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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 162 121 it is the complementary color RGB 14 93 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 162 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 162 121 shade: RGB 246 162 116, RGB 255 180 135, RGB 255 198 154, RGB 255 216 173 and RGB 255 234 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 162 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 162 121 shade: RGB 241 162 121, RGB 224 144 102, RGB 207 126 83, RGB 190 108 64 and RGB 173 90 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 162 121 shade: RGB 240 162 121, RGB 240 129 121 and RGB 240 121 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 162 121 shade: RGB 240 162 121, RGB 240 194 121, RGB 240 226 121, RGB 222 240 121 and RGB 190 240 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 162 121 shade matches the following richer shades: RGB 240 162 121 and RGB 252 158 109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 162 121 shade: RGB 240 162 121, RGB 228 165 133, RGB 217 169 145, RGB 205 173 157 and RGB 193 177 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 162 121 shade: RGB 240 121 145, RGB 240 129 121, RGB 240 161 121, RGB 240 193 121 and RGB 240 224 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 162 121 shade: RGB 233 110 46, RGB 237 136 83, RGB 240 162 121, RGB 244 188 158 and RGB 248 213 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 162 121 shade: RGB 241 162 121, RGB 177 240 121 and RGB 121 129 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 162 121 shade: RGB 241 162 121, RGB 121 240 161 and RGB 161 121 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 162 121 shade: RGB 241 162 121, RGB 177 240 121, RGB 121 201 240 and RGB 185 121 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 162 121 shade: RGB 241 162 121, RGB 141 240 121, RGB 121 201 240 and RGB 220 121 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 50 / 5

HEX #F1A279

RGB 241 162 121

HSL 20.5, 0.81%, 0.71%

LAB 73.49, 24.87, 33.19

 

Complementary color

CMYK 90 / 31 / 0 / 47

HEX #0E5D86

RGB 14 93 134

HSL 200.5, 0.81%, 0.29%

LAB 37.19, -6.58, -29.05

 

CMYK 0 / 34 / 53 / 4

HEX #F6A274

RGB 246 162 116

HSL 21.23, 0.88%, 0.71%

LAB 73.99, 26.41, 36.6

 

CMYK 0 / 29 / 47 / 0

HEX #FFB487

RGB 255 180 135

HSL 22.5, 1%, 0.76%

LAB 79.42, 22.21, 33.79

 

CMYK 0 / 22 / 40 / 0

HEX #FFC69A

RGB 255 198 154

HSL 26.14, 1%, 0.8%

LAB 83.96, 14.73, 29.85

 

CMYK 0 / 15 / 32 / 0

HEX #FFD8AD

RGB 255 216 173

HSL 31.46, 1%, 0.84%

LAB 88.63, 7.6, 26.27

 

CMYK 0 / 8 / 25 / 0

HEX #FFEAC0

RGB 255 234 192

HSL 40, 1%, 0.88%

LAB 93.41, 0.83, 23.01

 

CMYK 0 / 33 / 50 / 5

HEX #F1A279

RGB 241 162 121

HSL 20.5, 0.81%, 0.71%

LAB 73.49, 24.87, 33.19

 

CMYK 0 / 36 / 54 / 12

HEX #E09066

RGB 224 144 102

HSL 20.66, 0.66%, 0.64%

LAB 67.09, 26.02, 34.74

 

CMYK 0 / 39 / 60 / 19

HEX #CF7E53

RGB 207 126 83

HSL 20.81, 0.56%, 0.57%

LAB 60.62, 27.3, 36.44

 

CMYK 0 / 43 / 66 / 25

HEX #BE6C40

RGB 190 108 64

HSL 20.95, 0.5%, 0.5%

LAB 54.07, 28.76, 38.27

 

CMYK 0 / 48 / 74 / 32

HEX #AD5A2D

RGB 173 90 45

HSL 21.09, 0.59%, 0.43%

LAB 47.48, 30.4, 40.2

 

CMYK 0 / 33 / 50 / 6

HEX #F0A279

RGB 240 162 121

HSL 20.67, 0.8%, 0.71%

LAB 73.38, 24.48, 33.02

 

CMYK 0 / 46 / 50 / 6

HEX #F08179

RGB 240 129 121

HSL 4.03, 0.8%, 0.71%

LAB 66.22, 41.66, 23.56

 

CMYK 0 / 50 / 50 / 6

HEX #F07979

RGB 240 121 121

HSL 0, 0.8%, 0.71%

LAB 64.63, 45.66, 21.42

 

CMYK 0 / 33 / 50 / 6

HEX #F0A279

RGB 240 162 121

HSL 20.67, 0.8%, 0.71%

LAB 73.38, 24.48, 33.02

 

CMYK 0 / 19 / 50 / 6

HEX #F0C279

RGB 240 194 121

HSL 36.81, 0.8%, 0.71%

LAB 81.01, 7.6, 42.73

 

CMYK 0 / 6 / 50 / 6

HEX #F0E279

RGB 240 226 121

HSL 52.94, 0.8%, 0.71%

LAB 89.06, -8.8, 52.58

 

CMYK 8 / 0 / 50 / 6

HEX #DEF079

RGB 222 240 121

HSL 69.08, 0.8%, 0.71%

LAB 91.34, -22.75, 54.97

 

CMYK 21 / 0 / 50 / 6

HEX #BEF079

RGB 190 240 121

HSL 85.21, 0.8%, 0.71%

LAB 89.23, -34.78, 51.93

 

CMYK 0 / 33 / 50 / 6

HEX #F0A279

RGB 240 162 121

HSL 20.67, 0.8%, 0.71%

LAB 73.38, 24.48, 33.02

 

CMYK 0 / 37 / 57 / 1

HEX #FC9E6D

RGB 252 158 109

HSL 20.56, 0.96%, 0.71%

LAB 73.71, 30.31, 40.06

 

CMYK 0 / 33 / 50 / 6

HEX #F0A279

RGB 240 162 121

HSL 20.67, 0.8%, 0.71%

LAB 73.38, 24.48, 33.02

 

CMYK 0 / 28 / 42 / 11

HEX #E4A585

RGB 228 165 133

HSL 20.21, 0.64%, 0.71%

LAB 72.96, 19.34, 25.77

 

CMYK 0 / 22 / 33 / 15

HEX #D9A991

RGB 217 169 145

HSL 20, 0.49%, 0.71%

LAB 73, 14.29, 19.14

 

CMYK 0 / 16 / 23 / 20

HEX #CDAD9D

RGB 205 173 157

HSL 20, 0.32%, 0.71%

LAB 73.09, 9.14, 12.54

 

CMYK 0 / 8 / 12 / 24

HEX #C1B1A9

RGB 193 177 169

HSL 20, 0.16%, 0.71%

LAB 73.32, 4.36, 6.15

 

CMYK 0 / 50 / 40 / 6

HEX #F07991

RGB 240 121 145

HSL 347.9, 0.8%, 0.71%

LAB 65.16, 48.04, 8.53

 

CMYK 0 / 46 / 50 / 6

HEX #F08179

RGB 240 129 121

HSL 4.03, 0.8%, 0.71%

LAB 66.22, 41.66, 23.56

 

CMYK 0 / 33 / 50 / 6

HEX #F0A179

RGB 240 161 121

HSL 20.17, 0.8%, 0.71%

LAB 73.15, 25.01, 32.72

 

CMYK 0 / 20 / 50 / 6

HEX #F0C179

RGB 240 193 121

HSL 36.3, 0.8%, 0.71%

LAB 80.76, 8.12, 42.42

 

CMYK 0 / 7 / 50 / 6

HEX #F0E079

RGB 240 224 121

HSL 51.93, 0.8%, 0.71%

LAB 88.55, -7.79, 51.97

 

CMYK 0 / 53 / 80 / 9

HEX #E96E2E

RGB 233 110 46

HSL 20.53, 0.81%, 0.55%

LAB 60.49, 43.97, 55.66

 

CMYK 0 / 43 / 65 / 7

HEX #ED8853

RGB 237 136 83

HSL 20.65, 0.81%, 0.63%

LAB 66.7, 34.07, 44.64

 

CMYK 0 / 33 / 50 / 6

HEX #F0A279

RGB 240 162 121

HSL 20.67, 0.8%, 0.71%

LAB 73.38, 24.48, 33.02

 

CMYK 0 / 23 / 35 / 4

HEX #F4BC9E

RGB 244 188 158

HSL 20.93, 0.8%, 0.79%

LAB 80.55, 16.2, 22.95

 

CMYK 0 / 14 / 21 / 3

HEX #F8D5C3

RGB 248 213 195

HSL 20.38, 0.79%, 0.87%

LAB 87.72, 9.47, 13.4

 

CMYK 0 / 33 / 50 / 5

HEX #F1A279

RGB 241 162 121

HSL 20.5, 0.81%, 0.71%

LAB 73.49, 24.87, 33.19

 

CMYK 26 / 0 / 50 / 6

HEX #B1F079

RGB 177 240 121

HSL 91.76, 0.8%, 0.71%

LAB 88.47, -39.43, 50.84

 

CMYK 50 / 46 / 0 / 6

HEX #7981F0

RGB 121 129 240

HSL 235.97, 0.8%, 0.71%

LAB 58.09, 26.52, -56.99

 

CMYK 0 / 33 / 50 / 5

HEX #F1A279

RGB 241 162 121

HSL 20.5, 0.81%, 0.71%

LAB 73.49, 24.87, 33.19

 

CMYK 50 / 0 / 33 / 6

HEX #79F0A1

RGB 121 240 161

HSL 140.17, 0.8%, 0.71%

LAB 86.48, -50.67, 28.13

 

CMYK 33 / 50 / 0 / 6

HEX #A179F0

RGB 161 121 240

HSL 260.17, 0.8%, 0.71%

LAB 59.47, 40.63, -54.6

 

CMYK 0 / 33 / 50 / 5

HEX #F1A279

RGB 241 162 121

HSL 20.5, 0.81%, 0.71%

LAB 73.49, 24.87, 33.19

 

CMYK 26 / 0 / 50 / 6

HEX #B1F079

RGB 177 240 121

HSL 91.76, 0.8%, 0.71%

LAB 88.47, -39.43, 50.84

 

CMYK 50 / 16 / 0 / 6

HEX #79C9F0

RGB 121 201 240

HSL 199.66, 0.8%, 0.71%

LAB 77.36, -14.16, -26.84

 

CMYK 23 / 50 / 0 / 6

HEX #B979F0

RGB 185 121 240

HSL 272.27, 0.8%, 0.71%

LAB 61.9, 46.81, -50.6

 

CMYK 0 / 33 / 50 / 5

HEX #F1A279

RGB 241 162 121

HSL 20.5, 0.81%, 0.71%

LAB 73.49, 24.87, 33.19

 

CMYK 41 / 0 / 50 / 6

HEX #8DF079

RGB 141 240 121

HSL 109.92, 0.8%, 0.71%

LAB 86.68, -51.19, 48.25

 

CMYK 50 / 16 / 0 / 6

HEX #79C9F0

RGB 121 201 240

HSL 199.66, 0.8%, 0.71%

LAB 77.36, -14.16, -26.84

 

CMYK 8 / 50 / 0 / 6

HEX #DC79F0

RGB 220 121 240

HSL 289.92, 0.8%, 0.71%

LAB 65.89, 56.18, -44.03

 

Description

Color code: RGB 241 162 121 | qconv.com Color code: RGB 241 162 121 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 162 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 162 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 50 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 50% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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