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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1399C it is the complementary color #0EC663. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1399C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F1399C: #F63997, #FF4BAA, #FF5DBD, #FF6FD0 and #FF81E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1399C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F1399C: #F1399C, #E02789, #CF1576, #BE0363 and #AD0050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 35 / 5

HEX #F1399C

RGB 241 57 156

HSL 327.72, 0.87%, 0.58%

LAB 56.12, 75.18, -11.06

 

Complementary color

CMYK 93 / 0 / 50 / 22

HEX #0EC663

RGB 14 198 99

HSL 147.72, 0.87%, 0.42%

LAB 70.44, -62.71, 38.07

 

CMYK 0 / 77 / 39 / 4

HEX #F63997

RGB 246 57 151

HSL 330.16, 0.91%, 0.59%

LAB 56.83, 75.92, -6.95

 

CMYK 0 / 71 / 33 / 0

HEX #FF4BAA

RGB 255 75 170

HSL 328.33, 1%, 0.65%

LAB 60.95, 74.64, -11.72

 

CMYK 0 / 64 / 26 / 0

HEX #FF5DBD

RGB 255 93 189

HSL 324.44, 1%, 0.68%

LAB 63.97, 70.29, -18.06

 

CMYK 0 / 56 / 18 / 0

HEX #FF6FD0

RGB 255 111 208

HSL 319.58, 1%, 0.72%

LAB 67.41, 65.31, -23.52

 

CMYK 0 / 49 / 11 / 0

HEX #FF81E3

RGB 255 129 227

HSL 313.33, 1%, 0.75%

LAB 71.22, 59.9, -28.24

 

CMYK 0 / 76 / 35 / 5

HEX #F1399C

RGB 241 57 156

HSL 327.72, 0.87%, 0.58%

LAB 56.12, 75.18, -11.06

 

CMYK 0 / 83 / 39 / 12

HEX #E02789

RGB 224 39 137

HSL 328.22, 0.75%, 0.52%

LAB 50.81, 73.73, -8.02

 

CMYK 0 / 90 / 43 / 19

HEX #CF1576

RGB 207 21 118

HSL 328.71, 0.82%, 0.45%

LAB 45.78, 71.34, -4.28

 

CMYK 0 / 98 / 48 / 25

HEX #BE0363

RGB 190 3 99

HSL 329.2, 0.97%, 0.38%

LAB 41.08, 67.88, 0.27

 

CMYK 0 / 100 / 54 / 32

HEX #AD0050

RGB 173 0 80

HSL 332.25, 1%, 0.34%

LAB 36.86, 62.86, 5.89

 

CMYK 0 / 76 / 35 / 5

HEX #F1399C

RGB 241 57 156

HSL 327.72, 0.87%, 0.58%

LAB 56.12, 75.18, -11.06

 

CMYK 0 / 78 / 48 / 5

HEX #F1367E

RGB 241 54 126

HSL 336.9, 0.87%, 0.58%

LAB 54.91, 73.24, 4.96

 

CMYK 0 / 78 / 61 / 5

HEX #F1365F

RGB 241 54 95

HSL 346.84, 0.87%, 0.58%

LAB 54.2, 71.04, 22.52

 

CMYK 0 / 78 / 73 / 5

HEX #F13640

RGB 241 54 64

HSL 356.79, 0.87%, 0.58%

LAB 53.72, 69.51, 40.04

 

CMYK 0 / 68 / 78 / 5

HEX #F14C36

RGB 241 76 54

HSL 7.06, 0.87%, 0.58%

LAB 56.22, 61.9, 48.14

 

CMYK 0 / 76 / 35 / 5

HEX #F1399C

RGB 241 57 156

HSL 327.72, 0.87%, 0.58%

LAB 56.12, 75.18, -11.06

 

CMYK 0 / 76 / 35 / 85

HEX #250918

RGB 37 9 24

HSL 327.86, 0.61%, 0.09%

LAB 5.91, 16.03, -3.2

 

CMYK 0 / 76 / 35 / 65

HEX #581539

RGB 88 21 57

HSL 327.76, 0.61%, 0.21%

LAB 19.67, 34.01, -5.91

 

CMYK 0 / 76 / 35 / 45

HEX #8B215A

RGB 139 33 90

HSL 327.74, 0.62%, 0.34%

LAB 32.51, 48.75, -7.77

 

CMYK 0 / 76 / 35 / 25

HEX #BE2D7B

RGB 190 45 123

HSL 327.72, 0.62%, 0.46%

LAB 44.59, 62.34, -9.47

 

CMYK 0 / 76 / 35 / 5

HEX #F1399C

RGB 241 57 156

HSL 327.72, 0.87%, 0.58%

LAB 56.12, 75.18, -11.06

 

CMYK 0 / 27 / 78 / 5

HEX #F1AF36

RGB 241 175 54

HSL 38.82, 0.87%, 0.58%

LAB 75.84, 13.79, 67.17

 

CMYK 78 / 4 / 0 / 5

HEX #36E7F1

RGB 54 231 241

HSL 183.21, 0.87%, 0.58%

LAB 84.11, -39.04, -17.29

 

CMYK 0 / 76 / 35 / 5

HEX #F1399C

RGB 241 57 156

HSL 327.72, 0.87%, 0.58%

LAB 56.12, 75.18, -11.06

 

CMYK 35 / 0 / 78 / 5

HEX #9DF136

RGB 157 241 54

HSL 86.95, 0.87%, 0.58%

LAB 87.17, -52.04, 75.41

 

CMYK 78 / 35 / 0 / 5

HEX #369DF1

RGB 54 157 241

HSL 206.95, 0.87%, 0.58%

LAB 62.72, -0.94, -50.36

 

CMYK 0 / 76 / 35 / 5

HEX #F1399C

RGB 241 57 156

HSL 327.72, 0.87%, 0.58%

LAB 56.12, 75.18, -11.06

 

CMYK 0 / 27 / 78 / 5

HEX #F1AF36

RGB 241 175 54

HSL 38.82, 0.87%, 0.58%

LAB 75.84, 13.79, 67.17

 

CMYK 78 / 0 / 43 / 5

HEX #36F18A

RGB 54 241 138

HSL 146.95, 0.87%, 0.58%

LAB 84.76, -67.36, 37.09

 

CMYK 78 / 51 / 0 / 5

HEX #3677F1

RGB 54 119 241

HSL 219.14, 0.87%, 0.58%

LAB 52.21, 22.01, -67.19

 

CMYK 0 / 76 / 35 / 5

HEX #F1399C

RGB 241 57 156

HSL 327.72, 0.87%, 0.58%

LAB 56.12, 75.18, -11.06

 

CMYK 0 / 4 / 78 / 5

HEX #F1E736

RGB 241 231 54

HSL 56.79, 0.87%, 0.58%

LAB 89.91, -14.85, 79.94

 

CMYK 78 / 0 / 43 / 5

HEX #36F18A

RGB 54 241 138

HSL 146.95, 0.87%, 0.58%

LAB 84.76, -67.36, 37.09

 

CMYK 78 / 73 / 0 / 5

HEX #3640F1

RGB 54 64 241

HSL 236.79, 0.87%, 0.58%

LAB 39.24, 55.41, -88.39

 

Description

Color code: HEX #F1399C | qconv.com Color code: HEX #F1399C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 57 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 57 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 35 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 35% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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