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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0DB9ACE it is the complementary color #0F2465CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0DB9ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0DB9ACE shade: #F5DB95CE, #FFEDA8CE, #FFFFBBCE, #FFFFCECE and #FFFFE1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0DB9ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0DB9ACE shade: #F0DB9ACE, #DFC987CE, #CEB774CE, #BDA561CE and #AC934ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0DB9ACE shade: #F0DB99, #F0C399, #F0AC99 and #F09999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0DB9ACE shade: #F0DB99, #EEF099, #D6F099, #BFF099 and #A7F099

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0DB9ACE shade matches the following richer shades: #F0DB99 and #F9DF8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0DB9ACE shade: #F0DB99, #E6D6A2, #DDD1AC, #D3CCB5 and #CAC7BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0DB9ACE shade: #F0AC99, #F0C399, #F0DA99, #EEF099 and #D7F099

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0DB9ACE shade: #E5C151, #EACE75, #F0DB99, #F5E7BD and #FAF4E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0DB9ACE shade: #F0DB9A, #9DF099 and #B799F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0DB9ACE shade: #F0DB9A, #99F0DA and #DA99F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0DB9ACE shade: #F0DB9A, #9DF099, #99AFF0 and #EB99F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0DB9ACE shade: #F0DB9A, #99F0AF, #99AFF0 and #F099DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 29 / 5

HEX #F0DB9ACE

RGBA 240 219 154 0.81

HSLA 45.35, 0.74%, 0.77%, 0.81

LABA 87.74, -1.94, 34.62, 0.81

 

Complementary color

CMYK 69 / 52 / 0 / 49

HEX #0F2465CE

RGBA 15 36 101 0.81

HSLA 225.35, 0.74%, 0.23%, 0.81

LABA 17, 18.81, -40.53, 0.81

 

CMYK 0 / 9 / 32 / 3

HEX #F5DB95CE

RGBA 245 219 149 0.81

HSLA 43.75, 0.83%, 0.77%, 0.81

LABA 88.09, -0.56, 37.7, 0.81

 

CMYK 0 / 6 / 28 / 0

HEX #FFEDA8CE

RGBA 255 237 168 0.81

HSLA 47.59, 1%, 0.83%, 0.81

LABA 93.73, -3.69, 35.68, 0.81

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFBBCE

RGBA 255 255 187 0.81

HSLA 60, 1%, 0.87%, 0.81

LABA 98.58, -10.32, 32.6, 0.81

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFCECE

RGBA 255 255 206 0.81

HSLA 60, 1%, 0.9%, 0.81

LABA 98.92, -7.77, 23.48, 0.81

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE1CE

RGBA 255 255 225 0.81

HSLA 60, 1%, 0.94%, 0.81

LABA 99.31, -4.95, 14.35, 0.81

 

CMYK 0 / 7 / 29 / 5

HEX #F0DB9ACE

RGBA 240 219 154 0.81

HSLA 45.35, 0.74%, 0.77%, 0.81

LABA 87.74, -1.94, 34.62, 0.81

 

CMYK 0 / 8 / 32 / 10

HEX #DFC987CE

RGBA 223 201 135 0.81

HSLA 45, 0.58%, 0.7%, 0.81

LABA 81.41, -1.46, 35.79, 0.81

 

CMYK 0 / 9 / 35 / 16

HEX #CEB774CE

RGBA 206 183 116 0.81

HSLA 44.67, 0.48%, 0.63%, 0.81

LABA 74.98, -0.92, 37.01, 0.81

 

CMYK 0 / 10 / 39 / 21

HEX #BDA561CE

RGBA 189 165 97 0.81

HSLA 44.35, 0.41%, 0.56%, 0.81

LABA 68.45, -0.27, 38.28, 0.81

 

CMYK 0 / 12 / 44 / 26

HEX #AC934ECE

RGBA 172 147 78 0.81

HSLA 44.04, 0.38%, 0.49%, 0.81

LABA 61.82, 0.5, 39.58, 0.81

 

CMYK 0 / 9 / 36 / 6

HEX #F0DB99

RGB 240 219 153

HSL 45.52, 0.74%, 0.77%

LAB 87.72, -2.05, 35.11

 

CMYK 0 / 19 / 36 / 6

HEX #F0C399

RGB 240 195 153

HSL 28.97, 0.74%, 0.77%

LAB 81.76, 10.38, 27.17

 

CMYK 0 / 28 / 36 / 6

HEX #F0AC99

RGB 240 172 153

HSL 13.1, 0.74%, 0.77%

LAB 76.27, 22.53, 19.68

 

CMYK 0 / 36 / 36 / 6

HEX #F09999

RGB 240 153 153

HSL 0, 0.74%, 0.77%

LAB 71.97, 32.58, 13.68

 

CMYK 0 / 9 / 36 / 6

HEX #F0DB99

RGB 240 219 153

HSL 45.52, 0.74%, 0.77%

LAB 87.72, -2.05, 35.11

 

CMYK 1 / 0 / 36 / 6

HEX #EEF099

RGB 238 240 153

HSL 61.38, 0.74%, 0.77%

LAB 92.93, -13.36, 41.85

 

CMYK 11 / 0 / 36 / 6

HEX #D6F099

RGB 214 240 153

HSL 77.93, 0.74%, 0.77%

LAB 91.2, -22.35, 39.28

 

CMYK 20 / 0 / 36 / 6

HEX #BFF099

RGB 191 240 153

HSL 93.79, 0.74%, 0.77%

LAB 89.72, -30.62, 37.07

 

CMYK 30 / 0 / 36 / 6

HEX #A7F099

RGB 167 240 153

HSL 110.34, 0.74%, 0.77%

LAB 88.37, -38.72, 35.04

 

CMYK 0 / 9 / 36 / 6

HEX #F0DB99

RGB 240 219 153

HSL 45.52, 0.74%, 0.77%

LAB 87.72, -2.05, 35.11

 

CMYK 0 / 10 / 43 / 2

HEX #F9DF8F

RGB 249 223 143

HSL 45.28, 0.9%, 0.77%

LAB 89.35, -1.66, 42.4

 

CMYK 0 / 9 / 36 / 6

HEX #F0DB99

RGB 240 219 153

HSL 45.52, 0.74%, 0.77%

LAB 87.72, -2.05, 35.11

 

CMYK 0 / 7 / 30 / 10

HEX #E6D6A2

RGB 230 214 162

HSL 45.88, 0.58%, 0.77%

LAB 85.77, -2.24, 27.73

 

CMYK 0 / 5 / 22 / 13

HEX #DDD1AC

RGB 221 209 172

HSL 45.31, 0.42%, 0.77%

LAB 83.94, -1.7, 19.88

 

CMYK 0 / 3 / 14 / 17

HEX #D3CCB5

RGB 211 204 181

HSL 46, 0.25%, 0.77%

LAB 82.04, -1.44, 12.33

 

CMYK 0 / 1 / 5 / 21

HEX #CAC7BF

RGB 202 199 191

HSL 43.64, 0.09%, 0.77%

LAB 80.27, -0.38, 4.36

 

CMYK 0 / 28 / 36 / 6

HEX #F0AC99

RGB 240 172 153

HSL 13.1, 0.74%, 0.77%

LAB 76.27, 22.53, 19.68

 

CMYK 0 / 19 / 36 / 6

HEX #F0C399

RGB 240 195 153

HSL 28.97, 0.74%, 0.77%

LAB 81.76, 10.38, 27.17

 

CMYK 0 / 9 / 36 / 6

HEX #F0DA99

RGB 240 218 153

HSL 44.83, 0.74%, 0.77%

LAB 87.47, -1.54, 34.78

 

CMYK 1 / 0 / 36 / 6

HEX #EEF099

RGB 238 240 153

HSL 61.38, 0.74%, 0.77%

LAB 92.93, -13.36, 41.85

 

CMYK 10 / 0 / 36 / 6

HEX #D7F099

RGB 215 240 153

HSL 77.24, 0.74%, 0.77%

LAB 91.26, -21.98, 39.38

 

CMYK 0 / 16 / 65 / 10

HEX #E5C151

RGB 229 193 81

HSL 45.41, 0.74%, 0.61%

LAB 79.27, 0.57, 59.4

 

CMYK 0 / 12 / 50 / 8

HEX #EACE75

RGB 234 206 117

HSL 45.64, 0.74%, 0.69%

LAB 83.4, -1.41, 47.53

 

CMYK 0 / 9 / 36 / 6

HEX #F0DB99

RGB 240 219 153

HSL 45.52, 0.74%, 0.77%

LAB 87.72, -2.05, 35.11

 

CMYK 0 / 6 / 23 / 4

HEX #F5E7BD

RGB 245 231 189

HSL 45, 0.74%, 0.85%

LAB 91.79, -1.73, 22.19

 

CMYK 0 / 2 / 10 / 2

HEX #FAF4E1

RGB 250 244 225

HSL 45.6, 0.71%, 0.93%

LAB 96.19, -1.16, 9.86

 

CMYK 0 / 9 / 36 / 6

HEX #F0DB9A

RGB 240 219 154

HSL 45.35, 0.74%, 0.77%

LAB 87.74, -1.94, 34.62

 

CMYK 35 / 0 / 36 / 6

HEX #9DF099

RGB 157 240 153

HSL 117.24, 0.74%, 0.77%

LAB 87.87, -41.89, 34.29

 

CMYK 24 / 36 / 0 / 6

HEX #B799F0

RGB 183 153 240

HSL 260.69, 0.74%, 0.77%

LAB 68.85, 28.65, -39.67

 

CMYK 0 / 9 / 36 / 6

HEX #F0DB9A

RGB 240 219 154

HSL 45.35, 0.74%, 0.77%

LAB 87.74, -1.94, 34.62

 

CMYK 36 / 0 / 9 / 6

HEX #99F0DA

RGB 153 240 218

HSL 164.83, 0.74%, 0.77%

LAB 89, -31.04, 2.35

 

CMYK 9 / 36 / 0 / 6

HEX #DA99F0

RGB 218 153 240

HSL 284.83, 0.74%, 0.77%

LAB 72.21, 39.01, -34.18

 

CMYK 0 / 9 / 36 / 6

HEX #F0DB9A

RGB 240 219 154

HSL 45.35, 0.74%, 0.77%

LAB 87.74, -1.94, 34.62

 

CMYK 35 / 0 / 36 / 6

HEX #9DF099

RGB 157 240 153

HSL 117.24, 0.74%, 0.77%

LAB 87.87, -41.89, 34.29

 

CMYK 36 / 27 / 0 / 6

HEX #99AFF0

RGB 153 175 240

HSL 224.83, 0.74%, 0.77%

LAB 72.04, 7.86, -34.88

 

CMYK 2 / 36 / 0 / 6

HEX #EB99F0

RGB 235 153 240

HSL 296.55, 0.74%, 0.77%

LAB 74.02, 44.16, -31.25

 

CMYK 0 / 9 / 36 / 6

HEX #F0DB9A

RGB 240 219 154

HSL 45.35, 0.74%, 0.77%

LAB 87.74, -1.94, 34.62

 

CMYK 36 / 0 / 27 / 6

HEX #99F0AF

RGB 153 240 175

HSL 135.17, 0.74%, 0.77%

LAB 88.06, -39.5, 23.33

 

CMYK 36 / 27 / 0 / 6

HEX #99AFF0

RGB 153 175 240

HSL 224.83, 0.74%, 0.77%

LAB 72.04, 7.86, -34.88

 

CMYK 0 / 36 / 9 / 6

HEX #F099DA

RGB 240 153 218

HSL 315.17, 0.74%, 0.77%

LAB 73.78, 41.87, -19.54

 

Description

Color code: HEX #F0DB9ACE | qconv.com Color code: HEX #F0DB9ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 219 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 219 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 29 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 29% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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