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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0EEE519 it is the complementary color #0F111A19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0EEE519. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F0EEE519: #F5EEE019, #FFFFF319

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0EEE519. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F0EEE519: #F0EEE519, #DFDCD219, #CECABF19, #BDB8AC19 and #ACA69919

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 1

HEX #F0EEE519

RGBA 240 238 229 0.1

HSLA 49.09, 0.27%, 0.92%, 0.1

LABA 94.03, -0.88, 4.58, 0.1

 

Complementary color

CMYK 4 / 3 / 0 / 9

HEX #0F111A19

RGBA 15 17 26 0.1

HSLA 229.09, 0.27%, 0.08%, 0.1

LABA 5.21, 1.45, -6.1, 0.1

 

CMYK 0 / 0 / 1 / 0

HEX #F5EEE019

RGBA 245 238 224 0.1

HSLA 40, 0.51%, 0.92%, 0.1

LABA 94.29, -0, 7.6, 0.1

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFF319

RGBA 255 255 243 0.1

HSLA 60, 1%, 0.98%, 0.1

LABA 99.71, -2.05, 5.72, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #F0EEE519

RGBA 240 238 229 0.1

HSLA 49.09, 0.27%, 0.92%, 0.1

LABA 94.03, -0.88, 4.58, 0.1

 

CMYK 0 / 0 / 1 / 1

HEX #DFDCD219

RGBA 223 220 210 0.1

HSLA 46.15, 0.17%, 0.85%, 0.1

LABA 87.74, -0.72, 5.26, 0.1

 

CMYK 0 / 0 / 1 / 2

HEX #CECABF19

RGBA 206 202 191 0.1

HSLA 44, 0.13%, 0.78%, 0.1

LABA 81.36, -0.54, 5.97, 0.1

 

CMYK 0 / 0 / 1 / 3

HEX #BDB8AC19

RGBA 189 184 172 0.1

HSLA 42.35, 0.11%, 0.71%, 0.1

LABA 74.87, -0.35, 6.71, 0.1

 

CMYK 0 / 0 / 1 / 3

HEX #ACA69919

RGBA 172 166 153 0.1

HSLA 41.05, 0.1%, 0.64%, 0.1

LABA 68.27, -0.15, 7.49, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #F0EEE519

RGBA 240 238 229 0.1

HSLA 49.09, 0.27%, 0.92%, 0.1

LABA 94.03, -0.88, 4.58, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #F0EFE519

RGBA 240 239 229 0.1

HSLA 54.55, 0.27%, 0.92%, 0.1

LABA 94.28, -1.39, 4.94, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #EEF0E519

RGBA 238 240 229 0.1

HSLA 70.91, 0.27%, 0.92%, 0.1

LABA 94.38, -2.58, 5.07, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #ECF0E519

RGBA 236 240 229 0.1

HSLA 81.82, 0.27%, 0.92%, 0.1

LABA 94.23, -3.26, 4.84, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #EAF0E519

RGBA 234 240 229 0.1

HSLA 92.73, 0.27%, 0.92%, 0.1

LABA 94.09, -3.93, 4.61, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #F0EEE519

RGBA 240 238 229 0.1

HSLA 49.09, 0.27%, 0.92%, 0.1

LABA 94.03, -0.88, 4.58, 0.1

 

CMYK 0 / 0 / 1 / 9

HEX #24242219

RGBA 36 36 34 0.1

HSLA 60, 0.03%, 0.14%, 0.1

LABA 14.13, -0.48, 1.33, 0.1

 

CMYK 0 / 0 / 0 / 7

HEX #57565319

RGBA 87 86 83 0.1

HSLA 45, 0.02%, 0.33%, 0.1

LABA 36.57, -0.22, 1.88, 0.1

 

CMYK 0 / 0 / 0 / 5

HEX #8A898419

RGBA 138 137 132 0.1

HSLA 50, 0.02%, 0.53%, 0.1

LABA 57.04, -0.59, 2.8, 0.1

 

CMYK 0 / 0 / 0 / 3

HEX #BDBBB419

RGBA 189 187 180 0.1

HSLA 46.67, 0.06%, 0.72%, 0.1

LABA 75.86, -0.56, 3.78, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #F0EEE519

RGBA 240 238 229 0.1

HSLA 49.09, 0.27%, 0.92%, 0.1

LABA 94.03, -0.88, 4.58, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #E5F0E519

RGBA 229 240 229 0.1

HSLA 120, 0.27%, 0.92%, 0.1

LABA 93.73, -5.61, 4.04, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #E9E5F019

RGBA 233 229 240 0.1

HSLA 261.82, 0.27%, 0.92%, 0.1

LABA 91.53, 3.33, -4.86, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #F0EEE519

RGBA 240 238 229 0.1

HSLA 49.09, 0.27%, 0.92%, 0.1

LABA 94.03, -0.88, 4.58, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #E5F0EE19

RGBA 229 240 238 0.1

HSLA 169.09, 0.27%, 0.92%, 0.1

LABA 93.95, -3.99, -0.31, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #EEE5F019

RGBA 238 229 240 0.1

HSLA 289.09, 0.27%, 0.92%, 0.1

LABA 91.91, 4.99, -4.26, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #F0EEE519

RGBA 240 238 229 0.1

HSLA 49.09, 0.27%, 0.92%, 0.1

LABA 94.03, -0.88, 4.58, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #E5F0E519

RGBA 229 240 229 0.1

HSLA 120, 0.27%, 0.92%, 0.1

LABA 93.73, -5.61, 4.04, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #E5E7F019

RGBA 229 231 240 0.1

HSLA 229.09, 0.27%, 0.92%, 0.1

LABA 91.73, 0.98, -4.6, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #F0E5EF19

RGBA 240 229 239 0.1

HSLA 305.45, 0.27%, 0.92%, 0.1

LABA 92.04, 5.47, -3.53, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #F0EEE519

RGBA 240 238 229 0.1

HSLA 49.09, 0.27%, 0.92%, 0.1

LABA 94.03, -0.88, 4.58, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #E5F0E819

RGBA 229 240 232 0.1

HSLA 136.36, 0.27%, 0.92%, 0.1

LABA 93.8, -5.08, 2.59, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #E5E7F019

RGBA 229 231 240 0.1

HSLA 229.09, 0.27%, 0.92%, 0.1

LABA 91.73, 0.98, -4.6, 0.1

 

CMYK 0 / 0 / 0 / 1

HEX #F0E5EC19

RGBA 240 229 236 0.1

HSLA 321.82, 0.27%, 0.92%, 0.1

LABA 91.96, 4.94, -2.07, 0.1

 

Description

Color code: HEX #F0EEE519 | qconv.com Color code: HEX #F0EEE519 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 238 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 238 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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