

LAB 75.1, 29.24, 15.41

 

CMYK 0 / 20 / 21 / 2

HEX #F9C7C4

RGB 249 199 196

HSL 3.4, 0.82%, 0.87%

LAB 84.47, 17.3, 8.25

 

CMYK 0 / 46 / 49 / 5

HEX #F1827A

RGB 241 130 122

HSL 4.03, 0.81%, 0.71%

LAB 66.57, 41.61, 23.51

 

CMYK 13 / 0 / 50 / 5

HEX #D1F179

RGB 209 241 121

HSL 76, 0.81%, 0.71%

LAB 90.71, -28.19, 54

 

CMYK 50 / 33 / 0 / 5

HEX #79A1F1

RGB 121 161 241

HSL 220, 0.81%, 0.71%

LAB 66.45, 8.08, -44.3

 

CMYK 0 / 46 / 49 / 5

HEX #F1827A

RGB 241 130 122

HSL 4.03, 0.81%, 0.71%

LAB 66.57, 41.61, 23.51

 

CMYK 50 / 0 / 46 / 5

HEX #79F181

RGB 121 241 129

HSL 124, 0.81%, 0.71%

LAB 86.29, -56.15, 43.77

 

CMYK 46 / 50 / 0 / 5

HEX #8179F1

RGB 129 121 241

HSL 244, 0.81%, 0.71%

LAB 56.77, 33.31, -59.62

 

CMYK 0 / 46 / 49 / 5

HEX #F1827A

RGB 241 130 122

HSL 4.03, 0.81%, 0.71%

LAB 66.57, 41.61, 23.51

 

CMYK 13 / 0 / 50 / 5

HEX #D1F179

RGB 209 241 121

HSL 76, 0.81%, 0.71%

LAB 90.71, -28.19, 54

 

CMYK 50 / 3 / 0 / 5

HEX #79E9F1

RGB 121 233 241

HSL 184, 0.81%, 0.71%

LAB 86.35, -29.89, -13.76

 

CMYK 37 / 50 / 0 / 5

HEX #9979F1

RGB 153 121 241

HSL 256, 0.81%, 0.71%

LAB 58.79, 38.91, -56.29

 

CMYK 0 / 46 / 49 / 5

HEX #F1827A

RGB 241 130 122

HSL 4.03, 0.81%, 0.71%

LAB 66.57, 41.61, 23.51

 

CMYK 28 / 0 / 50 / 5

HEX #ADF179

RGB 173 241 121

HSL 94, 0.81%, 0.71%

LAB 88.53, -41.26, 50.86

 

CMYK 50 / 3 / 0 / 5

HEX #79E9F1

RGB 121 233 241

HSL 184, 0.81%, 0.71%

LAB 86.35, -29.89, -13.76

 

CMYK 22 / 50 / 0 / 5

HEX #BD79F1

RGB 189 121 241

HSL 274, 0.81%, 0.71%

LAB 62.38, 48.08, -50.36

 

Description

Color code: HEX #F1827ACE | qconv.com Color code: HEX #F1827ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 130 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 130 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 40 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 40% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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