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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F13DD6 it is the complementary color #0EC229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F13DD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F13DD6: #F63DD1, #FF4FE4, #FF61F7, #FF73FF and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F13DD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F13DD6: #F13DD6, #E02BC3, #CF19B0, #BE079D and #AD008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 11 / 5

HEX #F13DD6

RGB 241 61 214

HSL 309, 0.87%, 0.59%

LAB 58.88, 81.11, -40.31

 

Complementary color

CMYK 93 / 0 / 79 / 24

HEX #0EC229

RGB 14 194 41

HSL 129, 0.87%, 0.41%

LAB 68.63, -68.03, 60.29

 

CMYK 0 / 75 / 15 / 4

HEX #F63DD1

RGB 246 61 209

HSL 312, 0.91%, 0.6%

LAB 59.47, 81.51, -36.49

 

CMYK 0 / 69 / 11 / 0

HEX #FF4FE4

RGB 255 79 228

HSL 309.2, 1%, 0.65%

LAB 63.72, 80.59, -40.44

 

CMYK 0 / 62 / 3 / 0

HEX #FF61F7

RGB 255 97 247

HSL 303.04, 1%, 0.69%

LAB 66.92, 76.93, -45.95

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 75 / 11 / 5

HEX #F13DD6

RGB 241 61 214

HSL 309, 0.87%, 0.59%

LAB 58.88, 81.11, -40.31

 

CMYK 0 / 81 / 13 / 12

HEX #E02BC3

RGB 224 43 195

HSL 309.61, 0.74%, 0.52%

LAB 53.51, 79.58, -38.07

 

CMYK 0 / 88 / 15 / 19

HEX #CF19B0

RGB 207 25 176

HSL 310.22, 0.78%, 0.45%

LAB 48.38, 77.15, -35.26

 

CMYK 0 / 96 / 17 / 25

HEX #BE079D

RGB 190 7 157

HSL 310.82, 0.93%, 0.39%

LAB 43.56, 73.58, -31.75

 

CMYK 0 / 100 / 20 / 32

HEX #AD008A

RGB 173 0 138

HSL 312.14, 1%, 0.34%

LAB 39.1, 68.65, -27.4

 

CMYK 0 / 75 / 11 / 5

HEX #F13DD6

RGB 241 61 214

HSL 309, 0.87%, 0.59%

LAB 58.88, 81.11, -40.31

 

CMYK 0 / 76 / 24 / 5

HEX #F13BB7

RGB 241 59 183

HSL 319.12, 0.87%, 0.59%

LAB 57.32, 77.64, -24.99

 

CMYK 0 / 76 / 37 / 5

HEX #F13B99

RGB 241 59 153

HSL 329.01, 0.87%, 0.59%

LAB 56.22, 74.31, -9.15

 

CMYK 0 / 76 / 49 / 5

HEX #F13B7B

RGB 241 59 123

HSL 338.9, 0.87%, 0.59%

LAB 55.34, 71.57, 7.36

 

CMYK 0 / 76 / 62 / 5

HEX #F13B5C

RGB 241 59 92

HSL 349.12, 0.87%, 0.59%

LAB 54.66, 69.41, 24.91

 

CMYK 0 / 75 / 11 / 5

HEX #F13DD6

RGB 241 61 214

HSL 309, 0.87%, 0.59%

LAB 58.88, 81.11, -40.31

 

CMYK 0 / 76 / 11 / 85

HEX #250921

RGB 37 9 33

HSL 308.57, 0.61%, 0.09%

LAB 6.31, 18.13, -9.63

 

CMYK 0 / 75 / 11 / 65

HEX #58164E

RGB 88 22 78

HSL 309.09, 0.6%, 0.22%

LAB 20.82, 36.84, -18.59

 

CMYK 0 / 75 / 12 / 45

HEX #8B237B

RGB 139 35 123

HSL 309.23, 0.6%, 0.34%

LAB 34.23, 52.61, -26.17

 

CMYK 0 / 75 / 11 / 25

HEX #BE30A9

RGB 190 48 169

HSL 308.87, 0.6%, 0.47%

LAB 46.88, 67.33, -33.7

 

CMYK 0 / 75 / 11 / 5

HEX #F13DD6

RGB 241 61 214

HSL 309, 0.87%, 0.59%

LAB 58.88, 81.11, -40.31

 

CMYK 0 / 49 / 76 / 5

HEX #F17B3B

RGB 241 123 59

HSL 21.1, 0.87%, 0.59%

LAB 64.31, 41.07, 53.95

 

CMYK 76 / 0 / 19 / 5

HEX #3BF1C3

RGB 59 241 195

HSL 164.84, 0.87%, 0.59%

LAB 85.9, -55.05, 9.52

 

CMYK 0 / 75 / 11 / 5

HEX #F13DD6

RGB 241 61 214

HSL 309, 0.87%, 0.59%

LAB 58.88, 81.11, -40.31

 

CMYK 11 / 0 / 76 / 5

HEX #D6F13B

RGB 214 241 59

HSL 68.9, 0.87%, 0.59%

LAB 90.56, -30.46, 78.32

 

CMYK 76 / 11 / 0 / 5

HEX #3BD6F1

RGB 59 214 241

HSL 188.9, 0.87%, 0.59%

LAB 79.26, -30.57, -24.64

 

CMYK 0 / 75 / 11 / 5

HEX #F13DD6

RGB 241 61 214

HSL 309, 0.87%, 0.59%

LAB 58.88, 81.11, -40.31

 

CMYK 0 / 49 / 76 / 5

HEX #F17B3B

RGB 241 123 59

HSL 21.1, 0.87%, 0.59%

LAB 64.31, 41.07, 53.95

 

CMYK 76 / 0 / 64 / 5

HEX #3BF156

RGB 59 241 86

HSL 128.9, 0.87%, 0.59%

LAB 84.23, -73.86, 60.24

 

CMYK 76 / 27 / 0 / 5

HEX #3BB1F1

RGB 59 177 241

HSL 201.1, 0.87%, 0.59%

LAB 68.55, -11.6, -41.17

 

CMYK 0 / 75 / 11 / 5

HEX #F13DD6

RGB 241 61 214

HSL 309, 0.87%, 0.59%

LAB 58.88, 81.11, -40.31

 

CMYK 0 / 27 / 76 / 5

HEX #F1B13B

RGB 241 177 59

HSL 38.9, 0.87%, 0.59%

LAB 76.35, 12.93, 65.81

 

CMYK 76 / 0 / 64 / 5

HEX #3BF156

RGB 59 241 86

HSL 128.9, 0.87%, 0.59%

LAB 84.23, -73.86, 60.24

 

CMYK 76 / 49 / 0 / 5

HEX #3B7BF1

RGB 59 123 241

HSL 218.9, 0.87%, 0.59%

LAB 53.43, 20.06, -65.2

 

Description

Color code: HEX #F13DD6 | qconv.com Color code: HEX #F13DD6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 61 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 61 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 11 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 11% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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